Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Retro Spins: David Bowie - Scary Monsters (And Super Creeps)


When David Bowie hit it big in 1983 with his album, Let's Dance, my young self would have told you, that was his first outing. I'd never heard any of his music from the sixties and seventies. Heck, I hadn't even heard Under Pressure (Queen) at this point. As far as I knew, he was a new 80's act. That happened a lot to me as a kid.

As I started growing my CD collection, I found myself inadvertantly hunting down Bowie albums. Somehow, I've managed to amass all but three of his studio releases from his debut in 1967 through 1987's Never Let Me Down, the latter being his last entry into the 80's. However, I've never really taken the time to listen to many of them. To date, I've only heard his debut and Let's Dance. It's something I definitely need to rectify, and I guess today we'll tick off another.

Since it's so vast, and I really only know what Wiki would tell me, I'll skip the history lesson. I've been doing that as of late anyway. Instead, I'll just dive headlong into 1980's Scary Monsters (And Super Creeps).

First and foremost, wow! Did David Bowie usher in the 80's, or what? This album feels way ahead of its time for what  was the norm on the Billboard 100. If I had known Bowie could deliver like this, I would have checked in a lot sooner.

Personally, I favored the first half of Scary Monsters to the back half, or side B if referencing the vinyl. That's not to say that the second part was bad by any means, but perhaps the novely of it wore off by the twenty twenty-five minute mark. Whatever it was, I found myself less and less invested, and actually kind of wishing that it would just end.

Admittedly, part of this could have been an overall fatigue from music for the day. Including this one, I listened to five on a Saturday. It got to the point that I kind of just wanted to do something else, but yet at the same time was forcing myself through so I could be done with it.

At the end of it, I will still say the album was enjoyable. It had its better moments, but overall was good. It definietly makes me glad I have more Bowie at my disposal, and I'll defintiely be getting around to it sooner than later...I hope.

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.

THIS WEEK ON THE CHARTS
May 2, 1981
 
THIS WEEK ON THE CHARTS
May 2, 1987


Retro Spins: David Bowie - David Bowie

 

My favorite David Bowie song is so obscure, that nobody would ever guess it. Despite his many hits throughout the 1970's and 80's, which are great,  you won't find it amongst your Space Oddity's, China Girl's or Magic Dance's. Nope. You would need to go all the way to the 1992 soundtrack for the title track, Cool World, to find my favorite.

Though he had achieved major success far prior to this, my introduction to Bowie didn't occur until 1983. In retrospect of my childhood, it's funny how when you don't know about an artist until your particular era, that you can't fathom they had been around long before that. To me, artists like David Bowie, Peter Gabriel, Phil Collins and even Fleetwood Mac, were new artists in the 80's. They didn't exist prior to me hearing them for the first time with their, at the time, current hits.

Bowie consecutively released albums from 1967 through 2016, with very few breaks in between. Throughout his career, he evolved from hippy, to glam rock, to full suits and ties, and on. No one era can truly define his legacy as an artist. He managed to do what so few musicians could, evolving seamlessly from decade to decade, staying relevant throughout as one of the front line forerunners.

Tragically, he passed away just two days after the release of his 2016 album, Blackstar. Bowie had been suffering from liver cancer, but kept this out of the public's eye. I respect that. He wanted people to remember him for who he was. Not be bombarded with unwanted attention and focus for his illness.

I pay my respects to him by going back to his 1967 debut for today's Retro Spins. As the album started up, I picked up on the psychedelic rock style, reminiscent of the era the album is from. It's on par with the like of The Doors, Big Brother And Holding Company, The Who and so many more staples of the late 60's.

I found myself grinning to the lyrics of the first track, Uncle Arthur. I feel he and I would have been great friends amongst the lyrics, "Uncle Arthur, still reads comics. Uncle Arthur, follows Batman." That's my kind of people.

Bowie has a unique voice, that regardless of the song he's singing, sucks you in, and this is what I found kept happening to me. I enjoyed everything, not necessarily for the music or lyrics, but his voice. It's funny how when you listen to older albums that the artists sound different, because of their age. For example, you can definitely tell that James Hatfield was in his early twenties when you hear Kill 'Em All, vs. being in his late twenties for the black album. His voice changed that much over eight years. However, with Bowie, he sounds exactly the same at the age of twenty as he did in his sixties.

Unlike many of the debut albums I've been listening to as of late, I would totally recommend this one. It's pretty good. It makes me want to hear more from him, and as we all know at this point, that's the ultimate goal of these Retro Spins.

It was interesting to learn that Deram, the label Bowie released his debut album on, dropped him among poor sales. What they failed to acknowledge was that in 1967 he was contending with the likes of The Beatles' Sgt. Pepper. Their loss I suppose, as he would go on to release his second self titled album in 1969 featuring Space Oddity. So they can go ahead and file that one under, "Oops."

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 Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.

Retro Spins: Labyrinth



We were all seated in the family room of our parent's home in Oregon, and my dad said, "Let's watch a movie." We had no idea what we were about to get, but man, was it memorable. The fantasy world, the labyrinth, The Goblin King and his minions, Sarah on the hunt through all of it for her baby brother Toby, all masterfully crafted from the minds of Terry Jones and Jim Henson.

Sarah (JENNIFER CONNELLY) has just made a terrible wish. She wished her baby brother would be taken away by goblins - and her wish has come true! The Goblin King (DAVID BOWIE) has whisked the boy off to his castle to be goblinized. Now Sarah must rescue him, but that means getting into the Goblin Castle and facing the mighty, Jareth.

Between Sarah and the castle stands the LABYRINTH, a magically mesmerizing world of mazes, mystery and spellbinding excitement! A world where all sorts of endearing and tricky, delightfully mischievous creatures lurk around every corner! Enter with Sarah into a world of wonderment...enter into the LABYRINTH! - Back of the original VHS

I initially had Grease 2 and mind to finish off Retro Spins for 2020. However, just as I was about to play it, my mind went to Labyrinth, and was no parts of moving on from there without firing it up. It was a good choice.

David Bowie and Trevor Jones created a fun mixture of vocal and instrumental tracks which drop you right into the movie itself as they play. The album opens with Bowie's superb Underground, and from there flips back and forth between his sung tracks and Trevor Jones score.

Listening to this album made me want to watch the movie again, which is something I may very well have to go do now. I suppose that's what makes a great soundtrack in the long run. One which ignites your mind so fully with imagery of the film that you need to go watch it just to appease yourself.

Then there are the songs which induce nightmares in your head - Such as Chilly Down by the Fire Gang creatures from the film. Those things spooked the crap out of me as a kid, and even in my adult years I don't enjoy that scene. Thanks for scarring me, Labyrinth!

On a side note, I always wished there was a studio version of Magic Dance released that featured the goblins and baby from the film. The one on the soundtrack is fine, and does the trick when you want to hear it. But, it could be so much better.

Overall though, it was a fantastic album to listen to. I ended up adding all of the David Bowie tracks to my iTunes and iPod shuffles. I passed on all the Trevor Jones tracks as well as Chilly Down.

With that, another year wraps up for Retro Spins here at The Toy Box. Next year I'll be jumping back into studio albums from some of my favorite artists. For now though, it's been rather enjoyable to listen to so many soundtracks from classic, and not so classic, 80's films. I'd definitely like to do this again in the future, but need to bolster up my 80's soundtracks first in order to encompass a full year.

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Retro Spins: David Bowie & Mick Jagger - Dancing In The Streets



David Bowie & Mick Jagger
Dancing in the Streets
1985

It honestly shocked me to find the classic Dancing in the Streets from David Bowie and Mick Jagger was only released on vinyl in 1985. I thought for sure this would be on one of the two's solo albums, but no. Single, or nothing.

The track was recorded by the duo as a contribution to Live Aid, and was completed, video and all, in under twenty-four hours. Another interesting fact about the song, is that the band playing the music is The Jam - Another band I came to find out who my favorite song from was also only released as a single. For the sake of closing the loop, that would be their 1981 single, Absolute Beginners, which would later be used on the 1997 soundtrack for Grosse Pointe Blank.

Boy, singles everywhere!

It's sad, thanks a lot in part to Family Guy, that these days the song is considered to be one of the worst things to come from 80's music. I guess it's just one of those, you had to be there moments, where you could enjoy the tune as it was intended to be - A fun duo between two of rock's greatest musicians. And, it is fun. It's catchy. It's got a beat you could dance to, and hey, to boot, it's even just good - You know, the biggest thing that matters in the long run.

Dancing in the Streets came in multiple vinyl versions, which included, twelve inch, seven inch and forty-five.

The twelve inch featured the extended dance mix, the dub mix and edited version, aka the radio version. The seven inch featured something called the Clearoutain Mix as well as the instrumental version. The forty-five featured the original version as well as an instrumental one.

For my collection, I opted just the forty-five as I just wanted the "original" version of the song. Of course, if you're looking to get this track in crystal clear digital form, you can look to the 2007 released The Very Best of Mick Jagger or the 2002 released Best of Bowie.

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Retro Spins: David Bowie - Let's Dance



David Bowie
Let's Dance
1983

David Bowie's Let's Dance is an important milestone album for me. While many people have been enjoying this album since April of 1983 I have never heard any of his albums until obtaining this one recently. Sure, I've heard Bowie's hits played here and there on the radio and they were decent. However, up until Let's Dance, I've never actually owned or listen to a Bowie album - Well, unless you count the Labyrinth soundtrack. I don't.

Bowie's first single from the album, Cat People (Putting Out Fire) charted a full one year ahead of the album being released. However, this was due to the fact the song appeared not only the album to come, but also from the movie soundtrack to Cat People. So really, does this one count?

Whether it does or doesn't, it wouldn't be the only song to chart from what would quickly become Bowie's most popular album of the 80's. Let's Dance (the song) hit the charts in March of '83 and flew up the charts to the number one spot by May, knocking Michael's Jackson's Beat It down to number two.

While the track remained in the top ten, China Girl joined it on the charts in June. The two songs would pass each other in the charts in July as China Girl continued its way up while Let's Dance slowly drifted off the charts. The song would make it to number ten by August, but then started to drop off as well.

However, this wouldn't be the last hit from the album. Modern Love jumped on the charts September and climbed up to number nineteen before beginning ts descent back down. It wouldn't be until March of the following year that yet another track from the album would chart; Without You. However it would disappear a weak later. Bowie wasn't out for the count yet as songs from his follow up album, Tonight, would begin charting shortly after.

So how was it? Am I David Bowie's latest fan? Will I be tracking down further albums?

It was pretty good. Not necessarily. Probably.

The album fires off three singles right in a row; Modern Love, China Girl and Let's Dance and sets the tone for a fantastic listening experience. Unfortunately, it then takes a little dip and suffers for a couple songs before coming back towards the end with Criminal World and Cat People (Putting Out Fire). Long story short, five of the eight tracks made it to my IPOD.

After giving it a listen, I'm intrigued to want to track down some other Bowie stuff - Most likely hitting a few more from the 80's before venturing off into "classic rock" territory. Though I may be asking for trouble going this route as in reading about Bowie's two follow up albums to Let's Dance it seems as though the general consensus was that they weren't good. Well, I'm a fan of finding out for myself. So until then...

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