Retro Spins: Donna Summer - Another Place And Time


With Summer and Geffen parting ways in 1988, and the label opting to shelve her current album, Another Place And Time, the future of the artist was up in the air. Declining sales and being considered an older artist weren't aspects in her favor. However, she had one final ace up her sleeve, which would ultimately result in her last top forty Billboard Hot 100 hit.

At the suggestion of her husband, Donna set to work with producing trio Stock Aitken Waterman to record what would become Another Place And Time. However, as noted above, Geffen would opt to not release it, and instead part ways with the artist. This wouldn't be the first time the label had opted shelve her material, but it would be the last that that their decision to do so was wrong.

They had previously declined her 1981 recorded, I'm A Rainbow, telling her that they wouldn't release yet another Giorgio Moroder produced album, and then opted to not release what would become her biggest seller, She Works Hard For The Money in 1983. The latter would only be released at the time because of the tracks being handed over to Mercury as part of her settlement with the sister label, Casablanca Records. Ironically, it would also be Mercury and Casablanca who would ultimately release I'm A Rainbow in 1996.

Stock Aitken Waterman had proven success, working with top 80's acts, Bananarama, Rick Astley, and Kylie Minogue, to name a few. Despite this, it took convincing from the producing team to get Summer to trust them and release the reigns. Her relenting turned out to be wise, as the end result garnered what would be her the last top forty hit of her career with This Time I Know It's For Real. As a whole, Another Place And Time, released by Atlantic Records, received some good reviews but was also considered underwhelming.

The album ditches the conventional pop genre for a more dance R&B theme. It's serviceable, if you like late 80's dance music. However, if you're looking for the traditional Donna Summer album, you're not going to find that here.

Most of the tracks don't offer much, and that's a polite way of me saying that the album is relatively boring. Let me put this into perspective. While listening to this, I got sidetracked by researching Ace Frehley's solo albums, paused this to play a track from one of them, forgot about this album entirely, and started watching other videos on Youtube before finally remembering, and coming back to it. P.S. I also bought all three of Frehley's Comet's 80's albums.

By track eight, I audibly asked myself, "Is this over yet? This is boring." I pushed through the final remaining tracks, all for not. With exception of the aforementioned hit, Another Place In Time was a bust. 

Atlantic would also release her 1991 follow-up, Mistaken Identity. However, Summer would return to Mercury who would release 1994's Christmas Spirit, and as mentioned already, her previously shelved I'm A Rainbow in 1996.

While she would remain relatively active, hosting one-off shows on VH1, performing shows, and writing her autobiography, it wouldn't be until 2008 that she would return to the studio to record what would become her last studio album, Crayons. The album would perform well for her, peaking at number seventeen on the Billboard Hot 200.

Unfortunately, life would deal a blow to the artist, who was diagnosed with lung cancer, and passed away in May of 2012. Summer speculated that she contracted the illness from the inhaling toxic fumes and dust during the events of 9/11. However, this has never been proven, and others speculate it came about from her earlier years when she did smoke, as well as repeated exposure to secondhand smoking in clubs throughout her earlier career.

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Comics Corner: Web Of Spider-Man 15

   

Title: Web Of Spider-Man
Issue Number: 15
Release Date: June 1986

Highlights

  • First appearance of Chance, AKA Nicholas Powell, Elmo Twig, Jim, Karen, and Johnny
  • Reference is made to The Amazing Spider-Man 265, 273, and Web Of Spider-Man 6
  • Chance see's Spider-Man web lining across the city, and wagers Foreigner his $10,000.00 fee that he can take him out in twenty-four hours, Foreigner accepts the bet
  • Spider-Man catches up with Black Fox, thinking he's the one who murdered Andre Boullion in the previous issue, only to find out he didn't, and be attacked by Chance
  • We learn that Chance's helmet allows him to see in five different directions with the use of built in camera monitors
  • Chance admits to being the murderer
  • Spider-Man realizes that while Chance can see in multiple direction at once, down isn't one of them, and defeats him with an attack from below
  • Peter actually goes through with it, and fences the golden notebook for $3,000.00
    • He uses every penny to pay anonymously pay Nathan Lubensky's hospital bill, leaving nothing for himself
  • Mary Jane paid for all of Peter's apartment repairs while he was out as Spider-Man, saving him from eviction
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Donna Summer - All Systems Go

 

Donna Summer was on a steady decline since 1984's Cats Without Claws. Her relationship with Geffen Records was already on the rocks, with her and head, David, continuing to not see eye to eye on the type of music she should, and would sing. While Summer wanted her next album to be more R&B influenced, the label once again demanded a mainstream pop sound.

Harold Faltermeyer, hot off his soundtracks for Fletch and Top Gun was brought in to produce, along with several other producers, what would become the tracks for All Systems Go. However, upon its completion, the executives at Geffen stated that they didn't hear any singles, a statement which shocked both Summer and Faltermeyer. The latter would state in a 2012 interview that at the time, Summer was considered an older artist, and this may have led to Geffen not really being interested in promoting her, focusing instead on younger acts. This statement would be backed up by label president Ed Rosenblatt, who would later admit, "The company never intended to focus on established superstars."

Prior to releasing the album, Geffen asked for one more track to be recorded, Dinner With Gershwin. While they wanted Faltermeyer to produce the song with writer Brenda Russell, he was already on to his next project, and unavailable. The song was completed with Russell and new producer, Richard Perry. It would become Summer's last R&B top ten hit and peaked on the Billboard Hot 100 at forty-eight. As a whole, All Systems Go would be the first album by Summer to fall short of the Top 100 on Billboard's album chart, peaking at 122.

The album starts on a solid foot with back-to-back tracks, All Systems Go, and Bad Reputation. However, from there, things quickly fall into mediocre territory, not coming back around until the first track of (what would be) side two (if not a CD), Dinner With Gershwin, and then taper off again until Voices Cryin' Out.

It's a bit of a shame, because with these aforementioned tracks being relatively solid, the potential was definitely there for better than what we got songs. However, this was probably a result of too many hands in the pot. Not only were there seventeen different writers for tracks, but also seven producers. That's way too many creative opinions, and it shows in how tracks don't flow together cohesively.

Sound wise, it's definitely a solid pop album. Quality wise, most of the songs are simply forgettable.

Despite hiring production trio, Stock Aitken Waterman, for her next album, upon its completion Geffen would shelve it, and part ways with Summer. Down, but not out, 1989's Another Place In Time, would ultimately be picked up by Warner Bros., and released in Europe. This move would prove to be one final hoorah for the artist, garnering her last top forty hit. What was that song? Well, you'll have to tune in tomorrow (or I suppose Google it if you can't wait) to find out.

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.