Showing posts with label Twisted Sister. Show all posts
Showing posts with label Twisted Sister. Show all posts

Retro Spins: Twisted Sister - Love Is For Suckers

   

By 1986, drummer A.J. Pero had departed the band, and by 1987, Dee Snyder was focusing his attention on solo projects. He'd ultimately record the tracks which would become Love Is For Suckers. However, when presented to Atlantic Records, they refused to release it unless it was under the moniker of a Twisted Sister album. While Snyder would relent to this request, and the band credited (with exception of Pero), outside of the singer, none of the other members contributed to the album.

Snyder focused on a glam metal sound for the album, which resonated with critics at the time, but only served to cause a rift with remaining members, Eddie Ojeda, Jay Jay French, Mark Mendoza, and new drummer, Joey Franco. Having had enough, Dee would quit the band just two months after the album's release, and Atlantic would cancel their contract.

Love Is For Suckers was the very last Twisted Sister album I acquired in my collection, and it was simply for completion's sake. Leading up to today's listening session, I had heard nothing from it before. It features the single, Hot Love, which is also the only track from the record to have a music video. It's a decent track.

The "protest" song, Wake Up (The Sleeping Giants), is also relatively okay. Fun fact, for the longest time, Twisted Sister refused to incorporate any tracks from this album into their live shows. Snyder stated that he felt doing so would potentially cultivate bad memories for the other band members who weren't involved in its recording. However, as of 2012, this track has been added to shows, based on fan requests for their concerts to include material from every album.

It's a solid album, but definitely weaker than what has been delivered in the past. Especially in terms of catch hits. Among the two songs noted above, standout tracks included the title track, Tonight, I Want This Night (To Last Forever), You Are All That I Need, and Yeah Right. That's certainly a lot more than I expected.

The name Twisted Sister would fizzle out of relevance as the years went by until 1998 when something unique happened in Hollywood. Snyder would write, produce, and star in the film, Dee Snyder's StrangeLand. The movie was a based on the song, Horror-Teria (The Beginning): A) Captain Howdy B) Street Justice, from 1984's Stay Hungry, and follows the same premise of sadistic child murderer, Captain Howdy, who ultimately gets set free, only to face street justice, and return to his murderous roots as a result.

While the film would flop at the box office, it would become a cult classic. Further, it would rekindle interest in Twisted Sister, and the classic lineup (Snyder, French, Ojeda, Mendoza, and Pero) would reunite to record tracks for the film's soundtrack, Heroes Are Hard To Find. to capitalize, Spitfire Records re-released the bands entire back catalog with bonus tracks.

This would eventually be followed by a re-recording and re-release of Stay Hungry, now titled, Still Hungry. The schtick was that the band would promote it as the way the album was intended to sound, and to ice the cake, added seven bonus tracks. This was followed by the 2006 farce, A Twisted Christmas.

Throughout all of this, the guys would continue to tour and appear at one-off events. However, when drummer A.J. Pero passed away in 2015, the band would announce a farewell tour, Forty And F**k It, which they embarked on the following year. Their final show would take place on November 12, 2016. The band would reunite again in January 2023 for their induction into the Metal Hall Of Fame, and in 2026 announced a fiftieth anniversary tour. However, this would be without Mark Mendoza, based on "irreconcilable differences."

During all of this, Dee has continued to enjoy a solo career, releasing five studio albums between 2000, and 2021. However, none of his solo efforts have reached the success once had with Twisted Sister. Further, no album by Twisted Sister has come close to topping the massive popularity and sales of 1984's Stay Hungry.

With all that said, it's time for me to find something else to listen to. Tune in tomorrow to see where we land.

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Retro Spins: Twisted Sister - Come Out And Play

   

Coming off their massive success, Stay Hungry, Twisted Sister was ready to go on to bigger and better things. Sadly, their fanbase wouldn't be onboard with any of it. Upon completion of the 1985 album, Come Out And Play, the band opted to release the Shangri-Las cover of Leader Of The Pack as their lead single. Fans hated it.

This was followed by, Be Chrool To Your Scuel. The song prominently featured Alice Cooper on co-vocals, and the music video was even better, featuring Bobcat Goldthwait, Billy Joel, Brian Setzer, and Clarence Clemons. Unfortunately, the music video would be banned by MTV on the grounds of being offensive.

Things didn't get better for the band when they set out on their promotional tour. With sales significantly lower than their previous album, this translated to even worse ticket sales. Several shows so drastically undersold that they were ultimately cancelled. To try to push the album, Atlantic released a re-mixed cut of their 1982 Under The Blade, and in 1986 also released Come Out and Play: The Videos on VHS. None of this seemed to help.

It kicks off with the title track, and has a nod to the 1979 film, The Warriors, with its use of clanking bottles, and Dee Snyder saying, "Come out and play...with Twisted Sister." The song eventually segues into Leader Of The Pack, which, despite fan opinion, remains one of my favorites from the guys.

Be Chrool To Your Scuel, is actually a new one for me. I suppose with my limited exposure to Twisted Sister outside of MTV, this makes sense. I think as a song it's got cheesy lyrics, which would easily make it forgettable. However, coupled with the video, it gets that added charm from not only the theatrical over the top nature of the band, but the cameos and guest appearances. Personally, I'm not sure why MTV banned it. I don't see anything about it that's offensive.

It's followed by, I Believe In You, which is a bit on the ballad side, but somehow resonates with me. However, this was relatively all that stood out for me on the album. As a whole, it was okay. Nothing really specially, and definitely not as strong as the material from 1984's Stay Hungry.

Though it wouldn't happen instantaneously, Come Out And Play would be among the earlier CD's produced to be taken out of print. As a result of this, it commands the highest asking price of all their albums on secondary markets. Also of note is that the cassette and CD releases have a bonus track, King Of The Fools, which was not included on the vinyl for time constraints.

Upon the completion of the tour, A.J. Pero would quit to rejoin Cities. Meanwhile, Snyder would branch off into his own solo project, recording the tracks that would become Twisted Sisters final album, 1987's Love Is For Suckers. Things, however, would come to a head, and the band would ultimately disband after its release. All of that story unfolds tomorrow.

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Retro Spins: Twisted Sister - You Can't Stop Rock 'N' Roll

   

John Segall, AKA Jay Jay French, joined Silver Star in late 1972 as their rhythm guitaris, which featured Mel Anderson (drummer), Billy Diamond (lead guitar), Wayne Brown (guitar and lead vocals), Tony Bunn (bass), and Steve Guarino (keyboards). Brown would depart and be replaced by Michael O'Neill. Hating the name of the band, Segall pushed to have it changed. It would be O'Neill who would come up with Twisted Sister.

Along with the name change, the band would also change stylistically. However, this wouldn't sit well with everyone, prompting Bunn and Guarino to leave. Kenneth Harrison Neill would join as new bassist. This lineup was able to find immediate work in New York, securing a tenancy at Mad Hatter in 1973.

Things were going well, as far as gigs, with the boys playing thousands of shows by December 1974. However, things were not well internally, and the band suddenly broke up. A second iteration was promptly formed, with Rick Prince on vocals, and Keith Angel on guitars. However, after not showing up for a rehearsal in early 1975, Prince was fired, and French took over vocals. Once again, things didn't work out, and the band once again disbanded.

In October 1975, another iteration of Twisted Sister emerged with French on rhythm guitars and co-vocals with new vocalist and second guitarist, Eddie Ojeda. Kevin John Grace took up drums, with bassist Neill remaining from the previous lineup. This time, the guys followed the emerging glam rock format, and while they played several gigs, got lost in obscurity.

At the suggestion of their manager, Kevin Brenner, Danny (Dee) Snyder was brought in on vocals in 1976, with the intensions of singing Led Zeppelin cover songs. After six weeks, Grace departed and was replaced by Tony Petri. The band would also take on a heavier (metal) sound. In 1978, Neill would become a born again Christian and leave the band. He'd be replaced by Mark Mendoza.

The band began recording demos at this time, which would make their way to compilation albums released at the time, and eventually be re-recorded for their first two albums. However, between 1979 to 1982, more lineup changes occurred. Joey Brighton replacing Petri, who was then replaced by Richie Teeter, only to be replaced by AJ Pero. Walt Woodward III would also join the band but depart after just three days.

Recognizing the importance of branding, Twisted Sister started their own t-shirt company and followed this up by launching their own record label. It was on said label that they recorded and released a few singles. These songs would make their way to Martin Hooker, president of the UK based Secret Records, who signed the band.

Along with relocating to the UK to work with Secret, the guys took $22,000.00 with them, and used it to appear on the show, The Tube. Secret released their first EP, Ruff Cutts, still featuring Tony Petri on drums at the time. However, the official lineup would soon be Dee Snider, Jay Jay French, Eddie Ojeda, Mark Mendoza and A.J. Pero, managed by Mark Puma, who would release their debut, Under The Blade (1982).

Despite limited pressings, the album became a massive success in the UK. Coupled with their appearance on The Tube, the boys were approached by Atlantic Records, who signed them. Ironically, Atlantic would be one of the labels the band initially tried to sign with during their club days but were declined.

Atlantic released You Can't Stop Rock 'N' Roll in 1983, which featured the UK chart hit, I Am (I'm Me), which peaked at number eighteen. It would become the bands first gold record in the USA.

Though production values were much higher, stylistically, the album captured that same hard and heavy metal sound of its predecessor. The title track would also become the band's first music video and capture the comedic style that future videos would follow, popularizing the Twisted Sister on MTV.

Things kick off with, The Kids Are Back, and right off the bat, it's definitely got a solid heavy metal sound. In retrospect, perhaps the original cut of their debut wouldn't have been so bad, in comparison to the poppy remixed 1985 re-release.

With that said, I do prefer the more pop rock-oriented sound of 1984's breakthrough, Stay Hungry. Probably because it's the era that not only produced the most hits, but where I originally got on board the train.

Standout tracks for me are I Am (I'm Me), and You Can't Kill Rock 'N' Roll (the song). However, the rest still delivered a solid metal experience.

Twisted Sister would go on to release 1984's Stay Hungry, which would become their greatest album to date, going multi-platinum in the USA and Canada, while also reaching single platinum status in Australia, Sweden, and New Zealand. I've already played through that one, so I'll be skipping it, and instead heading into 1985's Come Out And Play. Unfortunately, for the band, this release wouldn't be as massive as its predecessor, and future releases would see a steady decline in sales.

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Retro Spins: Twisted Sister - Under the Blade

  

It feels like a lifetime ago (2019) when I first spun a Twisted Sister album, their massive breakthrough, Stay Hungry. It was my second year of doing album reviews, and I hadn't quite hit my stride, nor landed on my formula for each post, but for what it's worth, I enjoyed the album.

At that point in time, I had three of the five 80's albums from the band, and if you would have asked me then if I would fill in the gaps, I would have said no. Of course, this was also back when I was really focused on my collection, adamantly working towards albums that had songs I actually knew, and actively wanted to own. Fluff was rare back then, unless I was hitting up a Timonium show to dig through piles and piles of dollar CD's.

Well, time has a way of changing a man. As the years rolled by, I found myself looking into their debut, Under The Blade, and their final album of the decade, Love Is For Suckers but would never pull the trigger. Both cost more than I really wanted to spend, and not knowing any of the tracks, it just didn't make sense. Yet for some reason, I kept coming back to their debut. I'd search for it. See the pricing and move on, and in late 2025, finally pulled the trigger, and picked up the two stragglers.

When Under The Blade was initially released, it was only on cassette and vinyl. CD, at this point in time, was just starting up, and the format was reserved for select few albums, typically back catalogs of already established legacy artists. As a result, when it did finally see a pressing in 1985, it was remixed by Atlantic Records prior to release, a decision which was initially criticized by Sister fans.

Atlantic's goal was to capitalize on the band's momentum from 1984's Stay Hungry, while fans eagerly awaited 1985's Come Out And Play. However, the problem they saw was that the original mix of the band's debut was far more aggressive, metal if you will, as compared to their popular hard rock pop sound which catapulted them to mainstream success. Because of this, the album was, as noted, remixed, making it sound more familiar to the current sound of the band. This version of the album would also feature a forgotten 1979 single from Sister, I'll Never Grow Up, Now!

The original cut would eventually get its day in digital. Eagle Records would restore the original mixes of the tracks and release them through online streaming sources. This was followed by Rhino Records producing a limited run of CD's, which are out of print at this point.

Personally, I own the 1985 re-issue, and I'm totally fine with this. I like the more poppy rock sound of Twisted Sister and really don't have any interest in hearing them as a hardcore metal group.

Because I don't know what the original mixes sound like, I have nothing to compare these remixed tracks to. However, as a whole, it was a pretty solid album. What You Don't Know (Sure Can Hurt You), Bad Boys (Of Rock 'N' Roll), and Under The Blade were the standout tracks that I took away from it.

It was actually kind of exciting to listen to and really ramped up my interest in hearing more from Dee Snyder and the boys. I'm already ramping up to play through 1983's You Can't Stop Rock 'N' Roll.

Tomorrow I'll also take a step back and hit a bit of history for the band. It'll be a nice segue into their sophomore album. Until then, that about wraps this one up.

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Retro Spins: Twisted Sister - Stay Hungry



Twisted Sister
Stay Hungry
1984

It's the album the band loved so much they released it twice. Twisted Sisters 1984 album Stay Hungry (re-recorded and re-released as Still Hungry in 2004) wasn't the bands first album. It wasn't even their second. However, as they say, third time's the charm, and that it was. The album went triple platinum putting the band on the map of glam rock super stardom.

The album starts out on a high note with the title track, Stay Hungry, and then launches into what is probably the bands most popular hit, We're Not Gonna Take It. From there, we get the song I actually know from Pee-Wee's Big Adventure, Burn in Hell.

I did have to smile when I saw the track name for the forth song included Captain Howdy. For those of you who don't know who that is, he's the character who would appear in Dee Snider's Strangeland in 1998 - A guilty cult classic favorite of mine. I actually saw the film in theaters when it was first released then ran to the video store when it came out on DVD. It's gory-ously fantastic. It was interesting to essentially hear the story of the film, or at least part of it, in this two part track.

The album then jumps into another well known hit, I Wanna Rock, a good halfway point track for the album - Literally song five of nine. The Price, which followed I Wanna Rock, was actually a new track for me and I was pleasantly surprised as to how much I enjoyed it. Dee Snider's voice is fantastically haunting throughout the ballad. 

Don't Let Me Down picks up the pace from there, and while it's catchy, it's just okay. I threw it into my 80's shuffle to see if it has any longevity. Time will tell that one. The rest of the album unfortunately quickly became forgettable. More so background noise than anything.

Overall, not a bad album. I ended up grabbing six of the nine songs for my iTunes / iPod shuffle sessions.

Dee Snider has had an impressive career in the music industry and a cult classic film which will forever be remembered by horror fans. Honestly though, the most impressive thing I've ever seen come from the man was when he owned the PMRC and Tipper Gore as he defended music artists against being labeled with explicit stickers on their albums. He not only produced a coherent argument which put the onus on parents to preview and control the content their children listened to, but also made it clear that the way his music was interpruted by Tipper Gore and her "board" was incorrect. The hearing is well worth checking out. I've put it below.



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