Comics Corner: Web Of Spider-Man 45

   

Title: Web Of Spider-Man
Issue Number: 45
Release Date: December 1988

Highlights

  • First appearance of Morris "The Snake" Diamond, Harry, Danny, and Lenny
  • First appearance of McCarran International Airport
  • Peter Parker is still in Las Vegas, but he's happy because he thinks he's going home
    • He's wrong
  • Peter makes it to the airport, and finds out he's flying on Rattlesnake Airlines, along with Morris "The Snake" Diamond
  • Reference is made to Web Of Spider-Man 24
  • The Vulture is out for vengeance against Mr. Diamond for stealing the plans to his invention, a pair of ultra sonic controlled trick dice
  • Vulture flies towards the plane headed for New York, and blows it from the sky with a bomb
  • As everyone parachutes from the plane (see oddities), Vulture issues a warning to them all that he will strike when they least expect it
  • On the ground, the Stewardess, Sara, suggests they all head back to the plane wreckage, as that will be their best bet for a rescue
    • Diamond has his own plans, and his many Danny pulls a gun, slapping Sara across the face with it to make her shut up
      • As Peter prepares to intervene, the Vulture appears, and grabs Diamond, air lifting him from the group, and telling him he has a serum he wants to test on him
  • Spider-Man carries Sara away to safety, and then goes after Vulture
  • Diamond explains to Vulture that the journals he stole, which the villain wants back, were on the plane, and destroyed in the explosion and subsequent crash
  • Spider-Man uses the last of his web fluid to stop a mountain lion preparing to pounce on Sara
  • As Spider-Man and Vulture fight, Diamond's men rescue their boss
  • As Spider-Man hangs on to Vulture, the villain jabs him with a syringe full of the previous noted serum
    • Vulture tells him it's a mummification serum, just as Spider-Man gets one final blow, and blacks out
      • When he awakens, Sara is standing over him, and informs him she's with the CID, Central Intelligence Division
        • She also informs him that they "convinced" Vulture to give them an antidote for Spidey
          • Spider-Man asks for a lift home
Low Points
  • The whole story is just dumb, very amateurishly written, and the ending too convenient
  • Someone at Marvel got paid to write this throw away story?
Oddities
  • The plane is equipped with enough parachutes for every passenger on board
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Devo - Total Devo

 

Four years had passed since the previous Devo album, Shout (1984). Since then, the band had lost their recording deal, drummer Alan Myers had quit, and lead vocalist, Mark Mothersbaugh occupied his time recording music for the show, Pee-Wee's Playhouse, and the score to the 1987film, Revenge Of The Nerds II: Nerds In Paradise. The latter he brought in long time Devo collaborator, and friend, Gerald Casale.

This would also lead to a formal Devo collaboration for the song, Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini, which would play at the beginning of the film. Sadly, no soundtrack would ever be released for the film, leading to a lot of great music seemingly being lost to time.

In 1987, Devo would also sign a two-record deal with Enigma Records, who would also revisit Mothersbaugh's 1985 solo album, Muzik for Insomniaks, expanding it for a two CD re-release. As for Devo, the Casale brothers, Gerald, and Bob, would pick up the pieces with the Mothersbaugh brothers, Mark, and Bob, bringing in form Sparks drummer, David Kendrick, to fill the role of Myers.

Their first project would be for the 1988 film, Slaughterhouse Rock, starring Toni Basil. Not unexpected, the film would bomb in theaters but become a cult classic horror film on VHS and DVD. Much like Nerds, there would be no formal soundtrack release.

Devo would then set their sights on a comeback album, 1988's Total Devo. This unfortunately would not pan out, with the album charting far worse than any of their others to date. Further, it would receive overall poor critical reviews. Despite this, the band headed out on a world tour, and released the live album, Now It Can Be Told: Devo At The Palace in 1989.

But let's pause there and actually play through today's Retro Spins.

Believe it or not, Total Devo starts out on a really solid note. I was really digging Baby Doll, Disco Dancer, Some Things Never Change, and Plain Truth. However, by song five, everything seemingly did a 180, and tanked. Probably the biggest offender to come was the horrible cover of Otis Blackwell's Don't Be Cruel, originally performed by Elvis Presley. It just doesn't hold a candle to the classic version.

This lull does unfortunately overshadow everything else, and I really only got into one more track, I'd Cry If You Died. That was definitely disappointing considering how well everything started off.

There are some specifics to note with this album. Those being that the original vinyl version didn't include the song, Sexi Luv, while the cassette version featured an extended version of Some Things Never Change. Both would be included on the CD version, with the latter being included as a bonus track at the end, while also featuring the shorter vinyl version in its normal slotted position.

Devo released their second, and final album on Enigma, Smooth Noodle Maps in 1990. The album would fail to chart and be considered another failure. In 1991, the label, who were already struggling financially, would fold, and all of its assets be sold off to EMI. As a result, the band would once again find themselves without a recording contract.

Undeterred, the guys would make an appearance in the film, The Spirit of '76, released in 1990, and release a series of demo compilations entitled, Hardcore Devo: Volume One (1990) and Hardcore Devo: Volume Two (1991) through Rykodisc. However, it would be on a bus while watching This Is Spinal Tap, that the band would confer in each other that what they were seeing on the screen had essentially become their lives. They'd agree that things needed to change, resulting in them agreeing to no longer tour. Their final show was in March of 1991, and upon completion they disbanded.

In 1996, Devo filled one of the "mystery guest" spots at Lollapalooza and made an appearance at the Sundance Film Festival. They'd also take part in the creation of the Inscape adventure game, Adventures of the Smart Patrol. While the game would perform poorly, Devo's popular comeback was not. The guys began headlining tours again, which eventually brought them full circle back to Warner Bros. for 2010's Something for Everybody, their final studio album to date.

While the album performed decently, it wasn't the successful comeback that everyone expected. At least not on the studio album side. Touring, Devo continued to make waves and grew even further with the creation of the annual convention, DEVOtional.

2005 brought them back to their hit, Whip It, which they re-recorded to fill a Swiffer ad. I mean, sometimes you just gotta get paid, even though they would later say they regretted the decision.

Disney would then make them an offer to create Devo 2.0, a series of re-recorded song, with vocals and performances provided by children. It would be released in 2026 on a two CD / DVD combo and become a bit of an irony for the band, who would state the required changes to lyrics was ultimately the complete opposite of what their songs were originally intended as.

Warner Bros. and Devo announced a re-release of Q: Are We Not Men? A: We Are Devo! and Freedom of Choice in 2009 and continue to work with the label until 2012. This was driven by the creation of their own website, where to this day they sell their own merchandise, including Devo wearable gear and unreleased music. They also continue to actively tour and release periodic singles. They're currently performing a series of shows across the USA, which will wrap up in October.

With that, I've checked off Devo from my collection of albums which needed a listening session. Tomorrow, I'm off to something "new", but at this point, I haven't actually landed on what that will be. I guess we'll all find out tomorrow.

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Comics Corner: The Incredible Hulk 349

   

Title: The Incredible Hulk
Issue Number: 349
Release Date: November 1988 

Highlights

  • Death of Anthony Gold
  • First appearance of the locations St. Alfredo, and Point Blank Casino
  • Reference is made to Web Of Spider-Man 44
  • The Hulk is intent on Delta being killed for hurting Marlo, the girl he knows
    • Charlie says he'll do it for him, and while Hulk's fine with it, Spider-Man isn't
  • Spider-Man tries to intervene, but Hulk tells him to mind his own business
    • When Spidey doesn't yield, he finds himself on the defensive against the grey beast
      • Meanwhile, Charlie and Alpha continue their Warzone game
  • On the rooftops, Bravo tracks down Alpha, and they too get into it
  • Anthony "Tony" Gold's superiors come to see him, and they're none to pleased with his lack of ability to take over Vegas for the Maggia
    • His punishment is a gunshot to the chest, which kills him
  • Charlie runs out of ammo, and grabs a long candlestick, hurling it at Charlie like a spear, it strikes her in the chest
    • Spider-Man and Hulk arrive on scene, and when Hulk thinks she's dead, he feels satisfied, and leaves
      • Spider-Man goes after Alpha, but when he's gone, Charlie gets up
        • The Hulk returns, and grabs her by her throat when she won't tell him what's going on
  • As Spider-Man battles Alpha, the warrior shoots out the supports of a large sign, forcing Spidey to disengage, and grab it
    • As Alpha takes aim, Hulk grabs him from behind, and rips his arms off, revealing them to be robotic
  • In the desert, Bravo defeats Alpha, winning the amulet, and the game
  • Hulk explains to Spider-Man that the four are cyborgs who found an amulet that amplifies their speed and power, and every year they play Warzone to see who will get to wear it until the next game
  • The cyborgs celebrate their game over drinks, and start to plan their next game
  • Hulk returns to his room, intent on putting in a room service order, but in a cliffhanger ending is interrupted by Doctor Doom, who somehow got inside
Low Points
  • Another crossover
  • So, Warzone is both a group and a game the four cyborgs play, but at the end it's all just a game for an amulet
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Devo - Shout

 

As the 80's progressed, Devo attempted to stay relevant among a sea of other massive acts. This brought them to a change in musical style with their 1984 album, Shout. While the transition in musical style had begun somewhat with their previously released, Oh, No! It's Devo (1982), this new record would see a further embrace of synthesizers, and less reliance on drummer, Alan Myers. Shout, instead, utilized the popular Fairlight CMI digital sampling synthesizer. Those of you familiar with the Purple Rain era of Prince And The Revolution will easily pick up on its unique drum sound.

However, fans of Devo were not looking for Prince, and the end result was an album which was poorly received. Further not embraced was the music video for the Jimi Hendrex cover, Are You Experienced? The band would controversially depict a white Hendrix, played by Randy Hansen, emerging from a coffin in the video, drawing criticism as tasteless and disrespectful. Of this, Gerald Casale would later state that it was the lawyers who now run Hendrix estate who simply didn't understand the video and thought they were making fun of the iconic guitarist. He would further elaborate stating, "That's like saying Whip It makes fun of cowboys. This is so stupid it's unbelievable."

Devo ended up not touring in support of Shout, which perhaps hurt album sales further. Its release continued the decline of the band's overall popularity, lacking any charting singles, and as a whole peaking worse than previous records.

The musical shift is very noticeable from the start. Gone are the very clear and previously present drums of Myers, and in its place a more recognizable 80's pop sound. Depending on your tastes, that could be a good or bad thing.

Personally, I thought it was a good evolution for the band, and one which felt inevitable as the decade progressed. By 1986, new wave was declining, and tastes were shifting towards the emerging glam metal, alternative rock, and dance-pop. Devo was gravitating naturally to the latter as the only genre they would have really fit into at the time.

Much like its predecessor, it takes a couple tracks for the album to really pick up momentum, but this does begin to happen (for me) starting with Don't Rescue Me, and continuing with The Fourth Dimension, and C'Mon. Though things do seem to decline a bit from there. Not necessarily to "bad" territory, but definitely more forgettable. Towards the tail end I also enjoyed Please Please.

The album closes with Are You Experienced. First and foremost, I have to preface, I don't know the original from Hendrix and company. As such, I can't compare it. What I will say is that as a standalone track, it's not very good. Honestly, I don't see a problem with the music video either.

With repeated decline in sales from album to album, and minimal hits which didn't leave lasting marks, not to mention the noted controversy from their video and lack of touring, Warner Bros. made the decision to part ways with Devo in 1984. From the band's perspective, the label didn't understand their avant garde artistic style, and instead kept pushing for pop hits to replicate the success of Whip It. Despite this, the band would return to the label in 2010, but we'll go into that more tomorrow.

Feeling his role as a drummer had been diminished by the overuse of synthesizers, Alan Myers opted to leave Devo in 1986. Gerald Casale would beg him to stay, but these pleas fell on deaf ears. Myers ultimately left the music business behind upon his departure, moving into construction and running his own electrical contracting business in the Los Angeles area.

Following all of this, Mark Mothersbaugh would turn his attention to composing for the TV show Pee-wee's Playhouse. Additionally, he would release the solo album, Musik for Insomniaks through Tra Project. As for the Devo, they would take an extended hiatus until 1988's Total Devo. It was their final album for the 80's, and where I'll pick up tomorrow.

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Comics Corner: Web Of Spider-Man 44

   

Title: Web Of Spider-Man
Issue Number: 44
Release Date: November 1988

Highlights

  • First appearance of the Warzone team, Alpha, Bravo, Charlie, and Delta
  • Also the first appearances of Lloyd, Harry, Dinah, Mr. Peterson
  • First appearance of the location Page After Page is Las Vegas, Nevada
  • As Spider-Man swings through Las Vegas, he makes his way into the path of where Delta is aiming his rocket launcher, and this sets off his spidey sense
    • Delta takes notice, and duck into the shadows
  • The remaining members of Warzone are at a bar catching up, and planning for the upcoming game
  • Marlo Chandler goes to the casino hotel room of Joe to surprise him
    • When she knocks, she says she was watching MTV, and Michael Jackson's The Way You Make Me Feel came on, prompting the visit to him
      • When she asks if he knows what else Michael sings, Joe replies, "Beat It," and slams the door in her face
  • As Warzone get ready in their respective rooms for the game, they each take a line from Beat It
    • Meanwhile, on the television, the introduction for the Dinah Show notes that special guest, Peter Palmer, will be on that evening, showcasing his book Webs
      • Despite repeatedly correcting her, Dinah continues to call him different names
  • Marlo watches Peter on television, and takes a shining to him
  • Peter's appearance at Page After Page isn't going well, with minimal people coming by for an autograph
  • As Marlo heads to the store to meet Peter, the games begin, and Delta fires a rocket at Charlie, who is also nearby
  • Spider-Man makes an appearance, and attempts to question Charlie, but is met by two rockets coming his way, which he neatly webs up
  • Spider-Man hits Delta with a spider tracer, but then diverts his attention to the injured Marlo, who he takes to a nearby hospital
  • Marlo's roommate Mona works at the hospital, and when she see's her friend, she call's Joe to let him know that she was hurt by a woman in fatigues
  • Spider-Man and Charlie track Delta to a hotel, and it just so happens to be the one Joe is at
    • As Spidey and Delta enter, Alpha appears, and starts shooting, only to be interrupted by Joe who blocks the gunshots with his hand, and tells him he doesn't like noise
  • Joe sees the woman in camouflage, and deduces that she's the one who hurt Marlo
    • Alpha says he'll take care of her, and fill her full of holes, to which Joe says he's fine with
      • Spider-Man protests, and realizes it that Joe, AKA Mr. Fix-It, is actually the Hulk, but he's sure he's supposed to be green, and dead
Low Points
  • The story continues in the pages of The Incredible Hulk 349
    • So tired of all the crossovers
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Big Lick NOVA 2026: Part II - Joe Rubenstein, Alex Saviuk, And Patrick Olliffe


My day continued at Big Lick NOVA 2026 where last week's post ended off. I was making my way down the row of artist alley, getting books signed, meeting with folks, and in general having a blast. What shocked me was just how relatively empty the majority of their tables were. People would come in waves of three to five every few minutes, but in general, it was relatively easy to walk up to a table and immediately meet with your creator of choice.

As I noted yesterday, the order in which these are posted isn't actually the order that I went from table to table, but rather how each person was seated, left to right. Mind you, while the folks I showed last week, and am showing today, are the ones I got several books signed by, there were also a couple others I met with. Those will pop up next Monday when I wrap up my Big Lick posts.

Kicking things off for today was Joe Rubenstein. At $15.00 per signature, Joe has historically been one of the more expensive creators to obtain a signature from. It's because of this that I had to severely edit myself. Things could have easily gotten out of hand at his table had I allowed myself to do what I initially wanted, which was get all the Official Marvel Handbooks he worked on signed. That would have easily cost over $700.00.

Joe Rubenstein signing my stack of books

While I could have done this within my budget, it would have certainly killed how things ultimately played out, and frankly, I'm much happier with how things ended up versus getting a bunch of books signed that ultimately would have sat in a comic box. I ended up limiting myself to just twelve books, which in and of itself is quite a few, considering the price.

Also signed by Jim Shooter at
Big Lick NOVA 2023, and
purchased off of ebay pre-signed
by Charles Vess

While I initially got the above book signed by Jim Shooter at Big Lick NOVA 2023, the above copy was my second which I bought off of ebay, pre-signed by Charles Vess. I did end up meeting Mr. Vess at Baltimore Comic Con 2025, and getting my original copy signed by him as well.

Also signed by Jim Shooter at
Big Lick NOVA 2023

Also signed by Mark Bagley at
Awesome Con 2024, and
Jim Salicrup at the same show

Also signed by Jim Shooter at
Big Lick NOVA 2025

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Alex Saviuk and
Keith Williams at
Baltimore Comic Con 2024

Also signed by Alex Saviuk at
Baltimore Comic Con 2023
(but I forgot to post the book at that time)

And speaking of Alex Saviuk, he too was there, and another artist I had to severely handicap myself with on getting books signed. Basically, if there was a book of Web of Spider-Man that Keith Williams inked, chances were high that Alex penciled them. The problem is that at $10.00 per signature, he's not as affordable as Mr. Williams.

Alex signing my edited stack of books

With that said, prior to Rubinstein being announced as a guest, I did have several more books picked out for him to sign. Still, I got quite a few good ones. In lieu of this, I ended up having him on my list as a possibility to get a commission piece from. However, much like Mike DeCarlo, this was going to come down to whether or not he was doing them that day, what they cost, and how long it would take.

Also signed by Jim Shooter at
Big Lick NOVA 2023, and
Al Milgrom at
Baltimore Comic Con 2025



I bought this copy of The Amazing Spider-Man: Riot At Robotworld! specifically to take with me and get signed. Mr. Saviuk was happy to see it, and it spawned quite a long conversation with him about how he came to be the penciler on the book. Flipping it open and seeing the promotional poster, he then told me about how he came to draw that, how a fan brought him one to keep at a show, and then proceeded to look them up on ebay, showing me the multiple sellers who had them after I expressed an interest in owning one myself.




Since I had Keith Williams do a remark on Web of Spider-Man 63, I thought it would be fun to have Mr. Saviuk also do one. No offense to Mr. Williams, but man that black suit Spidey turned out hot!



The last artist I actively brought books for was Patrick Olliffe.


As I was getting things situated with Mr. Saviuk, Pat actually got up to walk away from his empty table. I turned to him and said, "No, please don't go. I have stuff for you to sign as well." He smiled and sat back down. Admittedly, he was the person I brought the least for, but I was glad that he stayed around for me.

Also signed by Renee Witterstaetter
at Big Lick NOVA 2023, and
Mark Bagley at
Galaxy Con Richmond 2023



From there, I did make my way to two other tables in the same row to get my convention book signed. From there, I walked the showroom floor, intent on finding the things I had on my want list, but I'll go into all of that in next week's post, which will also wrap up my time at Big Lick NOVA 2026.

Until then, here's a few select photos from the show, starting out with a selection of cosplayers who killed it on their costumes.








There were also some cool props and cars in the showroom.









All of that was just the tip of the iceberg once you add the illustrious volume of vendor tables. Comics, toys, games, cards, unique foods, and tchotchkes of every kind could be found. If there wasn't something in this building that appealed to you, there's something wrong with you.

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Retro Spins: Devo - Oh, No! It's Devo

 

With the backing of David Bowie and Iggy Pop, which garnered them their original recording deal with Warner Bros. to the massive single, Whip It, Devo exploded on the 80's new wave scene, ushering in the era of synth pop. Among them were the likes of The Human League, Gary Numan, Kraftwerk, and to an extent, even Italian producer Giorgio Moroder.

The title, Oh, No! It's Devo, would come from word of mouth getting to the band that whenever they released something new, that was the response people often gave. As for the music itself on the album, this was conceived from the public's general consensus that the band were either fascists or clowns. As a result, when they set to the task of writing, they set out to answer the question, "what would a record sound like by fascist clowns?"

A unique aspect to the original vinyl pressings was the die-cut stand on the back of the jacket. Popping this out allowed the record to be displayed like a photograph in a frame. Schticks aside, the album didn't perform as well as its predecessors and would seemingly be the beginning of a steady decline for them.

The album would further come under scrutiny for the song, I Desire, for its lyrics taken directly from the letter John Hinkley Jr. sent to Jody Foster prior to his attempted assassination of Ronald Regan. Though the band obtained the approval from Foster to use the words, the FBI warned against doing so.

The opening track, Time Out For Fun, and the final, Deep Sleep, definitely feel like the groundwork for what Weird Al Yankovic's Dare To Be Stupid was based on. It kind of make me just want to listen to that.

It took the album about four tracks before things started to stand out for me, starting with Peek-A-Boo, and continuing through That's Good, Patterns, Big Mess, and Speed Racer. If you think the latter is about the cartoon, that wouldn't be the right assessment, but nonetheless, it's a very quirky tune.

Overall, it delivers the expected listening experience from a Devo album. New wave synth pop with lyrics that don't necessarily make much sense.

The band would tour extensively between 1982 and 1983 and even contributed two new songs to the soundtrack for the film, Doctor Detroit, the appropriately titled, Theme From Doctor Detroit, and Luv-Luv. This was followed by a music video for the theme song.

From there, they returned to the studio to record what would become 1984's Shout, their final record for Warner Bros. until 2010. It would also be their last with drummer Alan Myers. We'll pick up there tomorrow.

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