The Toy Box

Retro Spins: The Time - What Time Is It

What time is it?!?! It's the opening line to the album of the same name, and the second overall studio album for The Time. Prince once again takes full creative control, writing and recording all tracks, essentially creating another album for himself, but allowing his friend, Morris Day, to sing on it. However, this time, he'd also bring Vanity along for the ride, who provided spoken vocals throughout a handful of songs.

Whereas their debut sounded very 1978 / 1979 Prince, this one takes a page from 1981 / 1982 Prince. It starts to move more in a pop direction, but it's that early 80's funk pop. Much like their debut, it doesn't really resonate with me.

As noted above, Prince once again took full creative control, so the end result is the same as its predecessor, wherein it just sounds like another one of his albums. What Time Is It? is fine if you look at it from a perspective of hooray, more Prince, but beyond that, it really doesn't stand on many of its own merits.

The only tracks which really stood out to me were I Don't Wanna Leave You, and 777-9311. Much like many phone number songs, it was actually that of a real person. That person being Prince's guitarist, Dez Dickerson's. As you'd expect, he had to change it once the calls started coming in.

Prince launched his 1999 / Triple Threat tour, which featured both The Time and Vanity as supporting acts. For this, he'd pay members of Day's band to perform behind the curtain for Vanity followed by their own hour-long set.

Unfortunately for Jimmy Jam and Terry Lewis, it was during one of these shows that they were stranded in Atlanta from a blizzard. This resulted in both Prince and Lisa Coleman having to stand in for them, and their subsequent firing. As to who fired them, Prince stated in a 1990 Rolling Stone interview that it was Morris Day's band, and his only involvement was when Day asked him what he would do.

While one might find their dismissal to be harsh, the context was that their stranding occurred because they were away producing an album for the S.O.S. Band, which was a breach of the rules they agreed to follow. However, this turned out to be a blessing in disguise for them as this ushered in their legendary production empire, Flyte Tyme Productions. Monte Moir would also depart the band, opting to go work with the two.

Flyte Tyme went on to produce smash albums for Klymaxx, Alexander O'Neal, Mariah Carey, Janet Jackson, and Michael Jackson, just to name a very select few. So, like I said, a blessing in disguise. Clearly, they got the better opportunity as a result.

Mark Cardenas, Paul Peterson, and Rocky Harris would replace the three, but then Harris would be replaced by Jerry Hubbard. It would be Cardenas, Peterson, and Hubbard, alongside Morris Day, Jesse Johnson, Jerome Benton, and Jellybean Johnson who would appear in 1984's Purple Rain, and then release the album, Ice Cream Castle a month after.

The relationship between Morris and Prince would hit a turbulent period, and the end result of ongoing arguments was Day quitting The Time to pursue a solo career, launching it with 1985's Color Of Success. He'd finish out the decade with 1987's Daydreaming.

Meanwhile, the remaining members (Benton, Jellybean Johnson and Peterson) were reformed into a new short-lived project called the Family. However, their 1985 self-titled debut would be their only one until 2011's Gaslight. This was followed by their latest to date, 2014's AM Static.

Though professional friction remained between Day and Prince, he would rejoin The Time for the 1990 film, Graffiti Bridge. This was followed by their first new album since the split, Pandemonium. In a rare Retro Spin twist, I actually dipped a toe into the new decade and reviewed that album.

The Time would once again disband, but reform with some new members, making an appearance in the 1995 film, Jay And Silent Bob Strike Back. During this time, and into the new millennium, Day returned to his solo career.

They'd once again reunite in 2008 with all original members, aptly calling themselves Original 7ven, with their first appearance being at that year's Grammy Awards. They'd continue to perform shows from there, eventually releasing 2011's Condensate.

Prince's death in 2016 would shock the world, and in its wake several tribute concerts would occur. This included Morris Day and The Time. Following this, they would make one-off appearances, with some members departing between 2017 and 2022.

However, it would be in this latter year that Day would receive notice from Prince's estate that he was not permitted to use the name, Morris Day And The Time. This was because of the original agreement, wherein Prince owned the name. This would all come about from Day's attempt to trademark the name but ultimately be settled out of court. Long story short, he can use the name but needs to pay the estate a fee for said use. They remain active to this day.

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.

Comics Corner: Web Of Spider-Man 53

Title: Web Of Spider-Man
Issue Number: 53
Release Date: August 1989

Highlights

First appearance of Emilio, and Raoul
Spider-Man tracks down a U-Rent truck in Manhattan, led to believe by the Arranger that it contains stolen weapons

The information is correct, and gunfire rings out as he jumps on top of the vehicle

After webbing all the criminals up, Spider-Man speaks to them in Spanish - I guess he's bilingual

Spider-Man learns of the war that will begin at midnight against the Lobo brothers and Kingpin

Spidey call the Arranger and fills him in

Reference is made to The Spectacular Spider-Man 143, and Web Of Spider-Man 51
The Arranger is afraid to give this information to Kingpin, since it was he who sent the Punisher to attempt an assassination on the Lobo brothers, which started all of this
At the Bugle, Peter tells Kate Cushing about the upcoming war, and questions if Jameson will publish it

They go to ask him, but are told all they have is rumors, and that he won't publish anything about it

Peter's spidey senses to continue to go off in the presence of Jameson (Chameleon), but he can't figure out why

Joy Mercado stops Peter on his way out, and asks if he's got time to talk, specifically about Gloria Grant, and the trouble Joy thinks she's in

At a coffee shop, Joy shows Peter the photos of Gloria with her boyfriend, and informs Peter his name is Eduardo Lobo

The puzzle pieces immediately click, and Peter understands why his spidey senses were going off around the man

Peter walks through the parking garage and his spidey senses once again go off

Though he doesn't see the initial threat, it's from Chameleon and Hammerhead meeting in a car, reveling over the coming gang war

Mary Jane tells Aunt May and Kristy that she's off to work, and will miss Peter coming home again

But is she really? Remember, Jonathan Caesar is blocking all of her modeling work, and she's been spending her nights out dancing

Meanwhile, Kristy has got a lot of strange bruises all over her skin, and Aunt May takes notice

Aunt May also notes she's gotten incredibly thin

Remember, Kristy had a secret a few issues ago when Peter heard her sick in the bathroom

Kristy overheard the conversation with Mary Jane and Peter about the coming gang war, and says she's worried about him, and him finding out she loves him because she knows if he finds out that they'll send her away

A skin and bones Kristy looks in the mirror and tells herself that she's so fat

She wishes she was thin and beautiful like Mary Jane

Spider-Man enters Gloria's apartment looking for her, but instead finds shredded clothing with an "L" on it, deducing it belongs to Eduardo Lobo

In the pocket is a receipt for an aircraft hanger rental

Kingpin's tower is on lockdown, and security efforts increased

The windows are now bullet proof, double the guards are on sight, and each has a briefcase with nerve gas

Meanwhile multiple entry points have been rigged with explosives, and the windows covered with titanium barriers

The Arranger updates Kingpin, who tells him that when the fight is over they will discuss the problems he has created

Spider-Man heads to the hanger, and is immediately met by gunfire

He dispatches the men quickly, but is attacked by two wolves, who announce themselves as Los Hermanos Lobos, The Brother Wolves

Spidey finally understands - the Lobo brothers are werewolves

The fight is cut short by the Lobo's schedule, as they break away, and board a helicopter

Spider-Man lands a web line on it, and tags along for the ride

His trip is cut short by gunfire which forces him to jump into the river

The helicopter arrives at the Kingpin's tower, directly outside the Arranger's window

The issues ends on a cliffhanger ending with Aunt May frantically pounding on the bathroom door for Kristy, being told by her boarders that she's been in there for hours

Kristy is lying on the floor, unresponsive

Low Points

I'm admittedly getting a bit tired of this storyline

It's drawn out way longer than it feels like it needs to be

The whole Lobos / Kingpin war, and Chameleon posing as Jameson isn't all that interesting an aspect to dwell this long on it

Now we have the whole cliché Kristy storyline coming into the mix

We never see where Mary Jane is

Did she actually get a modeling job? Or is she out dancing again?

Oddities

None

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: The Time - The Time

Has it really been since 2023 since I last jumped into The Time? Jay and Silent Bob get it.

In the early 80's, Prince wanted to explore other areas of music, while retaining the styles he had built the foundation of his career on. For this, he exercised a clause in his contract with Warner Brothers to recruit and produce new talent, forming The Time.

They were formed from the foundation of existing group, Flyte Tyme, which consisted of Alexander O'Neal, Anton (Tony) Johnson, David Eiland, Jellybean Johnson, Jimmy Jam, Monte Moir, and Terry Lewis. However, after asking too many questions about the business and finances during a contract meeting, Prince would end up firing O'Neal, replacing him with childhood friend, Morris Day. Around this time, Jesse Johnson also joined.

Jerome Benton would be the final member to join the band, but not as a musician. Instead, he served as Day's onstage comedic foil. He famously got the role when during a rehearsal or show (it's not been confirmed which), Day asked for a mirror. Benton ripped one off the wall in the club's restroom and brought it onstage to him.

Since this was merely an offshoot for him, Prince's fingerprints are all over this album. He not only played the majority of the instruments on it but recorded most of the guide tracks for Day, while remaining heavily on backing vocals. Not to mention that all the songs were written by him. Basically, this was just another Prince album, but one from an era that I'm personally not too fond of.

This is why, unfortunately, I didn't really get into it. I don't particularly like his first two albums, For You (1978), and Prince (1979). Further, 1980's Dirty Mind, and 1981's Controversy are pretty hit or miss for me. Basically, I'm more of a pop Prince fan, which this album has none of.

I did not hear any songs that necessarily stood out, and this was disappointing because I really wanted another Ice Cream Castle. Not getting that left me in a 50 / 50 scenario. I want to jump into their follow-up, 1982's What Time Is It? However, at the same time, I don't. I mean, I will, but I'm not really feeling all that enthusiastic about it.

The Time were invited to open for Prince And The Revolution in 1982 for the Controversy tour. However, a rivalry soon spurred, with Day trying to get his band to outperform Prince's band. This was all sparked by the group's frustration with lack of input on their albums and being underpaid. Ever the comedian, Prince responded by throwing eggs at them from offstage, and then handcuffing Johnson to a coatrack backstage.

When Prince took the stage, he demanded no interruptions, which was met by a food fight. When the "battle" continued at the hotel, Prince held Morris personally responsible, making him pay for all damages.

Despite all of this, Prince and Morris remained good friends. Sure, the competitive music rivalry was still there, but they were still friends, nonetheless.

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Comics Corner: The Amazing Spider-Man 319

Title: The Amazing Spider-Man
Issue Number: 319
Release Date: September 1989

Highlights

The Amazing Spider-Man is now on sale twice a month!
The cover doesn't mention any hidden spiders, but I would bet money there actually is one

Can you find it?

The story picks up moments after the last with Scorpion still holding General Musgrave captive, waiting for J. Jonah Jameson to be brought to him in exchange for the man
Spider-Man gets used as an errand boy to bring Scorpion pizza as part of the hostage situation

Spidey puts anchovies on it just to get a dig in on the villain

Reference is made to Web Of Spider-Man 50, and The Spectacular Spider-Man 46
Jameson (Chameleon) receives Scorpions demand, and declines
Time runs out, but rather than kill Musgrave, Scorpion highjacks the general's helicopter and its pilot, the military man still a hostage, wrapped up in his tail

After a quick threat, the pilot takes off

Spider-Man tries to follow, but Scorpion keeps breaking his webbing

Fortunately, our hero does manage to hit him with a spider tracer before being dumped into the river

Seeing the news, Justin Hammer learns that Scorpion has altered their deal, and for him, that simply won't do
Peter returns home to his Aunt's home, and finds her doing laundry late into the night

Aunt May informs him that women's work is never done, such as Mary Jane who is still out on a modeling assignment, having apparently found work pretty quickly from her last job being cancelled

Except she's not working, she's out dancing again

Her friend, and makeup artist, Sandy Kintzler finds her on the dance floor, who tells her she wants to talk about work

Mary Jane shrugs off losing yet another modeling job at the last minutes, but states she'll get something soon

Sandy informs her that she won't, and in fact won't ever get another modeling gig

The mystery about Norman Osborn from last issue is wrapped up pretty quickly

He's been cleaning out the building his father owned in Manhattan to make it his family's new home, and has brought Liz there to see it

She panics at seeing the Green Goblin mask in a box, but he tells her that it's going out with the rest of the trash in that pile

Mary Jane goes home to Peter, and tells him that the reason she's been losing all her jobs is because of Jonathan Caesar

Where the man can't successful threaten and intimidate people not to hire her, he instead buys the company, and fires the people hiring her

Peter asks if she wants him to take care of it, to which she says it's her fight, and that she just wants his support

Though Scorpion still has his hostage, he is all too aware that crossing Justin Hammer has left him needing to find someone else to offload the general onto, and decides to seek out Kingpin
The next morning, Spider-Man picks up on the spider tracer he planted on Scorpion, and finds the villain driving into Queens in a van

He webs it, and gently (as possible) crashes it

As Spider-Man frees the general from the back, Scorpion poises for a fight, but all of this is interrupted by Rhino who crashes through the remains of the van

Backlash accompanies him

They've traced Scorpion through a homing device built into his new tail, and they're there to teach him why he doesn't go against his agreements with Hammer

Backlash orders Rhino to go after Scorpion, as he goes after Spider-Man to get the general from him

Scorpion tries to get away from Rhino by climbing up a building, and onto a giant ball statue

Taunting Rhino to come get him, the big man obliges by running into the building, toppling it

Meanwhile, Backlash has grabbed Spider-Man's let with his whip, bringing him crashing to the ground as electricity surges through him from the weapon

The ball Scorpion was on crashes through, breaking up the fight, but Rhino has Scorpion in hand

Unable to find the general, Backlash tells Rhino to get what they came for

Rhino rips Scorpions tail off, and the two depart

Did you find the hidden spider?

Look in the rubble underneath Scorpion's looping tail

Low Points

Oddities

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: The Waterboys - Fisherman's

Today, my journey through The Waterboys sadly ends. It's been an incredible series of listening sessions, and I would go so far as to say I'm a fan at this point. The big music sound of Mike Scott and his band has been a unique and fantastic trip. I'm hoping they finish strong with today's album.

By 1986, Scott had become discouraged by the stadium rock path he was on. This was contributed to by the fact that he wasn't able to recreate the full sound of their studio album on stage. Further, his own personal interests were shifting to that of the country, gospel, Cajun and blues sound of American roots music, leaving him wanting to try new ideas. He'd ultimately settle on a Celtic sound.

At the invitation of Steve Wickham, he'd relocate to Dublin, specifically to explore these new musical concepts. However, this would come with a shift in lineup from members who wouldn't follow him. Though this is not surprising. As noted in my post on their debut album, lineups were frequently changing, and to date, Scott remains the only consistent member.

The band would record extensively, eventually selecting the tracks that would become 1988's Fisherman's Blues. It would become their biggest album of all time, peaking at gold in the UK, and charting in several countries.

Probably the biggest change I encountered was the overall length of songs, and the number of them. Whereas its predecessor's featured around seven tracks, each running between five and seven minutes, this one is bloated to thirteen, with runtimes all over the place. Some tunes are as little as two minutes. Others as long as nine. The loss, as a result is those musical rich tracks that have room to breathe, grow, and invest you.

Though a lot of aspects from the big music days carry over, for me, it's not a superior album to the previous three. Further, I'm not a big fan of the Celtic sound. It's okay in moderation, but I definitely don't need an hour straight of it. Good songs are fewer and further between as a result, and very little actually stood out to me. The honorable mentions go to And A Bang On The Ear, and World Party.

Sadly, for me, it's a poor note for them to go out on. I get it. Bands change, evolve sound, and in general shift with the times. However, when that is too drastic, it can often times have the opposite effect. Wherein the band isn't staying relevant to its fanbase because it no longer sounds like what drew them to it to begin with. That's the unfortunate aspect of what happened for me. It's just not what I wanted from them.

The Waterboys would release 1990's Room To Roam, and following this, Scott would relocate to New York. It was here that the band would record and release 1993's Dream Harder. However, further frustrations would set in for Scott as he struggled around this time to put together a solid touring band, while also dealing with the transition away from the Celtic sound he had enjoyed so much putting together since 1986. As a result, he opted to disband the group and relocated to Scotland, focusing on a solo career for the remainder of the decade.

When the new millennium rolled around, The Waterboys were reformed. A reinvigorated Scott now focused their sound on a psychedelic elemental roar, aided by effects pedals, harmonicas, and even a theremin. This was followed by the 2000 released, A Rock In The Weary Land.

Ever experimenting, their sound would continue to change and evolve, with nine more albums coming between 2003 and 2025. Further, by the time this post goes live, the band will be on the second of their two-month 2026 tour, which warps up on September 12 in London. The point being, they remain very active to this day.

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Comics Corner: The Amazing Spider-Man 318

Title: The Amazing Spider-Man
Issue Number: 318
Release Date: August 1989

Highlights

McFarlane hid three spiders on the cover, can you find them?

Here's a hint, look for two different styles

First appearance of General Chester Musgrave, Sholly, Morris, and Watanabe
Scorpion is training with his new tail, which now features a deadly acid spewing stinger, as well as enhanced flexibility and movement

He's received the enhancement from Justin Hammer, who's hired him to kidnap General Musgrave, but Scorpion has his own agenda as well, the death of J. Jonah Jameson

Hammer intends to give Musgrave to "certain parties in Europe" in exchange for favorable trade agreements

Reference is made to "various issues" of Iron Man, and "current issues" of Web Of Spider-Man and The Spectacular Spider-Man

Reference is also made to The Amazing Spider-Man 312

Peter and Mary Jane are looking at another apartment, but it's neither attractive nor affordable for them

Mary Jane has at least finally landed another modeling job

Peter asks Jameson (still Chameleon in disguise) for a photo assignment, but is told nothing is available as he storms by and slams his office door closed behind him

Joy Mercado tells Peter that Jonah is acting weird even for himself, and it's like he's not himself

After being kept waiting all day for her photo assignment, Mary Jane is told the buyer has opted to go in a different direction, and that they'll call her if something comes up

See oddities

After a brief fight with Peter over being out all night, the two quickly make up

Also keeping odd hours is Norman Osborn, who sneaks away from his family at 3:00 AM to an old building his dad used to own

There, he has a Green Goblin suit, and states he has one more task to complete before setting his mater plan in motion

While walking to class, Peter comes across Sholly, who's making protest signs with her fellow classmates

She tells Peter that they're going to demonstrate at the National Guard Armory where General Musgrave is receiving a medal, and asks if Peter wants to tag along

Though he hates cutting class, he does think that some photos would possibly be sellable to the Bugle

Both Spider-Man and Scorpion make their way to the Armory for the ceremony

Apparently another upgrade to Scorpion's tail is that it can inject hypnogen into people, allowing him to extract information from them under interrogation

As Spidey takes photos of the event, he notices Joy Mercado and Lance Bannon in the the crowd, and realizes that there's no way Jameson will buy his photos with Lance getting clear shots from right up front
Scorpion burst in, and Spider-Man is quick to jump into action

We learn of another new upgrade to Scorpion's suit, that being a transparent membrane over his eyes, which vaporizes anything that touches it, including Spidey's webs

As Lance Bannon snaps photos, he exclaims that these will help Jameson sell thousands of papers

This is all Scorpion needs to hear to alter his plans

Not wanting to help make Jameson more money, he takes Musgrave captive, and tells everyone to bring him Jameson in one hour, or the general dies

Did you find the hidden spiders?

The first one is located in the top portion of the brick wall, near Spider-Man's left foot
The second one is located in the bottom portion of the brick wall, near Spider-Man's right foot
The last one is a different style from these two, and hidden in the rubble underneath Scorpion's right fist

If there's a hidden Felix the Cat in this issue, I couldn't find him
This story checks a lot of boxes

Action
Mystery
Suit upgrades
Cliffhanger ending
Fantastic McFarlane art

Low Points

None

Oddities

Let's pause right on the front cover

If Scorpion is wearing a mask, why are his teeth showing?

This appears to be an aspect of his costume, and it makes no sense

After being let go from her modeling assignment, Mary Jane goes out dancing with random men until 3:00 AM

Maybe I'm just old fashioned, but that wouldn't work for me if I was her husband

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: The Waterboys - A Pagan Place

Totally psyched up from yesterday's Retro Spin, which was the 1983 self-titled debut from The Waterboys, today I'm diving into their 1984 follow-up, A Pagan Place.

The Waterboys have a rich history of rotating musicians, but the one consistent factor in it all was founder, lead vocalist, and multi-instrumentalist, Mike Scott. The music he'd usher in throughout the eighties would become known as, The Big Music, a name given to describe bands specializing in an anthemic sound and taken from the song of the same name from their second album. As a comparison, think of U2, Simple Minds, In Tua Nua, Big Country and Hothouse Flowers.

Scott was initially signed as a solo act with Ensign, but opted instead to form a band, choosing The Waterboys as their name. They'd release their 1983 debut, but unfortunately, it would fail to make any waves. In between touring, they'd return to the studio to record new material, and overdub previously recorded tracks. This would become their second album, 1984's A Pagan Place. While it would become a top forty hit in New Zealand, and peak at number one hundred in the UK, the remainder of the world took little notice.

While I too missed out on them the first time around, I'm very happy to have found them now. I'm really enjoying their music, and yes, I'd even call myself a fan. I daresay, this is a band I'd like to see live.

The album kicks off with Church Not Made With Hands, a track which immediately grabbed my attention and set the bar quite high for everything to come. Fortunately, Mike Scott and the boys (and girls) didn't disappoint. I found multiple shuffle worth songs, which included, All The Things She Gave Me, Rags, Somebody Might Wave Back, Red Army Blues, and A Pagan Place (the song).

What surprised me most was that I didn't think they could get bigger and better than what I had already heard on their debut, and 1985 album, This Is The Sea. Boy, was I wrong. The whole album just feels epic with its twelve-string rhythm guitars, rolling piano and judicious use of reverb to form a shimmering wall of music. This is all added to by saxophone, occasional violins and trumpets.

I'm telling you, if you haven't heard The Waterboys, you're missing out.

As I noted in yesterday's post, my introduction to them came with their aforementioned 1985 album, albeit in 2022, which I picked up and already did a Retro Spin on. As such, my next stop on this journey will be 1988's Fisherman's Blue, which is sadly also their last album from the decade.

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Comics Corner: The Sensational She-Hulk 3

Title: The Sensational She-Hulk
Issue Number: 3
Release Date: July 1989

Highlights

First appearance of She-Clone
Spider-Man's spidey senses keep going off around an abandoned factory, and when he investigates closer, he sees Mysterio inside

Mysterio heads outside, and gets into a car, which Spider-Man tags with a spider tracer, and follows

The Headmen, Ruby Thursday, Arthur Nagan, and Jerry Morgan work on a robotic clone of She-Hulk, but she currently has no head
All the action is skipped, and suddenly, Spider-Man is showing Mysterio that his briefcase was full of fake money

See oddities

Mysterio tells Spider-Man he was working for the Headmen

Back in the Headmen's lab, Chondu the Mystic, also a member of the team, but an uncontrollable one, has broken free of where they had him, and he's wigging out about something

Spider-Man crashes the party, and webs up Chondu, but Ruby Thursday keeps the battle going

Spidey makes short order of Ruby and Arthur, but Jerry sends the headless She-Clone into the fray

The head of the She-Clone realizes that she has no body, and begins to panic

Meanwhile Spidey gets caught, and the scientists ponder who they should use for their experiments between he and She-Hulk

Elsewhere, Louise Mason catches up with Blake Tower, and informs him Stilt-Man is on the hunt for him
Back in the lab, the Headmen have put Chondu's head on the body of She-Hulk, and this freaks him out

Nagan informs him he couldn't use Spider-Man's body because of his mutagenic raditation

Chondu doesn't care, and demands he find a way, as he picks up the hero's body

Spidey isn't unconscious though, and punches Chondu's head clean off

The Headmen try to escape in a battle vehicle, but She-Hulk rips it to shreds with her bare hands

Low Points

It's not a very well written story
It's never explained where the real She-Hulk came from all of a sudden, and we only get a brief three panel explanation about the She-Clone, literally right at the end of the story

Oddities

The story takes a one-page sidebar for She-Hulk to tell jokes, and when it cuts back, Spider-Man has already defeated Mysterio, and taken his briefcase

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: The Waterboys - The Waterboys

What do I know about The Waterboys? Honestly, not much. I came across them 2022 while perusing and samplings songs from Future Flashback's 10,000 80's songs playlist. Though he's not posted since 2023, his 2016 list has been an incredible source for finding music from the era I either didn't know or had forgotten about.

It was from that list that I came across the tune, The Whole Of The Moon. Its unique sound resonated, and I quickly tracked down the album it was from, 1985's This Is The Sea.

From there, I found even more from them, including my favorite (so far) The Pan Within. That's all been talked about before in my Retro Spin on the record.

Ironically, though I found them enjoyable, I never really looked into anything else from them. I did, however, come across another album from them in the wild during my birthday of 2022, that being 1988's Fisherman's Blues. While I added it to my collection, still I made no effort to look into them further. It wouldn't be until June of 2026 that I'd finally focus my attention back on them, and actively seek out their 1983 self-titled debut, and 1984 follow-up, The Pagan Place.

That brings us to today, and my next series of Retro Spins.

Though I didn't know what to expect, I was hoping things would stay relatively grounded in the familiar territory I was introduced to with their 1985 album. By this, I mean I was wanting to hear fantastic melodies, driven by acoustic guitars, piano, and violins, all enveloped in the haunting, and strangely poetic vocals of Mike Scott.

I'm pleased to say all of that is exactly what I got.

No, you won't hear mainstream rock here. In fact, as a whole, they've only had three minor hits on the Billboard Hot 100, and those didn't come until much later. Specifically, 1989's Fisherman's Blues (the song), which peaked at seventy-six. From there, two additional singles would chart in 1990, and 1993. These were Room To Roam (charting at one hundred eighty), and Dram Harder (which landed at one hundred seventy-one).

However, if you want to hear beautifully crafted music, created by musicians who know what they're doing, or you simply want to hear something different, check out The Waterboys. Standout tracks from their debut, for me, were December, Gala, I Will Not Follow, The Girl In The Swing, and Savage Earth Heart.

I'm going to keep riding this wave, and dive right into their next album. I'm hoping to continue the trend so far of discovering fantastic new music.

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Comics Corner: Marc Spector: Moon Knight 2

Title: Marc Spector: Moon Knight
Issue Number: 2
Release Date: July 1989

Highlights

First appearance of Burunda, a small country in Africa
A couple kids walk the streets with their telescope, and spot Moon Knight standing on the roof near the embassy of Burunda

The narration explains that inside is his lover, Marlene Alraune, held captive by Raoul Bushman

Moon Knight makes reference to someone watching Disney, and the irony over thirty years later is laughable
Moon Knight is spotted on the embassy surveillance, and Bushman orders his messenger to communicate his demands, and also his personal guards are informed the hunt is on
The messenger leaves the embassy, and Moon Knight follows, only to walk into a trap of the personal guards

Moon Knight tells Frenchie to stay on the other man while he handles the soldiers

Spider-Man sees the soldiers running into Central Park and decides to follow, taking pictures, of course
Moon Knight makes short order of them, and when the battle is over, Spider-Man swings away
Moon Knight confronts the messenger, and gases him unconscious
Back in the embassy Bushman taunts Marlene, telling her that Moon Knight better meet his demands
When the messenger comes to, he's hanging upside down from Moon Knight's plane

The messenger tells him Bushman wants ten million dollars, or he'll hack Marlene to bits

Moon Knight throws the messenger from the plane, low enough to not kill him

At home, Marc yells at Hal that he needs ten million dollars, but is told his money is tied up in investemnts

When his response is to sell them, he's informed he can't just do that as it would cripple his other investors, and not to mention the damage it would cause to all the employees working at those businesses

Marc informs Frenchie he's cash poor, so they'll have to do it his way
Inside the embassy, Moon Knight fights his way to Marlene

Unfortunately, he only finds a television with Bushman on it, informing him he's taken the girl back to Burunda

Low Points

Spider-Man's involvement begins and ends with him taking photos of Moon Knight beating down Bushman's personal guards
A decent story, but hardly worth reading for Spider-Man's chronology

Oddities

Marc disguises himself as a cable installation specialist to infiltrate the embassy

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: Queen Latifah - All Hail The Queen

Queen Latifah wasn't on my want list, but still was someone I looked at frequently. While I don't know any songs from her, or at least I don't think I do, her album, All Hail The Queen checked several boxes for me:

It's an 80's album
It serves as her debut
It's her only album from the decade
It was relatively cheap

Still, even with all of those aspects, it took me quite some time to commit to buying it. I literally only did it in anticipation of this post following my series of late 80's rap artists that I've been listening to these past few days. Some have fared better than others, and I'm curious to see which side of the fence Latifah will land on.

The queen began beatboxing in 1988 with the group Ladies Fresh, which was part of the group that stuck close to DJ King Gemini. He'd make a demo of her song, Princess Of The Posse, and put it in the hands of Yo! MTV Raps host, Fab 5 Freddy. This would end up getting the attention of Tommy Boy Music employee Dante Ross, who signed Latifah and in 1989, and released her debut that same year.

Upon its release, critics praised it for topic relatable to woman listeners, which included domestic violence, street harassment, and troubled relationships. It would later go on to be named on several noteworthy lists, such as The Source's 100 Best Albums, and Robert Dimery's 1001 Albums You Must Hear Before You Die. The song, Ladies First would also garner attention of VH1, who ranked it number thirty-five on their 100 Greatest Songs Of Hip Hop.

Further, its success would push it up the rap charts, where the album as a whole would peak at number six in the USA. Though it wouldn't fare as well, it would also land on the Billboard 200, reaching number one hundred twenty-four.

While the cassette and LP released with twelve tracks, the CD release would be maximized for the available runtime by adding three additional bonus tracks. However, these were simply remixes of other songs already included. As such, unless you were a mega fan, there's not much reason for these to be included.

Honestly, I had no expectations with this one. Like I said above, I don't know any songs from it, or rather, didn't until today. Overall, it was a pretty solid record, and I have to mirror sentiments of The New York Times, which noted, "the backup tracks are sometimes rich enough to carry the album on their own, but they don't have to; some songs have vocal choruses, while in others Queen Latifah's rising and falling speech provides melody enough."

That pretty much sums up the album perfectly. It was an enjoyable album to play through, and I will note standout tracks, Mama Gave Birth To The Soul Children, Wrath Of Madness, The Pros, and Evil That Men Do. However, with that said, I would be lying if I said I was ever going to play this album again. As I've noted before, good music doesn't necessarily equate to memorable, and I don't suspect I'll remember any of these after today.

Following her debut, Queen Latifah's career took off. She's enjoyed a lucrative rap career which she released albums for through 2009. However, probably more so what she's known for these days is acting since her successful transition to film with 1991's Jungle Fever. Though she took a brief hiatus between 2023 and 2026, she's set to reprise the role of Ellie in the forthcoming Ice Age: Boiling Point.

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Comics Corner: Web Of Spider-Man 52

Title: Web Of Spider-Man
Issue Number: 52
Release Date: July 1989

Highlights

Death of Sam and Danny
J. Jonah Jameson lies chained to his bed, and screams unheard for Spider-Man who is swinging by his window
Chameleon gives Jameson a few more links in his chain, with the intensions of allowing him to read the paper

He also explains why he's impersonating the man

Reference is made to "current issues" of The Spectacular Spider-Man
Flashback twenty years ago to a young J. Jonah Jameson chasing a story at a local bar

As he asks Sam for information on the corrupt police department, shots ring out, and Sam is left dead

Jameson sees the shooter, and it's a cop

Back to present time, Jameson kicks his mirror, breaking off a piece of glass, and using it to cast a light beam through his window

He attempts to signal the traffic copter that flies by each day, but it doesn't work

Back to the past, young Jameson bursts into his editor's office, demanding to know why his story on corrupt cops was buried

He's told off by his boss, who also demands facts

As Jameson storms off, he tells the young copyboy, Danny, that if he ever becomes editor, he'll treat his writers with respect

Yeah...

Danny asks if he can tag along, and when the two exit the office, they're met on the street by Officer Kenner, and a couple other cops who give them both a beating

Two mysterious men watch from a car

Back in the present, Jonah has cut himself on the mirror shard, and uses it as lubricant to try to slip the cuff
Returning to the past, William Walter Goodman appears to be one of the men who watch Jonah get beat up, and he just so happens to own the Daily Bugle

Goodman gives Jameson his first cigar, and then offers him a job

Jameson accepts

Returning to current events, Jameson is able to slip his one hand free, and begins stretching for the key that Chameleon left on a dresser, just out of reach
Young Jameson has found a new informant, Officer Michael O'Hill, an eighteen year veteran of the force

O'Hill gives him a key to a locker at the bus station, and tells him there's a notebook inside with every cop's name who's on the take

At the bus station, Kenner is walking around, so Jameson gives Danny the key, who apparently has come to work with him at the Bugle

Danny sneaks off to open the locker, and Jameson realizes what's going on, but it's too late

As the boy opens the locker door, the bomb goes off, killing him

Jameson reaches the key and frees himself, but passes out from the pain and exhaustion of everything
Meanwhile, in his flashback, young Jameson is also passed out from drinking his guilt away

He's woken by Goodman

Goodman tells him that while it's his fault the boy is dead, he asks what he's going to do about it - quit, or fight?

The panels alter between the present and past as current times Jameson crawls for his penthouse elevator, and past Jameson confronts Kenner in his own office at the station

Jameson from the past is wearing a hidden radio that his boss is recording on the other end, and Kenner is caught confessing
Unfortunately for current time Jameson, as the elevator opens, the Chameleon steps off of it