Retro Spins: Eric Clapton - August


Phil Collins returns to the collaboration table to produce, and once again provide multiple instrumentation and backing vocals. These helped in making yesterday's album, Behind The Sun better than I expected, but does this moment transfer to 1986's August?

By 1986, most 80's artists were still at the top of their game, though admittedly, many of them were shifting musical styles. Take Duran Duran for example, who by their 1986 Notorious release had shifted from bubblegum pop to a more mature sound. Michael Jackson was in the studio working on his 1987 Bad album, with Prince deeply working on what would become his opus, Sign O' The Times. Basically, what I'm saying is that 1986 / 1987 were periods where great artists dialed in, and released some of their best. Does this occur with Clapton?

If the opening track is any inclination, then right off the bat, I'd say yes. It's In The Way That You Use It is yet another massive song from Clapton that I'd completely forgotten about. In general, I'm discovering that I've forgotten more of his songs than I actually remember.

Turning to the Wiki page, I got pretty excited for what August should be offering. A duet with Tina Turner, a track which Michael Jackson allegedly worked on for potential use on Thriller, songs written by Motown legend Lamont Dozier, and of course, to mention it again, heavy collaboration with Phil Collins.

Run, and Hung Up On Your Love, were very apparent as the ones which Dozier wrote. The Motown sound is very much so present throughout them. Play them both. You'll know what I mean immediately when you hear it. Good stuff.

I had high hopes for the Tina Turner duet, Tearing Us Apart. Something along the lines of her and Bryan Adam's It's Only Love. Something were Clapton can cook on guitars, while Turner belts her traditional sound. While it's somewhat present, sadly, the song itself just isn't good. Mediocre at best. It's kind of a waste of Turner's talent. I did end up adding it to my shuffle list, but only for novelty purposes.

August offered some good stuff. By track four, I had added every single one to my shuffle. Of course, this included the aforementioned Tina Turner duet, so I won't say it was a solid consecutive run. There were also a few more in there that I nabbed, such as Hung Up On Your Love, Miss You, Holy Mother, Behind The Mask, and Grand Illusion, the latter exclusive to the CD release. Overall, it was enjoyable.

Let's upgrade Eric Clapton in my book from okay to good. He's growing on me. I can see now, based on my playthrough to date of August, how and why he became as renowned as he was. There is good material on his albums...well, the 80's ones I've heard so far. From this point on, my perspective of him won't be so harsh, but we also have one more album to go, 1989's Journeyman. I'm not going to give him a pass. I'll reserve judgements and opinions of that one upon hearing it...you know, tomorrow.

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THIS WEEK ON THE CHARTS
June 30, 1984

 

Comics Corner: Peter Parker, The Spectacular Spider-Man 57

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 57
Release Date: August 1981

Highlights

  • First appearance of Marjorie Duprey, and Daphne
  • School is out for semester break, so Peter doesn't have to play teacher for a while
  • A yellow cloud of dust is following Spider-Man around, and eventually takes control of Simon Maddicks, AKA Killer Shrike
  • J. Jonah Jameson is throwing a party for his girlfriend Marla Madison in honor of her getting a new job with the Brand Corporation
  • Marla has traded up her glasses for contact lenses
  • Reference is made to Marvel Team-Up 90
  • Spider-Man makes a phone call to Aunt May mid fight just to say hello, while continuing to beat the snot out of James Melvin's men
  • The yellow cloud turns out to be Will 'O The Wisp
  • Dr. Madison is able to help Will 'O The Wisp, and reform him into his normal self
Low Points
  • None
Oddities
  • Editor's Day Off: Spider-Man is missing the detailed web lines on his costume in several panels
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Eric Clapton - Behind The Sun


With yesterday's review of Eric Clapton's Money And Cigarettes, I had a bit of hopes that things would stay on par, or perhaps get better. This leads me to today's post, and listening session of 1985's Behind The Sun.

What I will say before diving in is that my absolute favorite song from Clapton, Heaven Is One Step Away, was released this same year on the Back To The Future soundtrack. Not only was I hoping this tune would be on the album, it wasn't, but that as a whole, Behind The Sun would have a familiar sound to that of the single.

Reading the liner notes, I also got excited to see that Phil Collins contributed extensively to the album, both as a producer, and musician on multiple instruments, as well as backing vocals. Okay, this was setting the stage, and high expectations. If there was one thing Collins could do in 1985, it was create massive hits.

Siked up, I dove in, being treated immediately to a tune I had forgotten about, She's Waiting. Now, don't get me wrong here. While I say I remember it, that's not to be misconstrued as necessary liking it. In fact, that seemed to the trend with this album. Songs I had forgotten about, such as the cover of Eddie Floyd's Knock On Wood. Again, familiar, but not necessarily a favorite.

It was very noticeable that Clapton was focusing on guitar solos on Sun. There are moments where he just jams out, and these are cool. Like I've said before, he's a solid guitar player. It's his lyrics, and overall style of rhythm and blues that don't really work for my personal tastes.

Behind The Sun's strongest point is that it features Clapton's number one hit, Forever Man, which at first I didn't recognize with the opening guitar. However, once the vocals started, I gave an audible, "Yes!" For a brief moment in time, I was actually excited about hearing one of his albums. Good stuff, for sure! The guitars in that track are so slick and polished.

Tunes picked up from here with It All Depends, and Tangled In Love keeping me invested. However, this momentum would crash with the very slow, very monotonous Never Make You Cry. Poised to drone on for six (plus) minutes, I finally skipped it around the four minute mark. 

Things did pick up briefly with Just Like A Prisoner, mainly for the vocal style, and guitar work. However, the title track itself, which closes everything out, was mediocre, at best.

We'll call Behind The Sun decent. Good enough to keep me going through the remaining 80's albums from Clapton with minimal grumbling, for now.

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THIS WEEK ON THE CHARTS
June 29, 1985


Comics Corner: Marvel Team-Up 107

   

Title: Marvel Team-Up
Issue Number: 107
Release Date: July 1981

Highlights

  • First appearance and death of Hildy Dawes
  • Apparent death of Man-Killer
  • Reference is made to Daredevil 172, and Marvel Team-Up 8
  • Spider-Man and She-Hulk meet for the first time
Low Points
  • None
Oddities
  • Editor's Day Off: She-Hulk says to Spider-Man that Man-Killer's agents told her where Man-Killer was, and what her plans were...Except, they didn't
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Eric Clapton - Money And Cigarettes


It's important when curating a collection of, well, anything, that you masterfully craft it. Don't but stuff simply because you need to complete something. Otherwise, you may end up with something the equivalent of an entire 80's discography of Eric Clapton. Mmm boy, I sure am ecstatic.

Can you feel the sarcasm?

Firing up Clapton's 1983 Money And Cigarettes, and my second venture into his music, I was immediately greeted by the same sound which promptly turned me off of his prior release, Another Ticket. It was at this point that I thought, "Maybe I should just cut my loses, and move on." But, no. I stayed the course, and I'm kind of glad I did. If for nothing else, tracks, Ain't Going Down, I've Got A Rock 'N' Roll Heart, Slow Down Linda, Crazy Country Hop, and Man Overboard. Despite being a ballad, Pretty Girl were okay.

While I'd love to say I turned into a massive fan, that would be a lie. Granted, I at least wasn't disappointed anymore. I was getting something for my purchase. Money And Cigarettes gets a golf clap for being better than Another Ticket. Sure, I'll even go so far as to say it's okay. Does it leave me excited to continue on through his albums? Not really, but I will.

What I will also give credit to Clapton for is his guitar work. The man can play, I won't deny that. I just don't see him as a master songwriter. His tunes aren't catchy (to me), and like I said, the overall style just isn't my thing. I don't see myself walking down the street...I mean, you can pretty much end that statement there...exercise...gross...but, to elaborate, I don't see myself walking down the street humming anything from the man.

But, I have three more albums to go. Will things change? I suppose it's possible. Other than that, this one is a relatively short and sweet post.

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THE WEEK ON THE CHARTS
June 28, 1980
 
THIS WEEK ON THE CHARTS
June 28, 1986


Comics Corner: Peter Parker, The Spectacular Spider-Man 56

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 56
Release Date: July 1981

Highlights

  • Spider-Man's first battle against Jack O'Lantern, AKA Jason Macendale, who first appeared in Machine Man 19, and would later become the second (major) Hobgoblin, and one of the hosts for Demogoblin
  • Reference is made to Marvel Team-Up 99, Machine Man 19, and Peter Parker, The Spectacular Spider-Man 48
  • Aunt May tells Peter that she needs him by her side while a hostage situation has her fiancé Nathan Lubensky held captive, and Peter doesn't show up because he's instead trying to save Nathan as Spider-Man
  • Aunt May takes Peter not being there for her really hard, saying he doesn't care about her anymore
  • Peter feels bad because he knows telling Aunt May he's Spider-Man would have gotten him off the hook for not being there for her, but cause a whole other level of anxiety for his Aunt
Low Points
  • None
Oddities
  • Editor's Day Off: Several panels have Spider-Man's lenses colored red
Rating (based on a 1 through 5 Stans grading system)





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Retro Spins: Eric Clapton - Another Ticket


I don't know if this happens to you, general collector's of things, or if it's just me. One day, I just get a hair up my butt that I want something, and must have it then and now. Never mind that I'm not necessarily a fan of it, or on any other day of the week would have even given said subject matter another thought. This is how I ended up with G1 Transformers, Real Ghostbusters, and more relatable to this post, a lot of CD's. 

One day, while perusing my local CD shop, I came across the Eric Clapton section, and found the majority of his 80's albums tucked within the shelf. Mind you, I don't like the artist. I couldn't name a song beyond Layla that I would honestly give a moment of time to listen to. Even then I would turn it off when it got to the long winded, and allegedly plagiarized piano section.

As far as I'm concerned, the guy had a lucky moment in the 70's where he became relevant with Cream, but then never went away. Lucky us? Yet, here I was, scooping up relatively cheap Clapton albums, fleshing out an entire discography of 80's albums.

Well, now that I have them, I have to listen to them...ugh. Well, let's get this ball of garbage rolling.

We start with 1981's Another Ticket...see, here's how much I care about this. I don't even know the album's name. As I started typing it out, I almost put "Ticket To Ride".

By track two, I had my fill of rhythm and blues, and was wondering if it was over already. It wasn't. There were seven left to go. What was this nonsense? I felt like I was stuck in that one scene from Adventures In Babysitting.

Seriously, and also, who names their album after a slow and monotonous track? Another Ticket, the song, is about as enjoyable as watching paint dry. Just when I thought that bashing my own head in with a bat would be a reasonable solution to my problem, I Can't Stand It came on. Yeah, you and me both, Clapton. Fortunately, this was a forgotten tune for me from the era that once played the airwaves of my yesterdays.

Putting the bat down moments from impact, I thought, "Hmm...Maybe this will get better now?" Well...I now...hospital...head trauma...no do can think more good no more. To summarize, Another Ticket, no thank you. I Can't Stand It, and Rita Mae were tolerable. The rest was a hard pass.

Ugh...four more albums to go...

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THIS WEEK ON THE CHARTS
June 27, 1981
 
THIS WEEK ON THE CHARTS
June 27, 1987


Comics Corner: Marvel Team-Up 106

   

Title: Marvel Team-Up
Issue Number: 106
Release Date: June 1981

Highlights

  • First appearance of Dr. Kloon, and Dr. Noseblum
  • Reference is made to The Amazing Spider-Man 20, Captain America 122, 151, and 152
  • Scorpion's tail gets upgrade, and now shoots electro-magnetic blasts
Low Points
  • We skip over Marvel Team-Up 104 and 105, which don't feature Spider-Man
Oddities
  • No explanation is given as to how Scorpion has the mechanical knowhow to upgrade his tail into a gun
  • Steve Rogers looks weird without his costume on
  • Editor's Day Off: Several panels with Spider-Man's lenses colored red


  • Editor's Continued Day Off: Scorpion says, "The time has has come for Jamison...To die!"
  • Steve Rogers ducks behind a file cabinet to change into his Captain America outfit, and while he does, he has his shield with him - Where was he hiding that?
  • Scorpion, per Captain America, is stronger and faster than him? Really? I didn't know that, and never would have thought so
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Maywood - Colour My Rainbow


When we left Maywood yesterday, they had just come off of a poor 1990 performance at Eurovision, finishing in fifteenth place. However, we're getting way too far ahead of things at this point. First, we need to hit the rewind button, and got back to 1982 for their third album, Colour My Rainbow.

I had high expectations for this album based on the prior two, and for the most part, this was met. The vocals of Caren (burnette) are just amazing, as usual, and this works in tandem with Alice's (blonde) strong writing and music direction.

Tracks one through five packed the hardest punch, which really drew me in. However, by song number six, things turned very ballad and slower paced love themed heavy. This shift in tone stayed for the remainder of the album, and honestly tanked the back half of Colour My Rainbow for me. I wanted continuous high energy, and solid pop rock, which I suppose may be my own fault for expecting this.

In hindsight, I can understand why there was a hiatus for five years. before their next album. I can definitely hear the decline in "hits". As a whole, it's just not as good as their self titled debut or follow up, Different Worlds. It kind of feels like the duo ran out of material midway through recording their 1982 record, and were just trying to gun it to the finish line.

Their final 80's album, Beside You was released in 1987. However, as of this writing, I have just now been able to track a copy down, and it should be enroute from France. While I won't be able to dive into it tomorrow, I'll definitely make it a point to swing back around to it upon its arrival.

Until then, to continue with the girls history from yesterday, after 1990's Eurovision, Maywood would release the Dutch language Achter De Horizon that same year. In 1991, they'd release the English language, Walking Back To Happiness, and additionally that year, Six Of The Thirties. Unfortunately, continued flopped singles and rapidly declining sales meant the end for the duo. They disbanded in 1995, and Alice continued a relatively unsuccessful solo career. It was also established that she would be the only one to use the name Maywood. However, Caren did not adhere to this, leading to Alice suing her in 1999. It was ruled in Alice's favor, and she was awarded the rights since she was the writer of the lyrics and music. Caren was forced to pay her for damages as a result for each identified instance of infringement.

In 2004 it was announced that the two had come to some form of agreement, and would perform together again. However, this didn't come to fruition. By 2006, Alice was looking for a new singer, and thought she found that in Rose Louwers. Days before the two were scheduled to perform, the show was cancelled, with Alice stating her and Louwers were, "Too far apart." She would elaborate by saying she had, "A very well-defined idea about how it should sound and what the décor should be." Louwers would disappear into anonymity after parting ways.

Alice continued her solo career, and utilized new singer, Inge Peters in 2010 to fill the void of her sister. Caren, on the other hand, began her own revitalization attempt in 2007. Teaming up with cabaret artist Henk Smaling, she returned to the stage with a café chantant -like program, Hotel Weemoed , a pun on Maywood. The two sisters briefly reunited for a series of Gerard Joling concerts in 2013, where they performed a medley of their hits with him. Sadly, a year later they picked up where they left off with arguing, and once again went their separate ways.

Though there has been no news from them since, hopefully, Alice, now 70, and Caren, 71, have found that the bond of sisters is stronger than any top ten hit, and made piece with each other. At the end of the day, what good is a hit song, when you've lost your sister (or brother...or any loved one) in the process? 

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THIS WEEK ON THE CHARTS
June 26, 1982


Comics Corner: Peter Parker, The Spectacular Spider-Man 55

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 55
Release Date: June 1981

Highlights

  • First appearance of Virginia Hunter
  • Reference is made to The Amazing Spider-Man 215 through 217, Captain Marvel 34, and Marvel Spotlight 12
Low Points
  • Kind of boring
  • Villain of the week fodder
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Maywood - Different Worlds


I first touched on Dutch duo Maywood back in January of this year with their 1980 debut, and had I adopted my motif that I have as of late, I would have ultimately stayed the course, and gone through their second and third albums as well. While that opportunity may have passed, that doesn't mean I can't pick up where I left off, and dive in.

Honestly, I didn't touch much on the history of sisters, Alice May (Aaltje de Vries), and Caren Wood (Doetje de Vries), during my initial post. The two have had a storied career together as an act, starting at a young age, and being a part of numerous groups. These included their first, De Karina's in 1974, followed by Colt 45 in 1976, and later their own duo The Lady Pop's. By 1979, the girls decided they would continue together under the name Maywood.

The single, You Treated Me Wrong, from their 1980 self titled debut, didn't garner much attention on the charts. However, it did pave the way for a series of successful hits to come. Sister Alice was the lead contributor to writing the English language tracks which would be their most successful. This was aided by ex-Kayak drummer Pim Koopman, who worked with the girls in his infancy years of producer.

Late At Night, also from their debut, would become their first number one hit. Though they wouldn't make a big splash in the United States, they would still become popular in fifty-two countries during this time. They would go on to win multiple prizes and awards at festivals in West Germany, Poland, Japan and Korea. Maywood also toured extensively in Sweden, Finland, Bulgaria, Indonesia and the Soviet Union.

Let's pause here on a picture perfect start to dive into their 1981 sophomore album, Different World, as while things started off on such a high note, they would ultimately sour, leading to a break up, cancelled reunion plans, and lawsuits.

Different World features the song Rio, which introduced me to Maywood. This song takes me back to a time when we were kids in South Africa, being treated to music by our sister, who would play various records and cassettes for us while mom and dad were off somewhere. It's the tune which prompted my looking for their albums, and led to me buying them all from a now forgotten website.

Playing through it, I was once again caught off guard by how much I enjoyed it. I really didn't expect Maywood to pack the punch that they did. Alice deliver's solidly written hits (in my opinion), while Caren's vocals continue to haunt my soul with their echoing pitches. Seriously, someone reading this has got to catch on, and give them a try. You're honestly missing out.

Tracks Rio, It's A Different World, You're The One, Pasadena, I'm In Love For The Very First Time, Distant Love, all became part of my ever expanding shuffle list. It's definitely a solid one from start to finish, and excited me for the prospect of hearing more.

Maywood would return in 1982 with their third album, Colour My Rainbow, and after a break, in 1987 with Beside You, wrapping up the 80's for them. However, they found themselves in a steady decline of sales and popularity. Despite this, the girls were chosen to go to Eurovision in 1990 by the Netherlands to perform Ik wil alles met je delen (I Want To Go Everywhere With You). However, technical difficulties throughout their performance would see them finishing in fifteenth place.

Things only got worse for Maywood from there, but we have to take a pause, lest we have nothing to add to tomorrow's post, where we pick up with 1982's Colour My Rainbow. I know, I know, just as things were starting to get juicy.

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THIS WEEK ON THE CHARTS
June 25, 1983
 
THIS WEEK ON THE CHARTS
June 25, 1988


Comics Corner: Peter Parker, The Spectacular Spider-Man

  

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 54
Release Date: May 1981

Highlights

  • First appearance of Maggia members, Onihashi, Kaneshiro, Dumont, and Rumsford
Low Points
  • None
Oddities
  • Editor's Day Off: Spider-Man catches a falling sign, and says, "These signs are lot lighter then they look..."
  • The police say they have no evidence to search a ship, but Spider-Man literally just saved a man that was kidnapped and then shot in the back while escaping - What more probable cause do you need?
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Duran Duran - Notorious


Okay, this is it. The last Duran Duran album from the 80's that I have to make my way through. I've talked about all the others, dug in extensively to the groups past, present, and future. Now it's time to cross the finish line with 1986's Notorious.

With nothing left to say about the band in general, let's just dive right in.

Notorious starts with the title track, and immediately sets the tone of a more mature Duran Duran. No longer riding the waves of the heartthrob images which all but tore them apart in 1985. Instead, it was back to the music. The core fundamental of what makes a band a band. The album also departs from the prior new wave and synth-pop sounds to focus on a more funk rock aspect.

The album came to fruition after the departure of core member Roger Taylor, and while parts of it featured Andy Taylor, he too would leave. Former guitarist of Missing Persons, Warren Cuccurullo, would be called in to complete Andy's work, along with producer Nile Rodgers, who also filled in. Cuccurullo would go on to remain with the group through 2000's Pop Trash. Steve Ferrone, and Jimmy Maelen would fill in on drums in the absence of Roger.

While most critics praised Notorious, the album, for its more mature tone, many also agreed that it didn't deliver the energetic pop hits that made the band popular to begin with. I suppose it's a compromise one has to make. Do you want Duran Duran to stay in their early years, rinsing and repeating the standard slate, or do you want to watch the members grow and mature? All bands ebb and flow, and sometimes that's the charm of it.

I agree with the critical reception. Notorious is definitely a more sophisticated and grown up album than what came before it. However, I'd be lying if I said I didn't wish for a campy pop hit to be thrown into the mix. Something free spirited and irresistibly giddy to just cheese out to. This album simply isn't going to do that, and it wasn't intended to. It's good, and stands on its own merit, but certainly lacks the hits of prior releases.

Standout tracks for me would be the title track, Notorious, Skin Trade, Vertigo (Do The Demolition), and Proposition. However, for the most part, it's kind of forgettable. Honestly, I felt like the whole thing was kind of dragging on, and it ultimately got relegated to background noise.

The album would also be the beginning of what would become the steady decline of album sales for the band. By the mid 90's they were shadowed so greatly by their continued underperformances of Notorious, 1988's Big Thing, and 1990's Liberty, that when they returned to record material for what would become the 1993 self titled Wedding Album, Capitol would only fund them incrementally as material was completed, submitted, and approved by the label.

Of course, despite this hiccup, and decline in the 90's, Duran Duran has since transcended to become one of the mainstay staples of the 80's, among the very few to continue to release new material, and stay relevant in the 2020's. That's no easy feat to accomplish. Heck, just surviving the 90's seemed like a life or death situation for many 80's artists.

While I certainly have many more Duran Duran albums to get through, owning their entire discography to date, that's definitely not something I'm going to be getting to soon. I mean, look how long it took me just to get to this point. It's on to someone "new" tomorrow.

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THIS WEEK ON THE CHARTS
June 24, 1989