Thanks to the radio's incessant playing of Tom Petty's Free Falling, I have a very difficult time listening to his music. I'm just so burned out on it from just that one song repeatedly being hammered into my ears. It's because of this that I've had several of his albums, 70's through 90's, but to this day never played one of them. Well, it's time to grit my teeth, and check them off.
Tom Petty And The Heartbreakers were catapulted to mainstream success with their 1979 album, Damn The Torpedo's, the third in their studio discography. It was because of this that when it came time to release his 1981 follow-up, Hard Promises, MCA wanted to capitalize by moving his albums into the "superstar pricing" category, a higher price reserved for the biggest sellers as a way to squeeze more money out of the fans. Petty objected and did so vocally through the local press. The artist even considered not turning over the album for release, or renaming it Eight Ninety-Eight, the standard price of albums at the time. MCA eventually stepped down from the matter and released it for the regular price.
Led by single, The Waiting, which would peak at number nineteen on the Billboard Hot 100, the album itself would eventually go platinum, peaking at number two on the Billboard 200. Mirroring Stevie Nick's 1981 release, Bella Donna, Hard Promises too would contain a duet with the two, with Insider. However, this tune wouldn't prove to be better than the Nicks album's Stop Draggin' My Heart Around.
Two additional singles would follow. The first being A Woman in Love (It's Not Me), which would peak on the Hot 100 at seventy-nine. The second, Thing About You, would actually make its way to Billboards US Hot Country Songs charts, where it landed at number fourteen.
Playing through it, I didn't expect much. My Petty fatigue has long since run its course. I will say it was nice to hear his voice again, considering he passed away in 2017.
I do appreciate that as an artist he seemed to embrace multiple music styles. He can definitely rock, but at the same time cross genres to country, and new wave. Through and through, he's a solid song writer, and The Heartbreakers definitely know their instruments. I can find no fault in the overall presentation.
There were also a handful of standouts, but not necessarily long-term memorable ones. These included King Roads, Letting You Go, and A Thing About You. Insider is also a pretty solid track, and I suppose based on the lyrics actually serves as the album title track.
Overall, it was much better than I expected. I think my first impression, or lack of desire to hear it was driven by my own fatigue. But ultimately, I can appreciate it as a whole. I dare say I may also be looking forward a bit to jumping into his 1982 follow-up, Long After Dark. While I wish that was where I was heading next, I did completely skip over Sade, which in chronological order will have already been posted.
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