Retro Spins: Warrant - Cherry Pie



Oh wow. I forgot how much I liked this album. I haven't heard Warrant's Cherry Pie since the days of my brother blaring it over his stereo speakers. However, unlike the majority of his music, I actually really liked when this one got played.

It all starts out with the album's iconic hit, Cherry Pie, which debuted at number ninety-seven in September of 1990. The song peaked at number ten before dropping back down. From there, it leads into my favorite track, Uncle Tom's Cabin. This track, while it charted, only managed to do so at number ninety-three and was gone the following week.

I Saw Red, is the perfect example of how to do a ballad correctly. Not only is it a great song, but it also went to number ten on the charts. Though there are other great tracks to be found, Blind Faith is the only other song from the album to chart. Much like Uncle Tom's Cabin, it debuted and disappeared in one week at number ninety-nine.

Cherry Pie is one of the last great hair band albums, before the grunge scene dominated everything, changing the music world forever in the process. It's pretty solid from start to finish with thrashing riffs and catchy tunes.

By track six, I had added all of them to my shuffle mixes for later re-listening. By the end, I had added ten of the twelve. The only songs which didn't make the cut were Train, Train and Ode To Tipper Gore.

However, that last track isn't exactly a song. It's just fifty-five seconds of live obscenities aimed at Tipper Gore for her PMRC campaign. The history surrounding that campaign is an unfortunate one, but it's worth checking out if you don't know much about it.

As for the album, that about wraps it up. I really can't say anymore than I have, but clearly, I liked it a lot. It made me go digging into the history of the band's discography a bit and I found they had a debut album from 1989, Dirty Rotten Filthy Stinking Rich, which I picked up for a few bucks. By the time you read this post, I'll probably have listed to it and written a Retro Spin on it.

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Comics Corner: Marvel Team-Up 85

  

Title: Marvel Team-Up
Issue Number: 85
Release Date: September 1979

Highlights

  • Reference is made to Special Marvel Edition 15
  • Viper is thrown from the Shield carries - Is she dead? No
Low Points
  • Story arc was too long and drawn out with no pay off
  • Political story hidden in a four issue story arc
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Marvel Team-Up 84

  

Title: Marvel Team-Up
Issue Number: 84
Release Date: August 1979

Highlights

  • First appearance of Ishiro Tagara
  • Reference is made to Captain America 182, Marvel Team-Up 57, 74, and Iron Fist 13
  • Spider-Man and Black Widow, who still thinks she's Nancy Rushman, kiss
Low Points
  • Black Widow story arc is definitely dragging on at this point
Oddities
  • Spider-Man gets knocked across a room, and conveniently goes through an open porthole on a Shield carrier - A tiny port hole?
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Madonna - Like A Virgin



Before I start this, let's just get the obvious out of the way. We all know this album is going to be solid. It catapulted Madonna into super stardom and remains one of her most highly successful albums of all time. So let's not all act surprised by me stating the obvious that Like A Virgin is fantastic.

I mean, if you're here asking, "Who's Madonna," I have to ask, "What rock have you been living under?"

This is not the first time I've listened to this album, and in truth, it probably won't be the last - If I have many more years ahead of me that is. Because I probably can't share much with anyone reading this post that they don't already know. So instead I'll discuss my version of preference.

Unlike other albums, which I look to have the original USA version of, when listening to Like A Virgin, I favor the 1985 UK re-released CD. The reason being, this versions includes a bonus track, Madonna's 1986 smash hit, Get Into The Grove.

This song was originally written and recorded for the purposes of being used in the film, Desperately Seeking Susan, also starring Madonna. However, it was never included on the film's soundtrack, nor on the singer's 1986 follow up album, True Blue. Though a CD singles did get released in foreign countries, for USA fans with no connections to the UK or Germany, a vinyl single was your only option.

To further amplify the scarcity of a digital version of the song, it wasn't included on the 2001 remaster of the USA released album and when it got included on the singer's 1986 compilation album, You Can Dance, it was in an eight (plus) minute remixed format. You could finally get the song on a CD in the USA on The Immaculate Collection, released in 1990, and I suppose, for what it's worth, that's an acceptable album to have. That is, if you're in to greatest hits.

For me, and long story short, I suggest you just stick with the 1986 UK re-released version. You not only get the song, but also the entire Like A Virgin album.

Well, it appears that this post turned into a long winded breakdown of one song, and one that wasn't even on the original album at that. Oh well. For what it's worth, Like A Virgin is a fantastic album. It has its hits, big ones, but also its misses. Songs like Over And Over, Love Don't Live Here Anymore, Shoo-Bee-Doo, Pretender and Stay don't really do it for me, but they're so outweighed by Material Girl, Angel, Like A Virgin and Dress You Up, that you really don't tend to care. At least I didn't.

If you collect any form of physical media music, this is an album that should definitely be in your collection - Just get the UK re-released 1986 version. You know, if I haven't beaten that point in hard enough yet. 

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Just Doodling: Daredevil

 

Inspired by Big Tone of 2 Minute Toy Break.

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Comics Corner: Marvel Team-Up 83

  

Title: Marvel Team-Up
Issue Number: 83
Release Date: July 1979

Highlights

  • First appearance of Maggie McCulloch, and Virgil Ames
  • We learn that the name Nancy Rushmore, who Black Widow thinks she is, is the name she used when she first came to the USA as a spy
  • Reference is made to Marvel Team-Up 74
  • The mystery of Black Widow's memory loss continues
Low Points
  • The story is getting a little drawn out now - I hope the pay off is worth the longevity
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Marvel Team-Up 82

  

Title: Marvel Team-Up
Issue Number: 82
Release Date: June 1979

Highlights

  • Black Widow has lost her memory, thinking she's a third grade school teacher named Nancy Rushman
  • Nick Fury shoots both Nancy and Spider-Man in a cliffhanger ending
  • Fun mystery story that leaves me eager to dive into the next issue
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: White Zombie - La Sexorcisto: Devil Music Volume One



It was the summer of 1995, and a buddy of mine from high school had me over to his house to visit. Out of all the friends I had, he was always the one who was the most well off. He was the first out of all of us to have a car, his parents always made sure he had money in his pocket, and he never really wanted for anything. He was also the only guy I knew who owned a Panisonic 3DO.

At $699.99, it was the most expensive video game console in America at the time. It was aimed at a specific type of gamer - The wealthy one...Or the child of the wealthy.

Though the games sported fantastic "realistic" graphics for its time, I personally always found them to be clunky. As such, none of the games really impressed me all that much. I was content to go home and play my Sega Genesis and Super Nintendo.

One of the games we did play a little bit of during my visits was Way Of The Warrior, a fighting game ala Mortal Kombat visuals and fatalities. The game itself was garbage. What kept me enthralled was the fantastic soundtrack I kept hearing throughout the intro and stages.

I don't remember how I found out, but I did. The soundtrack to Way Of The Warrior wasn't just video game music, but tracks from an album which had been released in 1992. That album, La Sexorcisto: Devil Music Volume One by White Zombie. Very soon after that, I purchased both that album and their 1995 Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions Of The Electric Head on cassette. I played them both to death, and eventually had to upgrade to CD copies.

Fast forward to August 1996, and White Zombie becomes the first concert I ever go to. Unfortunately, due to temperatures in the 110 degree range, it was so hot that we left before the show even started. To this day, I swear we would have gotten heatstroke if we hadn't made that decision. It was so miserable. Disappointing too.

Sadly, White Zombie broke up in 1998 and I never got an opportunity to try and see them live again.

When I started putting my CD collection back together back in 2017, La Sexorcisto was a top priority album for me. It had been about twenty years since I'd heard it, and I was eager to see if it had withstood the test of time. I was pleased to see it had. I enjoy it now just as much as I did when I was younger.

Hearing it now, you can definitely pick up on Rob Zombie's love for movies. All the interludes and outros which are inner cut with dialog from classic "B" films seemed odd to me back in the day, but it didn't deter me from enjoying the album. However, now that I've seen where Zombie has gone on to in his career, it all makes more sense, and fits all the more because of it.

Ironically, for has much as I love the 80's and White Zombie, I've never bothered trying to track down their two albums from the era. I've never heard anything off of them, and I honestly can't say as I have any interest to. My White Zombie time frame is firmly locked in at 1992 to 1995.

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Comics Corner: Marvel Team-Up 81

 

Title: Marvel Team-Up
Issue Number: 81
Release Date: May 1979

Highlights

  • Reference is made to Marvel Team-Up 76, 77, and Vampire Tales 2
  • Death of Satana
Low Points
  • Doctor Strange being a werewolf story arc
Oddities
  • Editor's Day Off - Panels with Spider-Man's eye lenses painted red
    Editor Still Out of the Office - "Doc Strange has done that to that to me before, but I'll never get used to it."
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Marvel Team-Up 80

 

  

Title: Marvel Team-Up
Issue Number: 80
Release Date:April 1979

Highlights

  • First appearance of Ruth Xenobia, and Cissy Ironwood
  • Reference is made to Marvel Team-Up 67, 76, and 77
  • The Incredible Hulk in a Hostess Cupcake ad
Low Points
  • Peter is out on a date with Cissy
  • I'm not a big fan of Doctor Strange
Oddities
  • Doctor Strange is turning into a werewolf
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Beastie Boys - Licensed To Ill



Okay, I have to take a deep breath and mentally prepare myself for this one. I'm not expecting much from Beastie Boys' Licensed To Ill. Rap really isn't my thing, and even if it was, I don't know that it would be this type. Okay...Let's go.

It starts out making me tap my toes, but quickly feels like a wall of noise when the "singing" starts. Okay, it's admittedly lost me by the one minute mark, but I'm going to keep going. Seriously, why are they yelling every word they say? It's a total assault on the senses.

Painfully making my way to track four, I started to notice a reoccurring theme going on. Why do the members of the group keep introducing themselves? How many times did I have to hear variations of, "I'm Mike D"? Are these guys that big a bunch of burnouts that they would forget who they were if they didn't keep shouting it out?

Speaking of shouting, these guys started to remind me of those Youtube instant karma videos. You know, the ones where someone is running their mouth all loud and obnoxiously only to walk into a pole, wall, or someone's fist. Sadly, none of those ever happened and the noise continued.

It was because of this consistent agony that I was honestly caught off guard when the goofy sounding, Girls started. It was actually mildly entertaining. Somewhat funny too, in a Weird Al Yankovic kind of way. Perhaps the Beastie Boys should focus on this kind of music instead. It's far more entertaining.

Unfortunately we were right back to the excessive volume, but at least with songs I knew from the 80's - (You Gotta) Fight For Your Right (To Party!), No Sleep To Brooklyn and eventually Brass Monkey.

Yeah...No...Beastie Boys just isn't going to work for me. It's not my thing, it's not going to be my thing.

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Blue Thunder (MTC aka Multi Toys Corporation)


Blue Thunder
MTC
1983

When the Roy Scheider led Blue Thunder hit theaters in 1983, it quickly became the number one movie at the box office, and would remain in second place during its second and third weeks. The film would all but double its budget of twenty-two million by bringing in forty-two million, which ironically, by today's standards would qualify as a box office flop.

However, twenty million certainly went a much longer way in 1983, and with the film's success, a television series was quickly put into production. The show was headlined by James Farentino, and a relatively unknown Dana Carvey were cast as the pilot and engineer of Blue Thunder. The duo were aided by their ground control crew member played by Bubba Smith, and answered to their chief, played by Sandy McPeak. Additional cast members included Dick Butkus, and Ann Cooper.

Unfortunately, the series didn't pan out to be as popular as the feature film, and the show was cancelled after eleven episodes were completed. It probably was not helped that the series didn't air as the normal fall lineup. Instead, it was among the mid-series replacements, shows which typically aired between December and May, most likely developed as result of another show being cancelled mid-season.

Multi Toy Corporation produced a very small line of toys based on the show, and while the company intended to make more than was was ultimately released, the series cancellation also resulted in the toy line being shelved. However, this was not before MTC produced prototypes for additional figures of the cast, as well as a handful of ground vehicles.

The first piece to actually hit store shelves was the 3 3/4 figure sized Blue Thunder helicopter. Though it looks like it could fit in with your average G.I. Joe figure, I've read comments on other sites from folks who received this toy as a child, and were none to impressed, returning it to the store it was purchased from. The now adults remember the toy being cheaply made, falling apart in their hands, and lacking any seating inside the cockpit for the figure to even sit in.

What's interesting to note is that there are two known versions of the copter to have been produced. The first features a figure decked out in an all blue flight suit. The second version features a character which has an orange vest over the flight suit. Is this meant to represent Farentino and Carvey? I have no clue.

MTC also released a smaller Flying Helicopter which came with a launcher, and boasted the craft could reach upwards of thirty feet in the air. However, this vehicle was not compatible with the figures produced for the larger vehicle above.

The launching mechanism worked much like the traditional launching toy of the era. Put it on the stand, pull the zip cord, and watch it fly...and then crash to the ground.


The larger helicopter is by far more common than the smaller launching version. In fact, I've never seen the latter on any secondary markets. As such, I have no clue what one would set you back, if you found it.

The larger copter, on the other hand, comes and goes relatively often, and can range from one hundred dollars loose (without the figure), and upwards of five to six hundred dollars complete in the box. Despite its lackluster appeal to kids of the 80's, clearly adults of today want this item.

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Retro Spins: Queen - Innuendo



I need to call a time out after last week's Retro Spin. Give myself a moment to regroup before moving on in full swing. As such, please indulge me as I take a free throw with this week's album.

I've said it a hundred times over here at The Toy Box, I love Queen! They're my all time favorite band...Which is why I wish Brian May and Roger Taylor would really stop trying to kill their legacy. One of Freddie Mercury's last wishes was that nobody made him boring in death. I fear with an oversaturation of greatest hits releases, a "new" front man that Queen purists won't pay a dime to see and a plethora of potential live albums which the surviving members refuse to release, they're doing just that.

1991 was both a tragic and amazing year for Queen and their fans. The world lost Freddie Mercury to AIDS, but also got the amazing album, Innuendo. Driven by some of the best tracks since the band's work in the 70's, this final album to have Freddie's fingerprints on it was a masterpiece. Nay, IS a masterpiece.

It features deep and emotional songs which we can hear Freddie saying goodbye to his many fans across the world, while also dishing out peppy and straight up rock and roll songs which say, "I still want to entertain you, darlings."

The band knew this would be their final outing with Freddie, and their collaboration shows. Each member brings their all to the table. Brian May provides a mixture of guitar work from classical, Latin and hard rock, while Roger Taylor and John Deacon work in unison to lay down a mixture of subtle when necessary bass lines, and hard, power packed ones when they're called for.

Each one of its twelve tracks is crucial to the next, so much in a way that I can't personally imagine not hearing it back to back in its entirety each time I play it...And I've played it a lot. Not as much as my brother played Alanis Morissette, but a lot nonetheless. Actually, that may not be true. I may have broken my brother's record. Just not in consecutive days like he did.

Though Queen did go on to release one posthumous album on behalf of Freddie in 1995, to me, Innuendo feels more so like the perfect finale to the band's studio catalog. It takes twenty years of Queen and delivers a wonderfully satisfying conclusion to an era of rock and roll that will probably never be repeated or replicated.

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Retro Spins: George Michael - Faith



Sick of singing bubblegum pop songs, George Michael and Andrew Ridgeley called it quits with Wham in 1986. Michael went on to pursue a lucrative solo career, while Ridgeley opted to step out of the limelight and lead a quite life, something which can be easily done when you report that you've amassed ten million plus dollars since 1982.

Faith, George Michael's first solo album, and the subject of today's Retro Spins, took the world by storm in 1987. Lead by the title track, which peaked at number one in December of 1987, the album would go on to sell more than twenty million copies to date. Additional singles to peak included, I Want Your Sex (peaked at number 2), One More Try (peaked at number 1) and Father Figure (peaked at number 1).

It's worth noting that the version of I Want Your Sex which charted wasn't actually the nine minute Part 1 and 2 album version. Rather, it was the single version used for the film Beverly Hills Cop II soundtrack.

Listening to the album, I guess I could say it's more mature than what Wham was peddling, which don't get me wrong, I liked. However, I still see his first solo attempt as nothing more than a pop record. Nothing more or less than what the likes of Madonna, Michael Jackson and even Prince (to an extent) were delivering in the late 80's.

It seems to unload the best of what it has with the first four songs, which are the above noted chart toppers. Mind you, that's taking One More Try with a very large grain of salt. There were also two additional stand out tracks for me, Monkey, which is probably my favorite from the record and Hard Day. Overall, it was a pretty solid album. I didn't hear anything I didn't like.

Admittedly, I was never really a major George Michael fan, and if I'm being honest, I didn't keep track of him beyond this album in the eighties, or even now. I don't know what else he's done in his career, song wise. I'm not particularly interested in finding out either. Faith is an 80's staple, and I'll take it for what it is.

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Retro Spins: Alanis Morissette - Jagged Little Pill



In the summer of 1995, Saturday and Sunday in my parents house were signified by my brother waking up the house to a blaring Alanis Morissette's Jagged Little Pill. I heard this album so many weekends over the course of the remainder of the year that I wanted to smash it by Christmas.

Even as I type this I can hear that guitar and harmonica intro of All I Really Want.

When the album first dropped, it was actually pretty okay. It was raw, edgy, angry...Everything the opposite of what I said about last week's Arrested Development. However, when you hear the same thirteen songs, sometimes two to three times a day every weekend for twenty-one weeks, it wears thin...Fast.

This Retro Spin is actually the first time I've heard the album since my brother finally retired it - which wasn't for a year or two after getting it. Hopefully enough time has passed that I can find some enjoyment in it...

...I can't. I really honestly can't.

As I start listening to it, I immediately noticed a couple things:

1) The album still grates on my nerves from being overplayed.

2) Alanis Morissette can't sing. She sounds like a yodeling donkey that's been kicked in the head. Her voice cracks and strains left and right throughout each song. It's almost shrill to my ears.

I made it to the one minute thirty second mark of song two before I said, "I just can't. I've had enough." I couldn't take it. I had to shut it off. The songs were coming off as a cross between whining and nagging - Two things I really have no patience for hearing and Morissette's grating voice wasn't helping matters.

It's a shame really. With how many accolades and awards this album has won, I want to feel like there's a solid album in there somewhere. I just can't bring myself to be subjected to finding out. I don't think I ever want to hear Jagged Little Pill ever again. 

I went ahead and let my brother know he'd thoroughly killed this album. He was pleased with himself.

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Retro Spins: Men At Work - Cargo



Men At Work's 1983 album, Cargo, has been on my want list for quite some time. I'd been wanting to hear it since first listening the Men At Work's 1981 album, Business As Usual. Despite this, it took me a really long time to get around to it. Mainly because I wanted an original copy, and not the deluxe or re-released versions which had flooded the market.

After finally getting a chance to hear it, I was admittedly a little bummed out. Out of the ten tracks, only two stood out - Overkill, which is the song I bought the album for, and High Wire, which was a song I never heard before. The rest, while not terrible, simply didn't deliver.

Overall, it was decent for background noise, but honestly served as just that. I dare say I barely paid attention to it.

Well, I guess this one can be short and sweet. This may very well be one of the shortest Retro Spins I've ever written.

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Legends Of Laughter (Nacelle)

 

Legends of Laughter
2023 / 2024
Nacelle

I don't admittedly know much about these six inch figures, nor would it be honest of me to say I have any interest in them. Rather, I came across these online while farting around on the ineter-web, needed a post, and well, here we are.

Nacelle are more known in the toy world as the company who retooled and brought back classic lines such as Sectaurs, Biker Mice From Mars, Madballs, and Barnyard Commandoes. However, they've also dabbled in a few other series, Legends Of Laughter being among those.

The line is relatively small (for now), featuring three real life comedians in plastic form.

Lenny Bruce’s open, free-style and critical form of comedy catapulted him into legendary status as a comedic pioneer that showcased satire, politics, religion, sex, and vulgarity in his act. Lenny’s 1964 conviction in an obscenity trial was followed by a posthumous pardon, the first in New York State history, by then-Governor George Pataki in 2003. He paved the way for future outspoken counterculture-era comedians, and his trial for obscenity is seen as a landmark for freedom of speech in the United States. On February 3, 1961, in the midst of a severe blizzard, he gave a famous performance at Carnegie Hall in New York. It was recorded and later released as a three-disc set, titled The Carnegie Hall Concert.

(source)

Lenny Bruce could be purchased either as just the figure, or directly from Nacelle's website as a bundle which included a vinyl copy of Lenny Bruce Is Out Again.

Joan Rivers is more than just a comedian, she is a force of nature and an unparalleled legend in the entertainment industry. For over 50 years, Joan pioneered her own brand of irreverent, unconventional comedy, leading her to become an internationally recognized celebrity, Emmy-award-winning talk-show host, Grammy-award-winning performer, Tony-award-nominated actress, bestselling author, playwright, screenwriter, film director, columnist, lecturer, radio host, jewelry designer, entrepreneur, and the renowned creator of the modern-day “red carpet,” Joan is also the first woman to break the glass ceiling of male-hosted late-night television.


What's interesting about the Joan River's figure is that Nacelle doesn't have this one listed on their website. Further, she also appears to be the only character to have a variant offered as an exclusive. 

Stand Up! Records teamed up with Nacelle to offer a version which not only came with a pink feather boa, but also an exclusive CD version of The Next To Last Joan Rivers Album.

The packaging of this variant has been redesigned to represent several aspects, from a new box featuring Joan on the red carpet, to having her in front of a late night show curtain backdrop, and a custom repaint to match the colors of her outfit on the cover of her 1969 bundled CD. The edition of this figure was strictly limited to 500 units, but as of this writing, appears to still be available from Stand Up's website.

Bill Hicks is one of the most influential artists of the twentieth century, hands down. He is considered as one of the masters of dark and observational comedy. Much of his comedy acts involved direct attacks on mainstream society, religion, politics and consumerism. He is the sarcastic and satiric voice of society which altered people’s perception of events and made them see things from a different angle. After his death, his body of work gained a significant measure of acclaim in creative circles, and he developed a substantial following. He is brutally honest in terms of describing society. His famous philosophy on life, ‘It’s Just a Ride’, is a perfect reflection of his personality and continues to encourage his fans to live life with conviction, integrity and love.


Bill Hicks could also be purchased either as just the figure, or directly from Nacelle's website as a bundle which included a vinyl copy of Intricate Stories.

Overall, it's a unique line with an extremely niche audience. Personally, I think it's also a mistake. It reminds me of the late 90's / early 2000's, where fly by night toy companies were formed, released incredibly obscure figures, and subsequently went out of business due to the lack of an audience for them. I'm glad Nacelle has a larger pool of brands to pull from, many of which cater to the nostalgic crowd. Otherwise, I fear this line would have ultimately tanked them.

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Retro Spins: Arrested Development - 3 Years, 5 Months And 2 Days In The Life Of...



When I think back on Arrested Development's 3 Years, 5 Months And 2 Days In The Life Of..., I don't actually remember many of the songs from the album. Instead, I remember great times spent with my brother. We would sit in his room playing his Super Nintendo, typically Act Raiser, Contra III: The Alien Wars or Ghouls And Ghosts (among others). So many hours were spent just hanging out.

When I found the album in ol' dollar bin in Timonium, I decided I'd add it to my collection. Not necessarily because it was a CD I wanted, but rather for the memories it brought with it.

As I made my way through the album for this write up, I actually found myself not remembering very many of the fifteen songs from 3 Years, 5 Months And 2 Days In The Life Of... In fact, there were only three, Mr. Wendel, U and Tennessee. It was great to find these tracks were still rather enjoyable.

The album felt rather spiritual in a way, and I didn't hate that. It was refreshing to hear hip hop music that didn't have any ill will or nasty undertones behind it. Overall though, it wasn't really for me.

Despite its "clean" tone, the songs really didn't resonate with me beyond the three I noted above. I don't hate on Arrested Development for that. Instead, I'll just chalk it up to it isn't for me. I also have plenty more music to thumb through and listen to, so I'll take the three tracks I got from it and keep digging for something "new".

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