Showing posts with label Megadeth. Show all posts
Showing posts with label Megadeth. Show all posts

Retro Spins: Megadeth - So Far, So Good... So What!

 

You're a young Jay Reynolds, and you've just been given the opportunity of a lifetime. You join Megadeth as their new guitarist, and finish their 1987 UK tour in support of their platinum selling album, Peace Sells... But Who's Buying? Your next adventure takes you into the studio to begin recording on what will become 1988's So Far, So Good... So What! There's just one problem. You can't perform the solos being requested of you for the songs. You're not only asked to leave, but the person who served as your guitar instructor is then asked to join the band. Enter Jeff Young.

Looking back at yesterday's post, it's ironic that the band would fire Gar Samuelson, and Chris Poland for ongoing substance abuse, when it would be noted that the recording sessions for their 1988 album would be problematic with Dave Mustaine for the exact same reason. To me, that's just ironically hypocritical.

Despite the major label budget for the album, as well as five months to record it, producer Paul Lani would prove to be a problem for the band, leading to frequent clashes between him and Mustaine. Purportedly, this all began with Lani's insistence that the drums be recorded separately from the cymbals, an unheard-of process for rock drummers. The two became estranged, and Lani was ultimately fired, and replaced by Michael Wagener.

Upon its release, So Far, So Good... So What! would become the bands second consecutive platinum record, performing even better on the charts, peaking at number twenty-eight on the Billboard 200. Though things were looking to only get bigger and better for the band, their consistent substance abuse would once again lead to problems. More on that in a bit.

For me, So Far... is relatively more of the same that I've heard two times now. Fast and hard, and mostly incoherent. I'll again give credit where credit is due. The instrumentation work is solid.

Things do break out of this mold, in particular, In My Darkest Hour, and the cover of Sex Pistols Anarchy In The UK. These more structured tunes come across as better, but at the same time, I don't see myself saying, "I need to hear that again."

Overall, I think I'm fatigued at this point on Megadeth. Whereas before I was giving things a pass for having solid instrumentation, this time around, I'm looking for something better. I suppose this is why I have always preferred their 90's material. Tracks like Symphony Of Destruction, Train Of Consequences, A Tout le Monde, and Blood Of Heroes just sound far superior.

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Retro Spins: Megadeth - Peace Sells... But Who's Buying?

 

With the success of their debut album, Megadeth would gain the attention of major labels. This would lead to Combat Records ultimately selling their contract to Capitol Records. While this came with a larger budget, and a new producer, recording would be difficult for the band, who were all abusing various substances.

The band were no strangers to the world of drugs and alcohol. In particular, Mustaines overuse, and subsequent volatile temper, led to him being let go from Metallica as their lead guitarist in 1983, just prior to them recording their debut album, Kill 'Em All. As their guitarist since 1981, he not only helped hone their tight knit live presence but penned some of the songs which they would use for future albums.

Wanting revenge on his prior bandmates, Mustaine would set to task on forming the greatest metal band of all time. One which not only had better songs, but harder and faster ones. The name for his new band would ultimately come from a pamphlet by California senator Alan Cranston that read: "The arsenal of megadeath can't be rid no matter what the peace treaties come to." However, at first, Megadeth was used as a song title which Mustaine penned.

In 1983, he formed the band, Fallen Angels, which included Lor Kane on vocals, Robby McKinney on guitar, Matt Kisselstein on bass, and Dijon Carruthers on drums. At the suggestion of Kane, the band soon changed their name to Megadeth. Shortly thereafter, McKinney, Carruthers, and Kisselstein would depart, replaced by David Ellefson, Richard Girod, and Greg Handevidt. Mustaine would also take over vocal duties himself after a series of singers fronted the band but ultimately didn't produce the sound he was looking for.

With the lineup in place, they set to task on recording a three-track demo, entitled Last Rites, something I touched on yesterday. However, with the release of Metallica's 1983 debut, the band realized they would have to retool some of their current songs which they were performing live. Combat Records would take notice, and sign them to the label, releasing their 1985 debut, Killing Is My Business... And Business Is Good!

Prior to the release of their debut, the lineup would change again, with core members, Dave Mustaine, Chris Poland, David Ellefson, and Gar Samuelson. Killing Is My Business would crack the Billboard 200, peaking at one hundred sixty-nine, and receive relatively positive reviews, which drew the attention of larger labels. This brings us full circle to the opening paragraph.

Of course, it wouldn't be Megadeth if history wasn't muddy. Depending on who you asked, Combat sold the contract to Capitol of their own accord. From the band's perspective, they left because of their dissatisfaction with budgetary limitations imposed by Combat. Regardless, the end result was 1986's Peace Sells... But Who's Buying? It boasted clearer production, and a more sophisticated lyrical style from Mustaine. The album would be noteworthy for its socially conscious lyrics, and the single Peace Sells, would receive a video, which was played regularly on MTV. It would become the band's first platinum selling record, and peak at number seventy-six on the Billboard 200.

Because of the history between the two, it's challenging to listen to Megadeth without drawing comparisons between them and Metallica. I know it's not fair to do so. They should be given the chance to stand on their own merits. But, like I said, it's difficult to do so.

For me, that comparison is that whereas Metallica played fast, they still managed to craft songs that had clear song structure, intros, versus, choruses, bridges, and of course, solos. On the other hand, Megadeth nails the intro portion well, but then just launches into speed. This makes it difficult to distinguish where the versus stop, and where the choruses begin.

Depending on your tastes, or desire for the day, that could be a good thing, or bad. Regardless, there's no doubt that the band members aren't talented. Playing fast is one thing. Playing fast and coherently is something else entirely. Megadeth certainly nails the later. Vocals aside, the music is a banger.

While everything essentially feels like it runs together, it's difficult to distinguish between the various tracks. However, I was able to discern and note two particularly better tunes in the bunch. Those were Peace Sells, and My Last Words.

Overall, I'm enjoying my listening session through the band. I think one of the standout things for me is that they write relatively confined songs, with each typically ranging between three and four minutes. This is definitely counter to Metallica, who think a song needs to be eight to ten. Does this shortened style contribute to the above noted lack of song structure? Possibly.

Ongoing substance abuse would lead to Samuelson and Poland being asked to leave the band. Samuelson would be replaced by Chuck Behler, who was already traveling with them on tour as a standby. Poland would be replaced by Jay Reynolds.

Side note: That tour began as the opening act for Alice Cooper's Constrictor Tour but eventually led to the band heading off to the UK to headline their own shows.

Six weeks into recording their next album, and final for the decade, 1988's So Far, So Good... So What!, the band dropped Reynolds and brought in Jeff Young. While Reynolds was a decent guitarist, the band found he was unable to perform the necessary solos for tracks, prompting them to instead hire his teacher, Young.

I'll pick up there tomorrow.

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Retro Spins: Megadeth - Killing Is My Business... And Business Is Good!


Having amassed a pile of CD's over the past few months, thanks in part to a co-worker who started pointing me towards 80's metal bands, I'm now set to task on actually going through them. It's going to take me the better part of June, and knowing little to nothing about it, it's relatively all new territory.

I'm kicking things off with Megadeth, the band I'm most familiar with out of everything I picked up. In hindsight, it's kind of odd that it's taken me this long to get around to the band. Well, let me rephrase, the 80's discs of the band. I actually have a handful from the 90's, which is the period of the band I know, and like tunes from.

Two months after parting ways with Metallica, Dave Mustaine would meet bassist, David Ellefson. Fueled by hate and the desire for revenge against his ex-band mates, the two formed Megadeth. Though several vocalists tried, Mustaine would ultimately decide to do the singing himself.

With Richard Girod on drums, the band recorded a three-track demo, calling it Last Rites. This would garner the attention of Combat Records, who signed them in 1984, giving them an initial $8,000.00 to record an album, and $4,000.00 more when those funds ran out. Depending on who you asked, this session was either hindered by the money being spent on drugs and food, or things went well, and there were no issues. At this point, it's just more of that Dave Mustaine muddied lore.

The lineup at this time consisted of Dave Mustaine on vocals, piano, and guitar, Chris Poland on guitars, David Ellefson on bass, Gar Samuelson on Drums, and possible Lee Raunch, who also provided drums. Killing Is My Business... And Business Is Good! would be released in 1985 and be met with positive critical response. This is a bit of an abridged version of their history. I might go more in depth tomorrow.

Their debut is chaotic and intense. Speed and thrash are definitely the name of the game, and the band gives everything they've got to deliver this. There's definitely talent behind the instruments.

While as a whole, it's decent from start to finish, where it loses me is the vocals. Not that they're bad, but rather that I can't understand them half the time.

I do question Megadeth's decision to cover the Lee Hazelwood penned, and Nancy Sinatra sung These Boots Were Made For Walking. Sure, their version is definitely faster, but it comes off more so as a parody than something to be taken seriously.

I suppose if there was a track that stood out for me, that would be Looking Down The Cross. Granted, I have no clue what the lyrics are about, but I really dug the guitar riff throughout it. But again, overall, I liked the album, and I'm looking forward to jumping into 1986's Peace Sells... But Who's Buying?

Beyond that, I don't have much more to say at this point.

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.