Showing posts with label Toto. Show all posts
Showing posts with label Toto. Show all posts

Retro Spins: Toto - The Seventh One

  

Yesterday's post went through a lot of history on the band Toto, a subject I avoided in previous listening sessions of their albums. As such, today, as we reach the end of their 80's discography, there's not much to say about anything pre 1988.

Since their debut, the band kept a steady lineup of founding members. It was only after the release of Toto IV in 1982 that David Hungate would opt to leave, wanting a quieter life. He would be replaced by a third Porcaro brother, Mike. Soon thereafter, singer Bobby Kimball was let go for substance abuse. Though he was replaced by Fergie Frederiksen for their next album, after the subsequent tour, he too was let go and replaced by Joseph Williams. Wanting to pursue a career in film and television scoring, Steve Porcaro, would depart in 1987.

Opting to remain as a five piece, Steve Lukather, Joseph Williams, David Paich, Mike Pocaro, and Jeff Pocaro, would begin work on the 1988 album, The Seventh One, aptly named for being the band's seventh studio album. Stop Loving You, and Pamela would become their last top forty hits.

Though their label, Columbia, felt it was one of their strongest albums in their careers to date, and President Al Teller pushed for promotion of Pamela, when he left the company shortly after its release, support ceased. With the lack of the label pushing for exposure, The Seventh One quickly dropped on the charts, and Toto began to fall into obscurity. Lukather would say it was, "the moment that our star dwindled in America and it would take years for us to recover momentum."

Pamela leads off the album, and while it's a decent song, it's not what I'd call an opening number. Things stay relatively slow paced, and after what feels like an eternity, despite only being track four, when Stop Loving You finally comes around.

The tempo picks up momentarily with side b's Straight For The Heart, and Only The Children. It was at this point that I wasn't hearing what the President of Columbia Records stated was their strongest? It was okay, nothing to really write home about, and definitely nothing as impactful as what came with Toto IV.

To me, this is definitely a band on a downward decline from their peak. Yes, the songs are glossy, crafted to perfection in only a manner that the members of Toto can do, and would accept. Unfortunately, it just doesn't have the hits or hidden gems to really make it pop. At almost fifty-five minutes in length, I think it also suffers from CD Bloat Syndrome (aptly what I call CD-BS). CD-BS is when a band crafts their album around filling the extended time quota a CD provided, versus focusing on delivering solid tracks that deserve to make the cut. Less is more, especially when less is quality over quantity.

Williams would depart after the tour for The Seventh One, citing personal struggles with addictions, and a need to pursue other creative outlets. Additionally, in 1989, Steve Lukather released his first solo album. Though he would go on to release nine in total to date, he never shunned his responsibility to the band.

Jean-Michel Byron would be brought in to record the four new tracks created for the 1990 compilation, Past to Present 1977–1990. However, he was promptly dismissed during their subsequent Planet Earth tour for being a diva, and difficult to work with. Lukather would opt to step in as lead vocalist for Toto from that point on.

Toto released their first album of the 90's, Kingdom Of Desire in 1992, only to be met with tragedy when Jeff Porcaro passed away suddenly in August of that same year, while working in his yard. The cause was deemed to be sudden heart attack from years of cocaine use. The loss was so great that the band discussed disbanding. It would be Pocaro's parents who would persuade them not to, insisting Jeff would want them to carry on.

Simon Phillips was brought in, not only for Lukather having previously worked with him, but because the guys knew Jeff liked him as an artist. The three remaining members, Steve Lukather, David Paich, and Mike Pocaro, along with Phillips, would release 1995's Tambu.

Lukather would continue to handle the majority of the lead vocals until Bobby Kimball would rejoin in 1998. They'd release 1999's Minefield, and 2002's Through The Looking Glass, while continuing to tour in between, with one of their most notable being the 25th Anniversary tour. It would be during this that David Paich would semi-retire, needing to take care of sick family. Greg Phillinganes would be brought in to fill in during this time and ultimately join the band. They'd release 2006's Falling In Between with this lineup of Lukather, Paich, Pocaro, Phillips, Kimball, and Phillinganes.

In 2008, Toto would announce its disbanding, but this wouldn't last long. By 2010, the band reformed, and between 2013 and 2014 embarked on a 35th Anniversary tour. Though many returning members partook in the shows, some would also depart. In 2015, a new lineup consisting of Steve Lukather, David Paich, Steve Pocaro, David Hungate, Joseph Williams, and Keith Carlock, were back int he studio to release Toto XIV.

Lukather, Paich, Pocaro, Hungate, and Williams would return to the studio between 2016 and 2017 to add new material to tracks previously recorded between 1981 and 1984, and release 2018's Old Is New. The album would feature previous Pocaro brothers, Jeff and Mike, a fitting tribute to the brothers who had previously passed away. Toto continues on, touring frequently to date.

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Retro Spins: Toto - Fahrenheit

 

Toto was formed in 1977, and brought with them a combination of pop, rock, soul, funk, hard rock, R&B, blues, and jazz. Their style led a storied history, consisting of fourteen studio albums, fifty million records sold worldwide, and multitude of massive hits.

The member's roots can be traced back to humble beginnings as studio musicians, working on albums for the likes of Steely Dan, Seals and Croft, Boz Scaggs, and Sonny and Cher. David Paich would be the first to rise to fame after contributing the majority of the writing to Scaggs album, Silk Degrees.

Rewinding a tad, Paich met Jeff Porcaro when they were in high school together and formed the band Rural Still Life. During this time, they would frequently work together on recording sessions but would often talk about starting a new band. They'd ultimately invite Scaggs alum David Hungate, and Steve Lukather to join them, also nabbing Pocaro's brother Steve, and Bobby Kimball to round out the group.

The boys signed with Columbia Records and records their self-titled debut in 1978. The problem was that at this point, they didn't have a name. Depending on who you ask, their name would come from any number of scenarios. One recount states that in order to distinguish their own demo tapes from other bands' in the studio, Jeff Porcaro wrote the word "Toto" on them. Another explanation was that singer Bobby Kimball's "real" name was Robert Toteaux, pronounced "toto". Regardless of which story you go with, the band announced at a press conference in 1980 that the name was based on the dog from The Wizard Of Oz.

Singles, Hold The Line, I'll Supply The Love, and Georgy Porgy, featuring Cheryl Lynn, quickly catapulted them up the charts. However, critics would quickly dismiss them, despite being nominated for a Grammy Award for Best New Artist.

Undeterred, Toto embarked on their first tour of America, and upon completion, returned to the studio to record 1979's Hydra. Inspired by George Lucas' cult film THX 1138, the album would feature the hit 99. Despite the songs massive appeal and popularity, Lukather would later reflect on how much he hated the song, thus why it was rarely performed after the Hydra support tour.

By this point, the band were no strangers to promotional music videos. For their debut, they recorded ones for their three aforementioned hits, and for Hydra, recorded four more: 99, Hydra, St. George And The Dragon, and All Us Boys. In a way, they were helping to pave the road for an upcoming MTV and consistently released new videos to support their albums.

Toto ventured into arena rock for 1980's Turn Back. While it would later become a fan favorite, at the time it was poorly received. Lukather would later recount that while the studio let them do what they wanted for the album, upon its release essentially told them to get back to work and produce a hit record of be dropped. They responded with one of the most commercially successful albums of all time, 1982's Toto IV.

Hits Africa, Rosanna, Waiting For Your Love, Make Believe, and I Won't Hold You Back, catapulted the band into 80's superstardom. Aided by music videos for the first three noted singles, Toto was not only dominating radio stations, but MTV. Rosanna would be the biggest among the bunch, leading to multiple Grammy nominations, with the band ultimately winning six. Steve Porcaro would also contribute to the writing of Human Nature for Michael Jackson's Thriller, with several members of Toto contributing as session musicians.

At the peak of their popularity, David Hungate would opt to leave the band to pursue a career as a session musician in Nashville. This decision was mainly based on the popularity of Toto IV, which Hungate felt would prevent him from spending time with his family. Third brother, Mike Porcaro, was brought in to replace him.

Things were on a downward spiral for Bobby Kimball as well. Battling substance abuse, the singer reached a point where it severely affected his vocal performance, reliability, and ability to record during the Isolation album sessions. The decision was made to fire him in 1984. Prior to replacing him with Fergie Frederiksen, the remaining members recorded and produced the soundtrack to Dune.

Isolation wouldn't perform as expected, ultimately being labeled a failure. Though it would reach gold status, mainly aided by the singe Stranger In Town, critics and fans would pan it for simply not sounding like Toto IV. While the band toured in support, this would wrap up relatively quickly in just three months. Frederiksen was also fired at this point, with Lukather stating he simply didn't mesh with the band.

With Frederiksen out, and new member, Joseph Williams, son to composer John Williams in, Toto began work on what would become Fahrenheit. The album is noted for bringing the band back to its pop rock roots, and despite Williams singing on the majority of the songs, it would be the two Lukather sung tracks, I'll Be Over You, and Without Your Love, which would become the takeaway hits.

To me, Fahrenheit feels too polished and over produced. Perhaps one would think that's a crazy assessment, but it's overly glossy finished product kind of detracts from it. There's no room, or perhaps tolerance for imperfections from the band, and the end result is that it just feels like it's trying too hard.

Yes, it does have some good stuff on it. Among the bunch, for me, were Till The End, Can't Stand It Any Longer, I'll Be Over You, and the title track itself. It's by no means a bad album. It's just trying too hard to be perfect.

I think one of the key aspects that is missing for me is the harmony aspect that made previous hits stand out. Williams is for sure a good singer, but his voice doesn't mesh as smoothly with Lukather as Kimbell's did. The album also seems to stay in a downbeat tempo, not reaching the dance friendly levels of prior releases. Again, it's okay, but there's definitely a steady decline in quality from Toto at this point.

Tired of the rock and roll life, and the grueling touring schedule that came with it, keyboardist Steve Porcaro would opt to leave the band after the album was released. The band would opt not to replace him and instead carried on as five members.

In 1988, Toto released their final studio album of the decade, which is what I'll be listening to tomorrow. Until then, this post has plenty of words at this point.

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Retro Spins: Toto - Turn Back


They're considered the most prolific session musicians of all time, and combined have performed on over five thousand albums for other artists which have sold over five hundred million copies. When they're not crafting other's music, they're focusing on their own. If you haven't heard of Toto, it's because you haven't existed since 1978, or were just born.

Turn Back was the band's first foray into the 80's, and the last album I picked up from them. It wasn't on my want list, and candidly, I only picked it up because it was the last from the decade that I didn't have. Even then, it took me quite some time to do so, because I wasn't willing to pay the $20.00 price tag that most people were asking for it. Mainly because I didn't know anything on it and therefore wasn't going to drop a bunch of cash on an album which was frankly going to be either a hidden gem, or a waste of money.

My first listening session of Toto goes all the way back to 2019, where I played through IV. I then wouldn't come back around to them until 2022 for Isolation, an album I also knew nothing from initially. That one garnered the hidden gem, Endless, and I was hoping to come across something like that with Turn Back.

I'm a bit skeptical though. Despite yielding the band's first hit in Japan, Goodbye Elenore, it failed to chart any singles elsewhere. As a whole, the album would eventually reach gold but be considered a failure for underperforming based on expectations.

Steve Lukather himself would say of it;

We wanted to prove we were an arena rock band. It’s probably the weirdest record we’ve done, certainly sonically, but we were really proud of it when it came out. It didn't really catch on -- over the years, it's sold, and now it's kind of a cult favorite with fans, but at the time it was kind of a stiff. And then we panicked -- we never even went on the road for that one. The record company was like, "Okay, guys. We let you do what you want to do. Are you gonna give us a hit record? Because if you don't, we’re gonna drop you."

I don't know why I have a tendency to favor the underdogs. I think Turn Back is pretty solid. No, it doesn't contain your finely tuned Africa or Rosanna, nor is it as polished in comparison to the opus, IV. However, there are quite a few enjoyable solid rock tracks here. For me, those include; English Eyes, A Million Miles Away, Goodbye Elenore, and the first Toto track penned by Lukather, Live For Today.

Frankly, I'm glad I bought this one. It definitely qualifies as a hidden gem. Picking this one up also put Toto back on my radar in general, and I went backwards to pick up Hydra, the gap I was missing between their 1978 self-titled debut and this one. I now have their complete run of records (okay, CD's) through 1988's The Seventh One. Do I need any of their albums from the 90's? I mean, maybe. I'm certainly going to look and see what I might be missing out on.

Both IV, and Isolation followed Turn Back, 1982, and 1984, respectively. Fahrenheit was then released in 1986, which is where I'll pick up tomorrow. In review of the tracks, it appears I know less of Toto then I know. A quick glance yielded only one tucked in my memory, I'll Be Over You. However, based on today's listening session, this serves to only excite me a bit of all the treasures to be found.

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Retro Spins: Toto - Isolation



When I fired up Toto IV a few years back, I was blown away by not only the great songs I knew were on the album, but by the one's I had forgotten about. This resulted in me going on a little Toto buying spree, swooping up their debut album, Isolation, Fahrenheit and The Seventh One.

Today felt perfect to come back around to their records to finally jump into one of those newly acquired ones. As I scanned the track listings, I had to pause with Isolation and read them again. I didn't recognize any of these songs, and it was quite honestly baffling to me how I ended up with this one.

A bit of researching my ebay history turned up the answer to that mystery. Turns out, when I bought Isolation, it came with Farenheit. It either must have been cheaper to buy both together, or there weren't any other listings available for just Isolation. I'm not inclined to lean towards the latter. Regardless, I ended up with the album.

Forty-one minutes and fifty-six seconds later and the album had completed from start to finish.

Isolation wasn't the worst album I've ever listened to. However, Because I've also reached a point in my life where I'm not accumulating or keeping albums with songs I don't want on them, it was definitely on the cusp of being discarded.

The only thing that saved it from this fate was track six, Endless. This one seemingly came out of nowhere, and ended up being the best track on the album. It was catchy and funky sounding, all at the same time. I immediately added this to my shuffle list as well.

A quick search of the album's Wiki showed, Stranger In Town, was actually the only single from the record. After hearing Endless, I don't necessarily agree that this was the right choice, but I understand why it was chosen. It was the most familiar in sound to prior hits Africa and Rosanna. Beyond this exception, as a whole, Isolation doesn't sound at all like their prior album IV, which is what was inevitably it's biggest downfall.

Commercially, the album was a disastrous flop for the band. This was rivaled only by the impact of how poorly the supporting tour went. It was so bad, Toto ended up cancelling the European portion of their concerts and firing their booking agents.

Overall, I'm not disheartened to the band. I still want to make my way through the remainder of their albums in my collection. I'll get to that eventually.

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Retro Spins: Toto - IV



Toto
IV
1982

I've been stuck in the wash, rinse, repeat of so many 80's artists these days that quite frankly I've forgotten just how good some of them are. I've also forgotten just how many great songs came from some of them that while they don't necessarily get repeated airplay these days, they did back in the day.

Toto is one of those bands that has always confused me. There are so many "lead" singers in the group that I honestly have no clue who is singing what. It also doesn't help that people come and go and come back and go again from album to album. Despite this though, it doesn't detract for me in any major way.

When I sat down to listed to Toto IV, I heard a few great songs I'd forgotten about; Make Believe, I Won't Hold You Back and Lovers in the Night. Of course, I also heard the albums front runner hits, Rosanna and Africa. Granted that's only half the songs from the album. Sadly, the other five really didn't do it for me. They were okay, but meh...Not really noteworthy.

Hearing this album actually prompted me to look a little closer at Toto. The reason being that the only albums I own from them are their 1978 self titled debut, IV (1982) and The Seventh One (1988) - I'm not being lazy, that's really the titles here. I may have to pick up Hydra (1979) for the song 99 and Fahrenheit (1986) for I'll Be Over You. I don't appear to know any songs from any of their other albums.

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