Sold Under False Pretenses - Mike DeCarlo's Batman A Death In The Family Watercolor Painting


Original artwork isn't cheap. Depending on the artist a one-of-a-kind piece can fetch hundreds of thousands of dollars, if not millions in some cases. That's why when buying an original piece, there's a level of trust that must be involved. As the seller, you have to trust that the buyer isn't going to mass produce your work, and profit off of reproduction prints. As the buyer, you have to trust that the artist is protecting your investment by not turning around and recreating it for someone else.

For those of you who recall, I went to Big Lick NOVA 2026 on May 30, 2026. It was there that I met Mike DeCarlo for the first time. At his table, he was selling original artwork, and among the numerous pieces was a fantastic watercolor showcasing the four covers of the fan favorite Batman story arc, A Death In The Family. The below to be specific.


I showed immediate interest in it, and Mike saw this, telling me that he was sure it would sell fast, and further stated it was one-of-a-kind. He then reinforced this by saying it was something he wouldn't be doing again.

At $400.00, it was a great asking price. For those of you unfamiliar with commission pieces from comic artists, these typically cost between $300 and $600 per character, and sometimes more. Mind you, that's usually for a pencil and ink job. Certainly not full color, and definitely not watercolor. This was poised as a once in a lifetime opportunity, and a major investment. One I couldn't pass up.

When I got home, I even found Mike's original Facebook post, where upon completing it, he listed it for sale. He reaffirmed in writing in this post how, "This is the one and only time I will recreate in full color the 4 part series."


The problem, as it would turn out, is that this statement wasn't true.

Fast forward to October 11, 2026. I don't know what led me to search for "Mike DeCarlo A Death In The Family Watercolor" on Google, but I did. Imagine my surprise when I came across a very familiar looking ebay listing.


How could this be? Was it a fake? Did someone go online, pull the image, alter the signatures on the bottom to include Mike DeCarlo and Jim Starlin's signatures? I read over the seller's description hoping that they'd state the item was merely a print, but alas, no. It was stated as an original recreation of the cover art by Mike DeCarlo.


I reached out to the seller, politely asking if they could tell me when and where they bought this, as I had purchased a similar piece, and that when I did, it was sold to me with the pretense that it was one-of-a-kind. The seller was polite, and prompt with a response.

Conversation referenced with the permission of the seller.

The said they had purchased theirs in June of 2026 at HeroesCon, also for $400.00, and under the same pretense that it was one-of-a-kind. Upon discovering that this was not the case they were unhappy and decided to sell the piece to recoup their money.

In the interim of receiving their response, I also Google searched an email address for Mike DeCarlo, something that turns out was easier to do than I thought possible. I took a screen grab of his Facebook post, and the seller's listing, specifically those included in this post, and forwarded them to him. I was polite, not wanting to show my entire hand right off the bat. I simply asked if the one on ebay was legitimate since it looked similar to one he had posted on his Facebook page.

Mike actually responded rather quickly.


He not only stated that it looked legit but then complained how insulting it was that someone would buy a piece from him only to then list it for an upcharge on ebay. He then stated that he often does two or three of the same work if it is well received. The icing on the cake was him offering to make me my own for $320.00.

I wanted to immediately start typing out a response but was speechless, shocked how Mike could be insulted by someone trying to profit off of his work, but oblivious to how fans of his work would feel buying artwork from him under false pretenses. My investment suddenly felt worthless, and that was incredibly disheartening. Further, it was insulting to me that he diminished its value himself by not only continuing to recreate it but then offering to do so again at a cheaper price than I had previously paid.

Still, I wanted to give him the benefit of the doubt. I went back to his Facebook page multiple times. Had I simply misread it? No. He truly stated, in writing, that this was a piece he wasn't going to recreate. Yet here it was. A listing from an ebay seller for the exact same thing, and an email directly from Mike going completely against that statement.

Look, I get it. Mike stating that the piece wouldn't be recreated isn't a binding legal agreement between me and him, though perhaps it should be. The title of my article is me being polite. Whether the piece I purchased was or wasn't the only existing original at the time doesn't matter. What matters is that it was advertised as such, and that simply isn't the case. That in and of itself is a lie, scamming fans, unscrupulous business, and wrong.

At the end of the day, many of the veteran artists of the comic industry aren't working on any active books. They get their money from signing books at conventions, selling commission pieces, and original artwork. As such, it's all the more important that they have the trust of the comic book community, AKA, the fans who are essentially paying them. When things like this happen, that trust is gone. Further, it has a ripple effect, wherein I now feel that if Mike DeCarlo has done this, who else out there is doing the same thing?

While I will still continue to purchase commissions in my Peter Parker: Decisions series, I'm done buying other artwork from comic creators. They charge a lot of money, and with that transaction needs to be trust that my investment is being protected by the creator. I'm incredibly insulted that not only has this not been the case with my purchase from Mike, but that he is still actively offering to recreate the piece, and at a cheaper price.

I wish Mr. DeCarlo the best, and I'm still a fan of his work, but that is simply work I will no longer be able to support financially. That trust is gone. However, it's because I'm a fan that I didn't bother responding to his email. What's the point in fighting with him about it? The money is already spent, and the recreated piece(s) already out there. So, what's to be gained? If he finds this post, then so be it, but there's no reason to directly engage with him over this, nor should anyone else harass him about it.

This post is simply for me to tell you, the reader, what happened to me, and if nothing else, recommend you be careful if / when buying artwork. Whether it's a comic creator or local artist, you may want to consider taking steps to protect your investment, such as having written agreements. It seems excessive to have to do so, but if your goal is to not have value diminished, it might be the best course of action.

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Retro Spins: The Fixx - Shuttered Room

   

Back in the day, I was still actively checking off albums that featured classic 80's tunes on them. Among these was The Fixx's 1983 released Reach The Beach, which featured the song, One Thing Leads To Another. Around the same time, I also ended up with a copy of Greatest Hits: One Thing Leads To Another. Inundated with albums to listen to, I played neither.

Around July of 2022 1986's Walkabout got added to the fold. Whether this was because of the song Secret Separation, or just a whim purchase, I don't recall at this point. What I do know is that it too got put aside.

One day in 2023, as I had my iTunes running on shuffle, the tune, Can't Finish popped up, and instantly became a favorite. Suddenly the bug hit me. I needed all their other studio albums. Thus began the hunt, and by July 15 of that year, I had checked off their entire 80's discography. The problem was that even then, I still didn't get around to playing any of them.

Fast forward to 2025, and finally an album hits the CD player. That being the aforementioned Walkabout. Well, today, it's time to start rectifying my lack of attention to the band and finally start my listening sessions. It all kicks off with their 1982 debut, Shuttered Room.

It's one of those situations were depending on which continent you buy it from will dictate the version you get. Both the UK and US pressings have ten tracks. However, the UK release includes Sinking Island and Time In A Glass. Whereas the US version omits these, and includes I Found You, and The Strain, which are not on the UK pressing. For my purposes, I own and am listening to the US version.

Things kick off with the upbeat I Found You and then go into the equally up tempo Some People before landing on the hit, Stand Or Fall. So far, so good.

While things tapered off a bit with The Strain, the album immediately picks up again with the fantastic Red Skies. It was upon this time that I checked my handy dandy Billboard Hot 100 Charts book by Joel Whitburn and was quite shocked to find that only Stand Or Fall landed on the charts and peaked relatively poorly at number seventy-six. Honestly, I would have expected better. Red Skies would manage to hit both the US Billboard Bubbling Under the Hot 100, and US Billboard Top Tracks.

Awesome book!

Pretty much the entire album was solid, with just a couple tracks that really didn't resonate. This was definitely a good start...or rather late continuation of The Fixx, and I'm totally hyped to keep going through the rest of their 80's catalog. My next stop is 1983's Reach The Beach, which I'll play through tomorrow.

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And now, 31 Days Of Halloween!

When your first "dead" movie was Dawn Of The Dead, followed by Day Of The Dead, it makes going back to the original Night Of The Living Dead quite difficult. Back in those days, we didn't have the internet. As such, there was no massive database to link everything together. If you didn't know, you didn't know, and there was nowhere to find that answer unless it was printed somewhere that you saw.

Regardless, after seeing the second and third film, I somehow learned that the original was linked to it and soon had the (then) trilogy on VHS. The first one, in comparison was not good. But, then again, none of them are magnum opus projects by any means. Still, if you like zombie flicks, there's none better than those by George A. Romero.









Retro Spins: The Jacksons - 2300 Jackson Street

   

It's odd to imagine that 1) the Jacksons would come together for another album after 1984's Victory, and 2) it would be Jermaine who would take lead on vocals. Michael and Marlon had opted to formally leave the group after the conclusion of the Victory tour, leaving brothers Jermaine, Randy, Tito and Jackie to carry on. 2300 Jackson Street, named after their childhood home, would become the Jacksons sixteenth studio album (including the works of the Jackson 5), and also serve to be their last.

When the four laid down the initial tracks, label CBS ignored it, seeing no reason to back the project without Michael. However, after hearing the demos for Alright with Me and If You'd Only Believe, suddenly promotional staff were calling meetings with the brothers.

The title track would become the biggest draw to the album for its inclusion of the entire Jackson family, sans La Toya who was estranged at the time. While it would reach number nine on the US Billboard Hot Black Singles, it would be Nothin (That Compares 2 U) that would land on the Hot 100, peaking at seventy-seven. It would also reach number four on the US Billboard R&B Singles chart.

Honestly, I took the stance of CBS when I fired this one up. I was like, "How could this possibly be good without Michael?" While it's true that he is often the draw, I think people, me included, often forget that the rest of the brothers were talented. Relegated to the background, for sure, but talented, nonetheless.

2300 Jackson Street, the album, definitely strives for quality. Nothing feels phoned in. It's not a cash grab on the name. Jermaine, Randy, Tito and Jackie put effort into the material and worked with some of the best in the industry to create a solid record.

With that said, it's not perfect by any means. I think the first three tracks, Art Of Madness, Nothin (That Compares 2 U), and Maria are the strongest out of all eleven. As for the title track, it feels like a novelty song at best. An excuse to not only bring every Jackson out of the woodwork for one song, but to feature their children. It's not that good of a song, and candidly, if any other artist laid it down, it would fail hard.

It's after the title track that things take a bit of a downward turn for me. Basically, I lost interest. It also got old fast that multiple tracks thereafter felt the need to keep referencing the title of the album. We get it. 2300 Jackson Street.

Michael and Jermain signed an agreement in 1995 to work on a new Jacksons album entitled Humanity, and Michael even stated in an interview in 1999 that he was still working on some tracks. However, the project was eventually aborted. Since then, there have been no further albums from the brothers.

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And now, 31 Days Of Halloween!

Willow Ufgood dawns scary makeup and becomes Leprechaun! I call him Leprechaun because depending on who you ask, the character's name is either Basil (per the creator of the original film, Mark Jones, but never actually used) or Lubdan (as published in a comic tie-in without consultation of Jones).

Anyway, if you're looking for the film debut of Jennifer Aniston, this one is for you. However, if you also just want a quirky comedic horror series featuring Warwick Davis, then this will definitely fill that need. Well, for the first six anyway. That was the selling point for me when first owning these films on VHS. I never did get around to picking these up on DVD.










Comics Corner: The Amazing Spider-Man 320

   

Title: The Amazing Spider-Man
Issue Number: 320
Release Date: September 1989

Highlights

  • McFarlane cuts to the chase, and puts Felix the Cat right on the cover
    • If there are any hidden spiders, I don't see any of them
  • Peter is hard at work in a lab at Empire State University, creating a new formula of webbing, one that doesn't burn
    • Doctor Swan walks in on him, and tells Peter that while the university is paying him to be an assistant that he needs to be working on the appropriate work, not conducting his own experiments
  • Spider-Man heads out into the night to test his new webbing
  • A call comes in for Mary Jane, and Aunt May asks her to keep it brief to keep the line open
    • The call is from Harry Osborn, who asks if her and Peter can help them move to their new loft over the weekend
  • High above the city, Spider-Man sees downed bodies below, and follows the trail to find Paladin
    • Before Paladin can answer any questions, guards burst in, blasting everything that moves
      • Spidey uses the opportunity to test the strength of his new webbing on a pile of heavy crates
        • As Spider-Man swings towards Paladin, he finds a flaw in his new formula - It's too strong for his web shooters to cut and release the line
          • Spider-Man goes through some of the papers left behind, and discovers they're for a guest list at a party at the Waldorf Astoria that evening
  • Peter goes home, and asks Mary Jane if she wants to go to a party, notes the Waldorf event, and states that she can get invitations through her connections
    • She also tells him about helping the Osborns move
  • Reference is made to Marvel Team-Up 109, The Amazing Spider-Man 298, and 299
  • Peter spots Paladin, unmasked at the party, and he's watching two individuals like a hawk
    • They leave, and Paladin follows, after a quick change, so does Spider-Man
      • The parties leave the building, and Spider-Man pursues all the way to Brooklyn
  • Paladin subdues everyone except the men he's after, Drake and Chakane
    • Spidey intervenes, only for one of them to pull his own gun
  • Soldiers enter the fight, and they bring tanks, which the two heroes make short order of
  • Drake and Chakane get away, and Paladin calls in a ride, via helicopter, which he invites Spidey to tag along in
    • Silver Sable is aboard, and she informs Paladin she's taking a more hands on approach with the mission
      • Spidey remembers that Drake is the head of the Life Foundation
        • Apparently there's a conspiracy brewing against Sable's home country of Symkaria
          • Feeling bad for botching everything, Spider-Man offers to help for free
  • The next morning, Peter goes to make a call from Aunt May's home, but she's on the line already
    • He overhears some talk about heart disease, and six months to live
      • He assumes it's about his Aunt, but this is not revealed in the cliffhanger ending
  • Hidden Felix
    • In addition to the one on the cover, there is a tiny Felix the Cat on the label of a file cabinet drawer that Paladin is rummaging through

Low Points
  • None
Oddities
  • We never see or hear of Peter making adjustments to his web shooters, but yet he doesn't have any further issues with his webbing not being cut
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: R.E.M. - Green

   

Today wraps up my trek through R.E.M.'s 80's discography. Admittedly, it hasn't been my favorite series of listening sessions, but it also hasn't been painfully terrible. There've been a few standouts along the way, but for the most part, much of it has been mediocre at best.

Upon the release of 1987's Lifes Rich Pagent, R.E.M.'s contract with I.R.S. expired. Rather than renew, the band voiced their disappointment with the label's overseas production and support, prompting them to leave, and sign with Warner Bros. Though Warner wasn't the highest offer they received, ultimately, they chose the label because of the promised creative freedom.

Green would be a departure from the college rock and jangle pop sounds of previous album, pushing the band into full on mainstream alternative rock. As a result, the album would become their biggest selling at the time, reaching 2X platinum in the USA and Canada, while also going platinum in the UK.

Singles, Orange Crush, and Stand would dominate the Mainstream Rock charts, taking the number one spot. Third single, Pop Song 89 would also chart, but taper off at number sixteen. Stand, and Pop Song 89 would also reach the Billboard Hot 100, peaking at number six and eighty-six, respectively.

Though it wouldn't be until 1990, with the debut of the Chris Elliott starred, Get A Life that the band would finally hit my radar. That being because the series utilized the song, Stand, as its opening theme. This prompted me to eventually get their album, one of the first CD's I owned in the early 90's (Thanks, Columbia House!).

While I couldn't really get into the album back int he day, in retrospect of today's Retro Spin, I appreciate it far more. The hits are bar far the biggest standout, but as a whole, it's not a bad album. Granted, I couldn't tell you what any other songs are, nor would I be able to hum them back to you at this point.

Green is definitely the full transition for R.E.M. to the sound that they would launch into superstardom within the 90's. Being the decade where I essentially first heard of them, I was actually shocked when I first learned they were not only around in the 80's but had so many albums to boot.

At the end of it all, I wouldn't necessarily say I'm a fan of the band, I've said that many times throughout this series of Retro Spins. However, I will say that the hits are fantastic...well, most of them towards the tail end, '86 and on. I'm still not impressed with their stuff prior to that.

But that wraps up my journey with them, and I'm off to find something else to listen to.

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And now, 31 Days Of Halloween!

Ah yes, Jaws. The horror film where back in the day only garnered a PG rating, prompting many children to not only see it, but be horribly scarred in the process. Fun fact. You can thank Steven Speilberg for the PG-13 rating, which came about because of his 1984 films, Indiana Jones And The Temple Of Doom, and Gremlins.

I've seen all four of the Jaws films, having owned them previously on VHS, and currently on DVD. Candidly, with exception of some parts from the first, I really couldn't tell you much about any of them. I vaguely remember one of them had an underwater facility, and a shark smashing into the glass, but which one that was, I have no clue.








Comics Corner: Web Of Spider-Man 55

   

Title: Web Of Spider-Man
Issue Number: 55
Release Date: October 1989

Highlights

  • One of the first Spider-Man comics I owned as a kid
  • Death of Eduardo Lobo
  • The Lobo brothers are burning New York City down in their rampage to draw Kingpin out
  • As Spider-Man protects civilians from the chaos, Nick Katzenberg gets photos for the Bugle
  • Reference is made to The Spectacular Spider-Man 143
  • As Arranger runs construction men ragged repairing Fisk's tower, the Kingpin returns
    • He demands the Arranger schedule a meeting with the Lobo brothers to end this war
      • Among the construction workers is a disguised Chameleon, who overhears everything
        • Chameleon informs Hammerhead, and the two plan an ambush
  • At the Bugle, J. Jonah Jameson ponders over both Nick and Peter's photos
    • Kate Cushing makes it easy for him by stating if he print's Katzenberg's that she'll quit
      • Peter's photos get the front page
  • Katzenberg overhears Joy Mercado talking to Peter about Gloria Grant and her love affair with the gangster, Eduardo Lobo
  • Peter attempts to talk to Gloria, but botches it, and tells her he has to go
  • Peter meets Mary Jane at an apartment in Hell's Kitchen that they're looking at possibly renting, but it's once again out of their price range
  • The Lobo brothers agree to meet Kingpin, but Eduardo insists Gloria come with them
    • High above, Spider-Man has tracked them down by following Gloria home
  • The meeting takes place at Flushing Meadow Park, and the Lobos will accept only one thing for piece - The Arranger
  • Hammerhead and Chameleon ambush the meeting, guns blazing
    • A massive battle breaks out, and the Lobos join it in wolf form
      • The Lobos think Kingpin set them up, and attempt to kill Arranger
        • Meanwhile, Hammerhead and Chameleon chat casually from a safe distance about how they'll break up the territories amongst themselves
          • Arranger tries to shoot Eduardo with his silver bullet loaded gun, but Spider-Man knocks him and the gun away
  • Kingpin knocks Carlos Lobo out with his cane, which he states has been line with silver, all while shaming the Arranger for causing all of these problems
    • They take their leave, not bothering with any of the battle further
  • As Eduardo grapples with Spider-Man, Gloria grant finds the gun, aims, and shoots Eduardo, killing him
  • Carlos lunges at Spider-Man, and takes a solid punch to the face, knocking him out
  • As Spider-Man tries to console Gloria for saving his life, she shouts at him that she wasn't aiming for Eduardo, but rather Spider-Man
  • From a distance, a hidden Nick Katzenberg has captured everything with his camera
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: R.E.M. - Lifes Rich Pageant

   

After taking a break from touring, R.E.M. returned to the studio revitalized, and eager to keep pushing their music in new directions. While they enjoyed the adoption of new instrumentation from their previously released Fables Of The Reconstruction, they wanted this next piece of work to have more energy and be less murky in tone. For this, they moved on to producer, Don Gehmen.

Despite their eagerness to work with Gehmen, the band was skeptical at first of his recording style. The band had never experienced what the producer called the normal recording process, and at first didn't embrace him spending time on the arrangement, layer in the overdubs and comping the vocals. When they saw that this approach didn't take away from the end result, but actually positively added to it, they fully embraced the style.

Lifes Rich Pageant became the band's fourth consecutive hit album, peaking at number twenty-one on the Billboard 200, while once again also charting in Canada, New Zealand, and the UK. Though this time it would also chart in new territories; Australia and Norway. With it would come singles, Fall On Me, and Superman, which would peak on the Billboard Hot 100 at ninety-four and seventy-four, respectively. However, the two would fare better on the Mainstream Rock charts, where they landed at five and seventeen.

We're now very much so in the era of R.E.M. that sounds like their greatest commercial success, which was just on the horizon. It's full-on alternative rock, and becoming more mainstream radio friendly, though not the style most people were into yet in 1986. I dare say if this was released in 1991 or 1992 that it would have skyrocketed into the top ten.

Begin The Begin and Fall On Me were the two standout tracks for me, and at this point, I'm just happy to say that there was something I would bother to listen to again in the future. This iteration of R.E.M. I can endorse, but at the same time, I still wouldn't call myself a major fan by any stretch of the imagination.

The band would follow-up with their first top ten album, Document, in 1987. It would become their first platinum seller and fully lay the foundation for the band's popularity on mainstream radio and MTV. It's also the first Retro Spin I did on them, back in 2021. As such, I'll be skipping over it, and heading right into their final album of the decade, Green (1988).

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And now, 31 Days Of Halloween!

With Scream being a massive success in the 90's, the slasher genre was reinvigorated. With it came a slew of new franchises, including I Know What You Did Last Summer. I saw the first two in theaters and didn't bother with any others. They were generic at best. An excuse to put pretty boys and girls on the screen, each having no further character development then their persona; athlete, jerk, heartthrob, etc. I often mock the series, stating the next sequel will be, "Who Gives A S**t What You Did Last Summer?"












Comics Corner: The Spectacular Spider-Man 154

   

Title: The Spectacular Spider-Man
Issue Number: 154
Release Date: September 1989

Highlights

  • Reference is made to The Web Of Spider-Man 50, and 54
  • J. Jonah Jameson publishes an article in the Bugle that the gang war is over, and credits an unidentified passer-by as the individual who rescued him from the villain, instead of crediting Spider-Man
  • As a limo drives by, Spidey's spider senses go off, and learning from his mistake of ignoring the disguised Chameleon, states he'll never let that happen again
    • The passenger is Thomas Fireheart, AKA Puma
  • In Hammerhead's home, he and Chameleon discuss the lost battle with Spider-Man, and the setback in their gang war against Kingpin
    • One of Hammerhead's men informs them that there is a visitor to see them, one of the Kingpin's top men named Vermicelli
      • With a quick change, Chameleon becomes the Arranger
        • He informs Vermicelli that he's worried that their boss, the Kingpin, has gone missing, and to inform him immediately at Hammerhead's home as soon as he's found
  • J. Jonah Jameson calls Nick Katzenberg into his office, and while he fears it's to be yelled at, Jameson praises him for his photo of Spider-Man outside of Kingpin's window
    • Jameson tells Kate Cushing to give him a raise the next time circulation breaks ten million, to which she reminds him they've never achieved above five
      • He simply shrugs her off, explaining that these are just details
  • Jameson has received a letter from his broker that unknown foreign entities are staging an aggressive bid of stock to take over the Bugle
  • With Fireheart back in town, Peter breaks his dinner date with Mary Jane
  • Spider-Man breaks into Fireheart's office, and comes face to face with Puma, who finds the intrusion to be a dishonor
    • The fight starts, with Spider-Man simply wanting to know why Puma is in New York
  • Elsewhere, Arranger is meeting with a gunsmith, who's crafted him silver and lead alloy bullets
  • Though they continue to battle, Puma explains he came to New York to help Spider-Man after misjudging him previously, but now that he's been dishonored with the break in, they must fight
  • Later, Peter heads to the hospital to visit Kristy, and finds Aunt May there as well
    • Kristy refuses to admit she has an eating disorder
Low Points
  • Puma randomly ends the fight saying they'll pick it up another time
  • The battle with Puma is pointless to the story
Oddities
  • Mary Jane still goes out dancing, even when she's married
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: R.E.M. - Fables Of The Reconstruction

   

Before I start, I'd like to give a shoutout to the robots. Nobody has ever said anything so kind about my blog than them. So, thanks!


Fables Of The Reconstruction saw R.E.M. taking their established sound from its two predecessors and adding in elements of folk and darker toned lyrics. With it came new instrumentation for the band, including strings, brass, and banjo. Though critically well received, the band has vocalized mixed opinions of it since its release.

The album would prove to be another success for the band, peaking at number twenty-eight on the Billboard 200, while also charting in Canada, New Zealand, and the UK. Though it wouldn't produce any Billboard Hot 100 singles, both Can't Get There From Here, and Driver 8 would land on the Billboard Mainstream Rock charts at number fourteen, and twenty-two, respectively. Wendell Gee would also be released as a single, but only chart on the UK Singles at number ninety-one.

The new sound is very obvious from the starting gate, and quite honestly, I dig it a lot more than their previous releases. It showcases the sound that R.E.M. was soon to be associated with, but not quite there just yet.

Starting tracks, Feeling Gravitys Pull, Maps And Legends, and Driver 8 made me want to consider being a fan, even if the remainder of the album took a back seat for the most part. Mind you, it's not bad, but those three were definitely the standouts. In retrospect, I'm wondering if it was because things sounded fresh at first. Perhaps this just wore off fast. I don't honestly know.

What I do know is that as a whole, the album is still pretty mediocre. I don't see myself picking it up again or even wanting to hear the aforementioned tracks for a second time. As a whole, I'm just not all that into R.E.M., and it's a bit of a slog getting through their albums. Regardless, my next stop is 1986's Lifes Rich Pageant.

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And now, 31 Days Of Halloween!

House and House II are underrated hidden gems in the horror genre. The first one takes you on a somewhat action-adventure akin to that of your average Schwarzenegger or Stallone films, but with a massive zombie villain. Meanwhile, the second one adopts a more comedy horror script.

Part three serves as a standalone film, but with four, we're returned to the life of Roger Cobb, last seen in the first installment. It serves as not only a direct sequel to the original film but also wraps up Cobb's story.