Comics Corner: Peter Parker, The Spectacular Spider-Man 28

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 28
Release Date: March 1979

Highlights

  • First appearance of Gilroy
  • Death / destruction of the android Tri-Man
  • Spider-Man, still blind, channels his inner Daredevil, and unlocks his heightened other senses
  • Reference is made to Peter Parker, The Spectacular Spider-Man 20, and The Amazing Spider-Man 180
  • Action filled fight between Carrion and Peter Parker
  • Exciting cliff hanger ending with Carrion accusing Peter Parker of murder
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Peter Parker, The Spectacular Spider-Man 27

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 27
Release Date: February 1979

Highlights

  • First Frank Miller Daredevil work, with classic retelling of the super hero's origin
  • First appearance of Nurse Wills
  • Reference is made to Daredevil 1, and Peter Parker, The Spectacular Spider-Man 24
  • Daredevil can also sense Spider-Man's tracers - Which he tossed on the Masked Marauder's back during their last encounter
Low Points
  • Spider-Man keeps losing his temper about being blind, and throwing fits that destroy people's stuff
Oddities
  • Editor's Day Off: Multiple panels with Spider-Man's lenses colored red
  • Spider-Man is standing on a window ledge, and even though he's blind, still needs to ask Daredevil which way is the roof...Um...Up
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Peter Parker, The Spectacular Spider-Man 26

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 26
Release Date: January 1979

Highlights

  • Reference is made to Daredevil 16, 17, Werewolf By Night 43, and Peter Parker, The Spectacular Spider-Man 24
  • Carrion is in Peter Parker's apartment - he knows his secret identity
Low Points
  • Kind of slow paced
  • Spider-Man spends the entire issue wandering around the city blind
Oddities
  • The Masked Marauder says he's spent months in prison workshops heightening the power of his opt-blasts - Not a very good prison if he can spend his time perfecting weapons
  • They once again call the box truck a van
  • Editor's Day Off - There's are multiple panels where Spider-Man's lenses are red
Rating (based on a 1 through 5 Stans grading system)



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Comics Corner: Peter Parker, The Spectacular Spider-Man 25

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 25
Release Date: December 1978

Highlights

  • First appearance of Carrion, and Tri-Man
  • Reference is made to Peter Parker, The Spectacular Spider-Man 22, 23, Marvel Team-Up 72, and The Amazing Spider-Man 11
Low Points
  • The story is building to something, hopefully it's worth the cliffhanger ending
Oddities
  • The title of the issue - Carrion, My Wayward Son, goof nod to the Kansas tune Carry On Wayward Son
  • The panel shows a box truck, but they call it a van
  • The Masked Marauder has Spider-Man in his sights, but doesn't shoot because then he wouldn't be able to, "learn how he stymied" his plans in the past - But he could just, you know, kill Spider-Man here and now, and never have to worry about him ever again
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: DeBarge - Rhythm Of The Night

 

DeBarge was another one of those family members groups promoted and released by Motown's Gordy Records. However, unlike their most famous quintet, The Jackson 5, DeBarge suffered from a lack of hits, rotating family members and substance abuse.

After releasing three albums under the label, The DeBarges (1981), All This Love (1982) and In A Special Way (1983), turmoil began. With many of the members addicted to drugs, Motown turned their attention to brother El, who they sensed was emerging as the star of the group. The relied on him heavily to record the groups follow up album, Rhythm Of The Night.

Not only would the album become their most successful, but it would see El and sister Bunny departed from the group to pursue solo careers with their record label. Despite this, additional family members would step into the vacant slots from the group to continue unsuccessfully under Striped Horse Records label (1987) and Truth Ministries Records (1991) for their final album to date.

Though Motown invested in solo careers for El, Bunny and Chico, the label would soon thereafter fire them, and brother El would go on to Warner Brothers to continue his relatively lackluster solo career. However, for that one moment in time in 1985, DeBarge was one of the hottest groups of all time with their number three and six hits, Rhythm Of The Night and Who's Holding Donna Now, respectively. Mind you, this wasn't the only Billboard hits from the group. However, it is their most commonly known.

Rhythm Of The Night, the album, is far from impactful. It has its hits, and it gets a nod of approval for them. However, beyond that, there's not much to be found here. Since I didn't have any sense of high expectations for it, it's not like it necessarily disappointed me. I didn't suspect it would blow my mind by any means.

Well...Wait. I take that back. It was disappointing that this CD was kind of expensive. For the price it runs on secondary markets, it should have delivered more than it did.

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Comics Corner: Marvel Team-Up 86

   

Title: Marvel Team-Up
Issue Number: 86
Release Date: October 1979

Highlights

  • First appearance of Ivor Carlson, Eric Salter, Lawrence Whittier "Rap" Reynolds III
  • Reference is made to X-Men 119, Giant-Size Spider-Man 4, Avengers 167, and The Incredible Hulk 182
  • Generic in every sense, but a good action story
Low Points
  • Hammer and Anvil are pretty lame and forgettable villains
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Homemade Cowboy Casserole

 

You make these beans once, and that regular canned stuff won't ever do again. This dish is hearty, sticks to your ribs, warms you up good, and fills a cowboy's energy back up after a long day on the prairie.

Now technically, this recipe not only makes this delicious stew, but its base is essentially homemade baked beans. That's why I said above that if you try this, you won't go back to the cans.

INGREDIENTS

1 - 16 Ounce Bag of Great Northern Beans
1 Pound Ground Burger (the leaner the better)
1 Pound Pork
1 Package (2.5 Ounces) Pre-Cooked Bacon (or ten strip raw bacon)
1 Medium Size Yellow Onion - Diced
1 Teaspoon Minced Garlic (or 1/2 Teaspoon if omitting the meat)
1 Cup Tomato Sauce (or 1/2 Cup if omitting the meat)
1/2 Cup Molasses (or 1/4 Cup if omitting the meat)
1 Cup Brown Sugar - Packed (or 1/2 Cup if omitting the meat)
4 Tablespoon Apple Cider Vinegar (or 2 Tablespoons if omitting the meat)
2 Tablespoons Yellow Mustard (or 1 Tablespoon if omitting the meat)
4 Teaspoons Worcestershire Sauce (or 2 Teaspoons if omitting the meat)
2 Teaspoons Paprika (or 1 Teaspoon if omitting the meat)
4 Teaspoons Salt (or 2 Teaspoons if omitting the meat)
1 Teaspoon Ground Black Pepper (or 1/2 Teaspoon if omitting the meat)
2 Bay Leaves (or 1 leaf if omitting the meat)
1 1/2 Cups Cooked Bean Water - You may need more (See Below)

First and foremost, you cannot throw this recipe together at the last minute. You must plan ahead to soak your beans overnight (8 hours minimum, but up to 24 hours). Do so by emptying the bag into a large bowl or the pot you plan on cooking in (which must be oven safe).

Fill the bowl to the top with water. There's no such thing as too much...unless of course it overflows and spills. Common sense is a must in that regard.


Much like dough, your beans should double in size when they're ready to be cooked. I started soaking these at 1:00 PM on a Sunday, and began cooking at 6:00 AM on the following Monday (it was a holiday, yeah!)


Drain your beans, and pour them into a pot. You want to then fill the pot as much as possible with water, but no less than two inches above the beans.

Bring the pot to a boil, and reduce the heat just enough to keep a simmer going. Then cover the pot, and let this cook for one hour, stirring every ten to fifteen minutes to ensure the beans don't stick to the bottom.

In the last fifteen minutes of this first cooking, turn your oven on to 325 degrees, and dice your onion and bacon. Let's pause here a moment. I'm using precooked bacon, and there's a reason for that. It's the same reason I am going to use the lowest fat content of ground beef I can find. I don't want all that grease in my beans. Sure, it will add flavor, and some people prefer it, so if that is your preference, still follow this step, and dice up your bacon (raw). Or omit the meat if going full vegetarian.

Next up, we'll prepare the sauce.

Combine the Tomato Sauce, Mustard, Worcestershire Sauce, Molasses, Brown Sugar, Apple Cider Vinegar, Paprika, Salt and Pepper, and stir it up good to combine it.

When your hour of cooking is done, carefully remove it from the heat, and drain the beans through a colander into something large enough to catch all the bean water. You want to keep this. DON'T THROW IT OUT!

Measure off 1 1/2 Cups bean water, but again, do not throw out the rest. You may need more. Add your Bay Leaves (leaf) to this, and let them (it) sit in the hot liquid.

In your same pot / pan you initially cooked your beans in, add your bacon. If raw, this fat will also be used to render your onions. First, you'll need to cook your bacon to your desired temperature. If using precooked bacon, and wanting to keep it less greasy, add the bacon, and onion together.

Let this heat up for a bit (or cook it through if using raw bacon), and then add your garlic, and stir.

Next add your meat, and let it cook until brown. While it's cooking, add your measured out bean water with Bay Leaves to your sauce mixture, and gently stir it to combine, avoiding breaking your Leaves.

When your meat is browned, if you desire, carefully drain it to remove excess grease and / or fat. I highly recommend this step, regardless of whether or not you used raw bacon.

Now add your beans, and gently toss to incorporated, being careful to not mash the beans in the process.

Add your sauce to the mixture, and again gently fold it together to avoid mashing the beans and / or breaking the Bay Leaves. Now you have to make a decision. If you like sticky beans with minimal juice, simple put a lid over this, and pop it in the oven. If you like a little juice in your beans, add another 1/2 Cup of your reserved bean water.

Regardless of whether or not you add the extra bean water or not, your next step is to cover it, and put it in the oven. Say goodbye to them for the next two and a half hours.

After the two and a half hours cook time (you're up to three and a half for those of you keeping track), carefully take the hot lid off, and let the beans cook an additional thirty minutes uncovered.

Before you do, this is your last opportunity to add more bean juice if you find them to be too sticky for your liking. Simply give the pan a gentle shake to see how much liquid is below the beans. Don't let the sticky layer, such as that above, fool you. There could be a lot more liquid below that you don't see. So, don't just add the liquid based on the top of the pan. Let it jiggle, as they say, to see what is underneath.

Once it's done cooking the final thirty minutes, carefully remove it from the oven, and give it a stir.


This is the consistency I like. Not too sticky, but not too runny.

Now, sure, you could decide you hate yourself, and immediately shovel that pile of hot lava into your mouth, or you could let it cool uncovered, and set a bit more, for the next thirty minutes. I highly recommend this. Not only will this dissipate more of the liquid while it sits, but also give you time to prep anything you plan on having on the side with it. A nice wedge of bread, for example. Or, as I like to do it, scooped over a nice bowl full of tater tots (or mashed potatoes).


Now that's a cowboy casserole! Regardless of how you do it, you know what's up. Get you a spoon (or fork), and get you some!

No, it's not as quick as popping the top off of a can, nor is it as convenient. But, I guarantee you, it's a thousand times better. You won't go back to the can once you try this. This is what baked beans are supposed to taste like. Not that processed gunk.

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Retro Spins: Stacey Q - Better Than Heaven

 

Early 80's albums on CD can be both a blessing and a curse. They're a blessing to have nice digital copies of music that for the most part was mass distributed on vinyl and cassette, with CD's being a somewhat low production in comparison. However, this comes at sometimes inflated costs due to their rarer nature, or the problem I discovered today. What am I talking about? Keep reading.

Cinnamon, I mean, Stacey Q (leave a comment if you caught that reference) didn't necessarily ignite the world of pop music in the 80's. She's had a handful of Billboard charters, but of those four songs, Two Of Hearts was the only one to crack the top ten. This was the song that lead me to tracking down her 1986 album, Better Than Heaven, a very over exaggerated title based on the music enclosed within.

Better Than Heaven, for the most part, is your typical 80's throw away fodder. It has that one noteworthy track, that is by no means a song worth racing out there to find the album for. It's more so one of those, "Yeah, I'll get to it," kind of things.

Which leads me to wrapping up my first paragraph. Some artists of the 80's really took advantage of the extended space on CD's. This led to them not releasing the original album version of songs found on the cassettes or LP's, but instead, extended plays or even remixes.

Such is the case with Two Of Hearts, a song which originally runs for three minutes fifty-nine seconds, but has been extended to a whopping seven minutes fourteen seconds. Sometimes less is more, and this is typically the case when people buy an album, only to be blindsided by an unwanted seven or twelve inch version

At the end of the day, it's disappointing because I didn't get the song I wanted, and after listening to the album, I also didn't hear anything all that impressive. Basically, it was a waste of money to get this album on CD. Rather than spending twenty bucks, I could have just spent three on the cassette and ripped it to MP3 format.

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Just Doodling: Wolverine


SNIKT!

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Retro Spins: Buster Poindexter - Buster Poindexter

 

I had no expectations for Buster Poindexter's self titled debut album. I bought it for Hot, Hot, Hot, a simply party song that was played at every 80's party in 1987, but nothing I would call a serious song. I thought the singer was going to be a novelty at best, with songs geared more towards goofing off and being part of the scene.

I was wrong.

Buster Poindexter, the album, digs deep into the roots of rhythm and blues, and delivers a unique listening experience. Not only that, but the vocals amplify with passion. I quickly found tracks stood far superior to the likes of his 80's party anthem, and quickly became some of my favorites. Are You Lonely For Me Baby and Oh Me Oh My (I'm A Fool For You Baby) are amazing, and I recommend people looking for some good tunes to listen to should check them out. Especially if you're a fan of rhythm and blues.

Buster even does a fair rendition of classic, The House Of The Rising Sun. The original 1964 version from The Animals is of course far superior, but his isn't the worst remake I've heard...cough cough, American Pie...cough...Madonna.

Hearing this album made me immediately seek out Buster's 1989 follow up album, Buster Goes Berserk. While I have it in my collection currently, I haven't gotten around to giving it a spin, but definitely need to in the near future.

I definitely think this one is worth checking out by those of you who like some good new music that won't be the typical cut and paste of the era. I thoroughly enjoyed my play session.

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Walt Disney's Donald Duck And Mickey Mouse Club Projector (Stephens Products Co.)


Walt Disney's Donald Duck and Mickey Mouse Club Projector
Stephens Products Co.
1946

We're heading way back this time. All the way back to the forties to an era before home videos. A day and age where if you wanted to see a movie at home, it would have been on a projector, typically owned by the rich and famous, or in a kids toy version. That's where we meet up with the really cool Donald Duck and Mickey Mouse Club Projector from Stephens Products Co. These things are designed for fans young and old, making it a fun toy for kids of all ages. I'm not lying. That's what is says on the box.


Opening up the package, you're greeted by a folding open show curtain, which reveals the projector inside. It's here you'll also see the words, "Auto-Magic Theater. It was in digging in further to these words that I found further information, pinpointing the year 1946, as printed on the side of the film reel box. I also learned that Stephens Products Co. initially released what they called the Auto-Magic Picture Gun, a pistol shaped image projector.


I was able to find two different Disney themed versions of the toy gun, one branded as Disneyland, and the other based on Davy Crockett. 

The box for the Disneyland version would fold open into a theater for kids to project their films on. Of course, being a cardboard box, they are few and far between these days, having not survived use and abuse.


The latter Crockett version is definitely odd, as this certainly isn't the type of pistol that would have existed in his day and age. This also pinpoints this particular gun to around 1956, as that's when the show aired on television.


How it works can get a little convoluted, so rather then blindly explain it, take a look at the instruction sheet.


Basically, load the gun, looping the real around the inner body of the chamber. The bulb rest in between the film loop, and when you pull the trigger, two AA batteries required in the handle of the gun, the bulb turns on, transmitting the images through the barrel. Speaking of the barrel, it's able to be pulled in, and pushed out, serving as the projector's focuser.

I was able to trace all the way back to a version of the auto-gun released in 1936. In addition to the various releases of it throughout the following decades, Stephens Products Co. would make several film strips cross compatible with both the guns and projectors. They also produced several different packages and licensed versions of the gun, but all of the exterior designs remained the same, sometimes receiving upgrades to the mechanisms inside to improve functionality.

Now knowing the origin of the projectors, we fast forward back to the Donald Duck version.

Unlike the gun version, the projector runs off of a power cable. However, this only serves to provide power to the bulb. Much like the gun, the film strips are loaded inside the unit. However, instead of pulling the trigger to advance the film, one would need to manually crank the knob located on the outside of the machine.

What's interesting about the projector is that it has a standard reel molded into the top of the unit, but this is not functional or usable. It serves no other purpose than to sell the effect that it's an actual reel fed projector, even though it's not.


The below image is an example of the packaging that the film strips come in, and the roll of film itself. As I mentioned above, there were several different strips released, which packaging varied for. This particular version is the one included in with the Donald Duck projector.


Stephens Products Co. also released a Mickey Mouse Club version of the projector. The design was the same as the above Donald version, simply with a new sticker adhered. Both a grey and light blue version were released.


Overall, it's a pretty cool concept. Considering it was a day and age where home video wasn't a thing, this was a great way for kids to watch them at home. Granted, without sound. Still, from a child's perspective, this would be just as good as seeing it in a theater. Imagine the hours of fun spent hosting a movie show with the neighborhood kids as you go from film strip to film strip. What a blast!

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Retro Spins: Pet Shop Boys - Introspective

 

Pet Shop Boys seemed to always be at the forefront of synth-pop, somewhat leading the charge with New Order, Talk Talk, Yello, Depeche Mode and so many other. In fact, did you know that even Michael Jackson and Madonna are considered synth pop?

One of my absolute favorite things about listening to full albums is discovering songs I had forgotten about. This happened today while listening to Introspective. While it's an album I purchased for the fantastic rendition of Always On My Mind, I got a bonus treat from Domino Dancing. I would have never remembered this song in a million years had it not started playing. It was wonderful to hear it again after decades, and I quickly added it to my shuffle list. 

However, with regards to the aforementioned, Always On My Mind, it's key to note that the version from the studio album is not the radio play version that many are accustomed to from their favorite weekly top forty memories. Instead, this version is a whopping nine minutes, and while I admit it did take me some time to become accustomed to it, I do enjoy it more than the edited version. That's not to say that I still don't like the shorter cut. Instead, I just favor the groups original vision for the track.

Beyond this though, I didn't find anything within the album that necessarily blew my mind. The album was okay, but again, that's a problem. Maybe I'm just too picky, but I want more than just okay. I want songs that stand out, and that make me say, "Play that again!" This was not to be found here for me.

Oh well. I suppose two tracks out of six isn't bad.

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When Actors Sing: 80's Edition


Before they were stars, while they were stars, after they were stars, because they were stars, wherever the category lands, it takes an eclectic celebrity to not be satisfied staying in the world of acting. Instead, they branch off into other interests, showcasing their talents in a multitude of creative outlets. Some create food sold in grocery stores. Others will paint. Perhaps some will even write books. Then there are the select few who will get into a recording studio, and kick out a whole album, trying to place a Grammy alongside their Oscars.

While this certainly wasn't an anomaly inclusive to the 80's, today, that's where we're going to hang out. Taking a look at those actors and actresses who stepped away from the camera, briefly or indefinitely, to trade the silver screen for the radio. Some of these folks may have come from the 70's, while others may have gone on to the 90's and beyond. However, the albums we're looking at are all 80's goodness.

There were some guidelines I followed when curating this list. Though soundtracks wouldn't be shunned, a full fledged musical or Broadway show would. I'm not going to include Grease 2 or Rhinestone, for example, because those movies were built around the music. The actors were expected to sing, and an album following was inevitable. Same scenario goes for movies about bands (real or fictional). So, no Michael J. Fox mention for The Light Of Day.

Vice versa, a musician playing a musician in a movie, such as The Jeff Healey Band in Roadhouse, or the most obvious offender, Prince, doesn't count either. These aren't actors becoming musicians. These are musician playing musicians. The musician could, however, be playing a character in a movie, where it's not a musical. Such as the case with the first few people on this list.

Further, the celebrity couldn't be included if it was a guest appearance. If a studio album, it had to be theirs, with their name on it. For that example, I reference Daryl Hannah appearing on the song, You're A Friend of Mine by Clarence Clemons (featuring Jackson Browne).

Everybody got the rules, and the method to my madness? Good! So, let's kick this off by getting the obvious three out of the way.

Say what you will about her, Barbra Streisand minces no words when it comes to being one of the greatest actresses and singers of all time. She has categorically been honored across the world for her work and performances, and no spoof on South Park will ever diminish that. She is highly respected in Hollywood, and adored by fans everywhere.

Yes, Olivia Newton-John started out as a musician, and transitioned to film with the major hit Grease. However, from there she became an actress in her own right, while still having a very lucrative singing career. Her biggest hit, Physical, coming from the 1981 album of the same title, catapulted her music into orbit, while her continued film success in the likes of Xanadu, and Twist of Fate, equally kept her popular on the big screen.

Is Bette Midler on the same plane as Barbra Streisand? I don't know. Maybe in her own right. What I do know is that much like the aforementioned singer / actress, Midler has carved her own place in the history of entertainment breaching both boundaries of movies and songs.


Dipping into what we'll call the lesser known, though I'm not sure how or why, we come face to face with Rick Springfield. Though a struggling musician in the 70's, Springfield would simultaneous release his 1981 break out album, Working Class Dog, while also becoming a heartthrob on the soap opera series, General Hospital. Despite his music career taking off, he would continue to work on the show through 1983, while releasing his follow up albums, Success Hasn't Spoiled Me Yet, and Living In Oz. Though he has continued to make albums throughout the decades, his latest being 2023's Automatic, he would also return to General Hospital from 2005 to 2013, reprising his character, Noah Drake.

Just a good old boy, John Schneider made his claim to fame as Bo Duke on the highly popular Dukes of Hazzard, eventually reprising his role in the children's cartoon, The Dukes. However, when not in front of the camera, Schneider was hard at work on a very lustrous music career. Including a collection of Greatest Hits, he's released over thirty albums between 1981 and 2019, ten in total just in the 80's (nine studio albums, and a compilation of hits).

If David Hasselhoff is a king in the USA for his roles in Knight Rider and Baywatch, then he's an emperor across Germany for his music career. Though American's didn't see the appeal to his singing career, Europeans count him among the likes of Madonna and Michael Jackson. The man has a knack for turning everything he touches to gold, and you can't fault him for that. If there's one thing in life that proves you're famous, it's when you can play yourself in a movie, and people love every minute of it.

Another General Hospital alum, Jack Wagner worked on the series as Frisco Jones from 1983 to 1987, again from 1989 to 1991, once again from 1994 to 1995, and a final time in 2013. Perhaps inspired by Rick Springfield, or already on that path individually, Wagner would release his first studio album in 1984. Unfortunately, unlike his series co-star, Wagner didn't garner as much success in the world of music, chart wise.

Staying in the world of soap operas, but shifting over to The Young and the Restless, we come to actor Michael Damian, who played Danny Romalotti from 1981 to 1998, 2002 to 2004, 2008, 2012 to 2013, and again from 2022 to 2024. He began his music career with the 1984 studio album, Love Is A Mystery, but failed to garner much attention. It wouldn't be until his 1989 cover of the David Essex song, Rock On, that Damian would finally start to see some movement in his singing career. However, this success was short lived. He would spend the 90's jumping from label to label, but never finding a foothold on the charts amongst an era of grunge. Though he continued to release music throughout the first decade of the New Millennium, this too was not a lucrative time for him musically.

I'll always remember Harry Connick Jr. for his roles in Copycat and The Iron Giant, as well as the time I saw him live in concert. Harry has been highly successful as a musician, probably even more so than as an actor. He's renowned for his skillful piano playing, and highly regarded as a composer. These days, he also passes on his knowledge via online piano courses.

RIP Patrick Swayze. When a lot of people heard the song, "She's Like the Wind" on the radio for the first time, their jaws were on the ground with the realization they were listening to Swayze as the lead singer. He'd been working on the song for quite some time when he pitched it for the Dirty Dancing soundtrack. The song raced up the charts, and with the aid of the film, catapulted the actor into teen heartthrob status. Though he never released any studio albums, Swayze would continue to contribute to soundtracks, including Road House, Next of Kin, and One Last Dance. I guess in hindsight, Roadhouse could have been included on this list.

Thanks to Olivia Newton-John, John Travolta makes this list for his duet contribution to the soundtrack, Two of A Kind, also starring Newton-John. However, what a lot of people don't know is that this wasn't his first foray into the world of albums, and no, I'm not talking about the Grease soundtrack. Travolta released his own studio albums in the 70's, his self titled disco record (1976), and its pop rock follow up, 1977's, Can't Let You Go. He's also released several singles, and continued to collaborate with Olivia on future albums.

When comedian / actress Tracey Ullman told her husband she was going to work with the newly created Stiff Records label to release a studio album, he urged her not to, telling her it was a bad idea. Not heeding this advice, Ullman released 1983's You Broke My Heart in 17 Places, and 1984's You Caught Me Out. Both featured 80's renditions of classic jukebox hits from the fifties and sixties, and while her first album found success with the chart topper, They Don't Know, both albums were critical flops. The comedian has not released a music album since, and instead focused her efforts on her comedy act, leading to the debut of The Simpsons on her highly popular show.

When interviewed about his venture into the world of music, Eddie Murphy told talk show host David Letterman that as a comedian, it wouldn't matter how his debut album went. If it was successful, he'd smile and go with it. If it flopped, he'd simply incorporate its failure into his comedy act. In short, either way, it would be a win for him. Though it didn't reach number one, How Could It Be still burned up the charts with its single, Party All the Time, paving the way for Murphy to occasionally revisit the world of music, though he still favors acting.

Its tragic what's happened to Bruce Willis. Fortunately, we can revisit better times in his life via his fantastic films, his great success in television, and his brief music career. Critically, his albums have been far less successful than his blockbuster films. Reviewers are kind, but also conclude that he doesn't have the chops to really stand out as a musician amongst the likes of the Blues Brothers, Don Johnson or Bruce Springsteen. They akin him more so to a comedy act than a serious musician.

And speaking of Don Johnson, he's the next actor on our list. If you lived under a rock in the 80's, Johnson catapulted into success with his portrayal of Sonny Crockett on the prime time series, Miami Vice from 1984 to 1990. From there, he starred in the equally successful, Nash Bridges, from 1996 to 2001. Possibly inspired by his earlier co-star, who we'll get to in a moment, Johnson tried his hand at music in the 80's. Led by the title track, Heartbeat, which went to number five on the Billboard, the now singer / actor was noted as successful in his transition to the world of music. However, his follow up album, 1989's Let It Roll, would not fare as well, despite a contribution from Barbra Streisand. To date, he hasn't released any further albums.

Now we switch over to Johnson's co-star from Miami Vice, Philip Michael Thomas. Thomas would self release his debut album in 1985, but unfortunately, it sold poorly, and produced no hits. He would try again in 1988, but again would be met with failure. Despite this, he has continued to dabble in music periodically. However, most will always remember him as Ricardo Tubbs.

Who doesn't love Mr. T? Lead on The A-Team, greatest opponent to Rocky Balboa, and icon to kids across the nation. Despite his tough exterior, Mr. T exhibited a demeanor of kindness, caring, and love. These aspects carried over to his two albums from 1984, which were full of moral lessons for kids, and advice to help them stay safe. It's no wonder that children of the 80's looked up to him, and adults grown up from the 80's still reflect on him fondly. Mr. T was the ideal role model.

When he wasn't busy loving Joanie, or being in charge, Scott Baio was working on a less than acclaimed music career. The singer / actor himself has reflected on the lackluster success. These days, his self titled debut album is typically only remembered when being compared to the album cover of Michael Jackson's Thriller. Even Baio has stated how their similarities are striking, while laughing about how Jackson's album went on to be a bit more popular than his.

Now we start heading into obscure territory.

The Facts of Life is that Lisa Whelchel can't sing. I'm sorry, but her one and only album, All Because of You wasn't going to be making any waves any time soon. What I find the most oddest, but also intriguing at the same time is that some of the songs want to be pop oriented hits, while others are slow tempo gospel. This isn't a bad thing. It's just an odd combination. The album flip flops back and forth, and this results in a record that doesn't cohesively flow. Kudos to her though for showcasing her faith. That's rare in Hollywood.

Her co-star, Kim Fields also tried her hand in music. Rather than produce a full album, Fields instead opted for a single. Though the lead track was, He Loves Me, He Loves Me Not, the b-side Dear Michael, which serves as a love letter to Michael Jackson, is the more memorable song. It's not good...it's just more memorable.

Though the show, Who's the Boss was still on the air in 1989 (1984 to 1992), and remained popular in the USA, the states were not ready for a musical career from Alyssa Milano. Instead, she turned her efforts to a Japanese audience, who ate up her two studio albums, both released in 1989. To this day her albums continue to be re-released over seas, but remain scarce in the US. In fact, you won't even find a CD release in North America. These are limited to Japan, making them all the more hard to find and expensive.

You know, I'd be lying if I said Tina Yother's 1987 single, Over and Over, wasn't good. It's peppy, totally pop oriented, and rather enjoyable. What's odd about it is that you won't actually find the song Over and Over on the two track LP. Instead, it features Baby I'm Back In Love Again, and Girlie Girlie. Since leaving the world of acting, she's stayed in music, forming the band, Jaded, with her brother.

As one of Charlie's Angels, Cherly Ladd introduced many a young boy to the world of manhood. It takes a lot of woman to replace the likes of Farrah Fawcett, but Ladd did just that from 1977 to 1981. Prior to the end of the 70's she released two studio albums, which we won't bother with, because we're focused on the 80's. She then released her final album to date, 1981's Take A Chance, which was limited to Japan. Rather than continue a career in music, the actress returned to the small screen, starring in several made for television films, and continues to act to this day.

Alan Thicke doesn't often get the credit he deserves. He's usually only remembered for his stint on Growing Pains, which granted was no small achievement. After all, the series ran for six seasons between 1985 and 1992. However, Thicke's career began long before that. Prior to becoming an actor, he was a renowned writer of classic television themes, having penned over forty tunes. Some of the more noteworthy include the themes to The Facts of Life, Diffe'rent Strokes, the original version of Wheel of Fortune, Celebrity Sweepstakes, and more. He even released a single, Thicke of the Night. Despite its goofy title, it's actually a pretty solid rock track.

While Alan Thicke wrote the theme to The Facts of Life, it would be Gloria Loring who would sing it. Oh, yeah, she was also married to Thicke, is the mother of their son, Robin Thicke, and had her own successful career playing Liz Chandler on Days of Our Lives from 1980 to 1986. She dabbled in the world of music leading up to the 80's, but never really found much success. It's more of a novelty to own her 1984 album, A Shot In the Dark for its inclusion of the full version of The Facts of Life. However, beyond that, it's nothing to write home about. Her greatest musical success came from her 1986 self titled follow up album, which featured the number two hit, Friends and Lovers, with Carl Anderson.

We wrap this up with Tom Hanks and Dan Aykroyd's duet from the Dragnet soundtrack entitled, City of Crime. It's part rock, part rap, an acquired taste for sure. For its time it was unique. These days, it's one of those, "why" moments. The song was played over the films closing credits, while the music video was choreographed by Paula Abdul. As for its existence...Well, I can only speculate it was to capitalize on the rising popularity of rap, and a ploy to garner attention towards the movie. It worked at the time, but like I said, these days it more so leaves one asking, "Why would they do that?"

An honorable mention to this post would be We Are the World for featuring both Dan Aykroyd and Bette Midler as part of the chorus. But, that about wraps it up. Are there any other actors from the 80's who made albums, singles, or were part of soundtracks that I missed? Let me know. I could always use more 80's music.

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