Comics Corner: The Amazing Spider-Man 307

    

Title: The Amazing Spider-Man
Issue Number: 307
Release Date: Late October 1988

Highlights

  • Todd McFarlane hid one spider on this cover
  • First appearance of Glora, Ms. Keller, Albert, and Edmund Debevic
  • First appearance of State Street, and Biograph Theater
  • An old lady spots Mary Jane in the grocery store, and asks her to autograph a magazine she's on the cover of
  • Jonathon Caesar stops by Peter and Mary Jane's apartment, and tells Mary Jane that if she needs anything while Peter is in Chicago to let him know
  • At home, Jonathon has a wall full of photographs of Mary Jane, and what appears to be her undergarments
  • Marvel has a laugh at "fans" by having a young kid come for an autograph, but doesn't even know Peter's name
    • The fan has his own gold pen which he takes to all autograph signings
  • Back at Mr. Dukane's home, Chameleon has him bound to a chair, and intravenously being fed glucose through an IV
    • He promises to let the man go once he no longer needs his identity, which is why he's keeping him alive and healthy
  • Reference is made to The Amazing Spider-Man 1, 80, and 186
  • Origin of Chameleon, and his new powers through a serum that allow him to manipulate his actual flesh to change appearances
    • He even wears a special costume that he can control mentally to take whatever shape, style, and color he needs
      • His plan is simple, the complete political, and economical destruction of the USA
  • Peter and his tour manager go to the Midtown Convention Center in Chicago, where Peter has been tied into the current event at the center with their guest speaker, Dr. Edward Debevic
    • Chameleon is also there for the doctor, disguised as Captain Turner
      • He's hired some men to cause a distraction, and they do so by shooting guns and claiming it's a robbery
        • Chameleon grabs Debevic, and says he'll get him to safety
  • Spidey makes short order of the thugs, and overhears the remaining officers talking about their confusion over Captain Turner who is in the building, but whom another just spoke to on the phone
  • Chameleon cuffs Debevic to a pipe, and assumes his identity, but Spider-Man crashes into the room seeing the two identical men
    • He immediately realizes it's Chameleon, who escapes by throwing an explosive, but not before Spider-Man tags him with a tracer
  • Despite quick changing as he runs through the streets, Spider-Man continues his pursuit
    • After getting his hands on a cop's gun, Chameleon takes hostages, and heads into a theater where he also finds the tracer on his body
      • He ditches it, and after another change of appearance, escapes with all the hostages running from the building
  • After a long day at a photo shoot, Mary Jane returns home, greeted by cigarette smell, and two men she's never seen before
    • Jonathon Caesar tells her they're his men, and that he's in her home to get what he's always wanted - her
  • Did you find the hidden spider?
    • It's on the collar of Chameleon's left arm
  • Felix the Cat is on the shirt of a young man at Peter's book signing

Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: The Human Leage - Travelogue


Today I'm heading back to new wave, for a dip in the ocean of The Human League. Admittedly, I know very minimal about this very impactful band of the 80's. I mean, who doesn't know the tracks Human, Don't You Want Me, and Fascination? They're classic staples of the decade.



For the longest time, my collection of their albums consisted solely of 1981's Dare, and 1986's Crash on CD, as well as an LP of the EP, Fascination! That was enough for me (at the time), as it covered all bases of the aforementioned tunes. However, as often the case, when preparing for my next block of Retro Spins, I decided to focus in on them, and see what albums from the era I was missing. Not too many, as it would turn out. Just 1980's Travelogue, and 1984's Hysteria.

Tracking them down was easy. Accepting how expensive they were was not. My biggest concern going into the purchase was that knowing nothing from the albums, or in general much more than a handful of songs from the group, that this could be a purchase which didn't deliver on value. Still, I took a chance, mainly driven by my desire to cover the entire decade in one fell swoop of posts.

Well...Travelogue, which kicks off 1980, but is The Human League's second album to date, not including EP's, definitely has a very new wave synth pop sound to it. With that comes the quirky sounds associated with the genre; beeps, boops, and distortion, as well as sometimes odd lyrics. This is all very prevalent in the opening track, The Black Hit Of Space, a song with lyrics such as:

I couldn't stand this bland sound any more so I walked towards my deck to turn it off

All I could see was the B-side of the disc which had assumed a doughnut shape with the label on the outside rim

I reached for the arm which was less than one micron long but weighed more than Saturn and time stood still

I knew I had to escape but every time I tried to flee, the record was in front of me

Yeah, sure, whatever all of that means.

Overall, though, and the biggest offense, was that it was just boring. There's nothing memorable on Travelogue. No songs which stood out, nor really entertained. Basically, when you get to the root of it, this one, for me, wasn't worth the price I paid, and that's incredibly disappointing. Further, it doesn't excite me to really press on in the band's discography. I mean, I will because I already own the albums, but I'm not exactly looking forward to it at this point. Though I do hope it gets better.

Beyond that, I don't have much of anything left to say. 

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.

Comics Corner: The Amazing Spider-Man 306

   

Title: The Amazing Spider-Man
Issue Number: 306
Release Date: Early October 1988

Highlights

  • Classic McFarlane Action Comics number 1 homage
  • First appearance of William Dukane
  • Spider-Man takes out his anger on a couple of reporters trying to get a comment from him on the Peter Parker published book, Webs
    • Spider-Man can't understand why he's jealous of Peter Parker, and vice versa, when they're the same person
  • Jonathon Caesar, the owner of their building, shows up at Peter and Mary Jane's home to give Mary Jane a giant bouquet of flowers, and invite them to a party towards the end of the week
  • Black Cat, AKA Felicia Hardy, swings through the sky towards Peter's old apartment, thinking to herself how lucky he is that she's decided to give him another chance
    • Entering in through the skylight, she's met by Hal, the new tenant, who's just finished a shower
      • As she heads back out into the night, Black Cat deduces that Spider-Man moved because the old place held too many memories of them together, and that he still loves her
  • Peter meets a kid backstage who asks for an autograph, but then drops his bag full of comics
    • Peter recognizes an issue of Action Comics, and says he used to have it when he was a kid
      • Mary Jane slips over to the convention the kid was headed to, and buys it for Peter
  • Roland Carson strolls into the office of William Dukane, and tells him he's there to take over his company
    • His face then shifts, and he transforms into Mr. Dukane
  • Reference is made to Web Of Spider-Man 19
  • Humbug heads to Empire State University to steal what he needs for his research, but picks the wrong door, and breaks into the women's locker room
    • He's met by screams, and decides to wait until night to try again
  • At home, Aunt May is visiting, and when she asks if Peter received any word on his Assistantship Grant at ESU, he remembers he not only forgot, but that the paperwork is due tonight by 9:00 PM
  • Spider-Man swings by the school as Humbug over amplifies the door he's trying to break into, and shatters all the windows surround him
    • Spider-Man ultimately defeats him by threating to destroy a jar of roaches
  • Peter and Mary Jane attend the party at Caesar's place, and when Mary Jane tells him that Peter will be away Monday on another signing, he thinks to himself that she'll be his by Monday
  • Dukane has been replaced by the Chameleon
  • Felix the Cat is on the mat in the bathroom of the man living in Peter Parker's old apartment

Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Big Lick NOVA 2026: Part I - Keith Williams, Rick Leonardi, And Mike DeCarlo


This series of posts over the next three weeks is dedicated to the memory of Jim Shooter, legendary Editor in Chief of Marvel Comics from 1978 to 1987. He not only contributed so much to the world of Marvel, but got me bitten by the autograph bug, which has led me to the thrill of meeting other creative talent in the industry over these past few years.

As May 2026 rolled around, it was once again time for Big Lick NOVA. It was iffy for a bit, what with the Dulles Expo Center, where the show has been held annually since 2022. However, Manassas Mall filled the void, providing one of its vacated box stores as the new home for 2026. The location was incredibly convenient, and large enough to host a slew of vendors, and celebrity and comic guests.

This year, there were several voice actors from a variety of anime shows, as well as a couple folks from various Power Rangers iterations, and the original X-Men Animated Series. Perhaps the biggest draw was the Aliens reunion which featured Ricco Ross, Daniel Kash, and Jienette Goldstein. At one point, Michael Biehn was even slated to attend but cancelled a couple weeks prior to the show.

For me, I was watching the comic artist attendees. The list grew slowly, with Keith Williams being the first confirmed guest, but soon grew to include Rick Leonardi, Alex Saviuk, Mike DeCarlo, Patrick Olliffe, Joe Rubinstein, Matt Slay, Brian Kaiser, Tillman, and Larua Martin. As the weeks counted down, I slowly put my selected books together for autographs, as well as a list of items to be on the hunt for.

Arriving at 7:00 AM, early as usually, I took my normal place of first in line. Then the waiting began. With doors opening at 10:00 AM (early entry for weekend pass holders), I sat relatively alone until around 8:30 AM when a few more people showed up.

Things stayed relatively quiet until Russell showed up. I've hung out with him in line at Big Lick before, and he always has a way of bringing people together with his overall charm, personality, and magic tricks. He posts pretty frequently on his Instagram page, as well as his Facebook profile, and I encourage you to check him out.

Prior to the doors opening, staff came out and handed out badges to people with early access tickets. Shortly thereafter, the doors were opened, and off we went in our respective directions. My main focus was to check off all the artists I had come to get books signed by. While the below isn't in the order I went to them, this is the order in which they were seated from left to right along the front wall of the convention hall.

Keith Williams is someone I have frequently gotten books signed by. During my last "visit" with him, I not only wrapped up him signing all of the Web of Spider-Man books he ever worked on at Marvel but had procured him a copy of the Marvel Try Out Book. This was the book he completed back in the day which led him to getting signed with Marvel. I managed to get it signed by Jim Shooter shortly before his passing away.

As usual, Keith was at the show with his lovely wife

Mr. Williams has always been generous in his fees, charging just $5.00 per book. This made it relatively easy to get so many items signed in the past. Today, I finished up the last of what I own that he worked on at Marvel. This included Annuals for The Amazing Spider-Man series, a couple books from Peter Parker, The Spectacular Spider-Man, Spider-Man Unlimited, and Spider-Man (AKA McFarlane Spider-Man). This wrapped up with the one-shot of Spider-Man / The Punisher / Sabretooth: Designer Genes, and Annual number one of Marvel Age.

Also signed by Mark Bagley at
Awesome Con 2024

Also signed by Mark Bagley at
Awesome Con 2024



Also signed by Jim Shooter and
Rick Leonardi at Big Lick NOVA 2023

Also signed by Jim Shooter at
Big Lick NOVA 2023

Also signed by Jim Shooter at
Big Lick NOVA 2023

Also signed by Jim Shooter at
Big Lick NOVA 2023







Next in line was Rick Leonardi. I'm actually a little shocked at how many times he's been at Big Lick NOVA. When he first appeared in 2023, I thought it was a once in a lifetime opportunity and lined up perfectly for me to get all my black suit Spider-Man preview issues signed by both him and Jim Shooter. His would also be the first commission piece I would buy, followed at the same show by Jim's. While I checked that box off, among many others, it's been great to have multiple opportunities to meet up with him.


While I didn't necessarily have anything for Rick that I needed signed, I did end up buying a couple things specifically to take with me. The first two were a nice set of direct and newsstand editions of Spider-Man 2099 issue number one. Not that I needed these per se but just wanted to take the opportunity to get more copies signed by him. This is technically my first newsstand version that I own.



Next up were a direct edition, newsstand version, and second print of Web of Spider-Man issue number ninety. This is the (disputed) first appearance of Spider-Man 2099, who appears on a poster inserted in the book. My specific plan was to have Rick draw a specific Spider-Man head on each cover, which he did do, albeit, a bit smaller than I initially wanted. However, considering he was charging $100.00 per head sketch, but only charged me $20.00 each, with the signature, I was okay with the end result. For the just his signature, on the books above, it was $5.00 each.

He did learn the hard way that it was taking longer than he expected for the ink to dry on the hologram cover. As you can see in the signatures, his hand accidentally smeared them a bit. Technically, I could have gotten these three books signed by Alex Saviuk as well, but I opted to leave it as Leonardi's signature and doodle only. I already have his signature on a direct edition and second print, with Rick's and Howard Chaykin's.




The last person for this post, but by far not the last person I brought books for, was Mike DeCarlo. He's an artist I've not yet had the opportunity to meet, but one I got pretty excited about. He not only worked on several high-profile Batman books in the 80's, but also was prolific on several cartoon related series, such as The Simpsons, Animaniacs, and The Powerpuff Girls.

I wanted to see if I could get a commission from him for my Peter Parker: Decisions series, my fourth overall. This would be dependent on a few things: 1) If he was doing commissions at the show, 2) How much it costs, 3) How long it would take. The latter would be dictated by how quickly one got to said creator's table to get on the list, which is why he was actually my second stop. Well, more so first and a half. With nobody at either his or Rick Leonardi's tables, and with the two of them sitting side-by-side, I kind of hopped back and forth.

Mike DeCarlo holding up an awesome one-of-a-kind
watercolor painting he did of all four covers of the
A Death In The Family story arc - See the comics below

Several of the books below I actually bought for the purposes of taking them with me. However, all of them were ones I had been eyeing in the past but never pulled the trigger on. Upon finding out that DeCarlo worked on them, and that I could get them signed, pretty much solidified the purchases. These included the Ten Nights Of The Beast story arc, The Many Deaths Of The Batman.





Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

Also signed by Jim Starlin at
Baltimore Comic Con 2023

I suppose I'll want to track down Jim Starlin again to sign the Ten Nights Of The Beast set.




You may notice that parts two and four are missing from the set of books in the A Lonely Place Of Dying arc. That's because those books crossed over to the Teen Titans title, and DeCarlo didn't work on them.




Also signed by Michael Golden at
Big Lick NOVA 2023

Also signed by Rick Leonardi at
Big Lick NOVA 2025

All and all, Big Lick NOVA 2026 was off to a banger of a start, and things were only going to get bigger and better. I daresay that this may have been the most fun I've ever had at a convention.

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Retro Spins: W.A.S.P. - The Headless Children

 

After receiving and taking to heart the critical reception of 1986's Inside The Electric Circus, lead singer, and only remaining founder of W.A.S.P., Blackie Lawless took a break from the studio to reflect on the band's musical direction. During this time, they'd still continue to tour, and several lineup changes would occur, specifically with a non-stop rotation of drummers.

When Steve Riley left the skins to join L.A. Guns, he'd initially be replaced by Chad Nelson. However, this would just be the start of the rotation, which soon saw Glenn Soderling, and Kelly Martella also stepping into the role. By the end of 1988, W.A.S.P. had no drummer. As such, when they returned to the studio to record what would become 1989's The Headless Children, former Quiet Riot drummer, Frankie Banali, would step in to give them a hand, but not formally join the band.

The Heretic starts things off and has a boss level slow building intro before things take off in the almost eight-minute epic. Things are definitely going in the right direction right from the get-go. This is followed by the thundering drums, and equally adept bass filled The Real Me.

Even when songs didn't necessarily grab my attention at first, such as the case with the title track, when the guitar solos of Chris Holmes took over, often kept up in pace by the fantastic drumming of Frankie Banali, my head started bobbing, and my foot tapping. My favorite combination of the two was probably Thunderhead. You know what? Check it out below for yourself and let me know your thoughts.


Other standout tracks for me included Mean Man, and Forever Free. Though, overall, I would call it a near perfect album. Mainly because each song had something worth listening to, often the guitar solos and drums.

Five months after its release, August of 1989 to be exact, Chris Holmes would decide to leave the band, stating that he wanted to have fun. Basically, it came down to the music direction Lawless was taking the band. Holmes preferred a much more straight forward hard rock style, while W.A.S.P. was leaning into a more progressive rock style. He would, however, return in 1996, only to depart again in 2001.

With and without Holmes, W.A.S.P. recorded and released twelve albums between 1992 and 2018 and continues to remain active. Yeah, sure, there's been a lot more lineup changes, with Blackie Lawless being the only constant. These days, Mike Duda serves as bassist, with Doug Blare on lead guitar, and Aquiles Priester on drums. As of June 24, 2026, they're all on the road touring with dates anticipated to wrap up on December 12, 2026.

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Comics Corner: The Amazing Spider-Man Annual 22

   

Title: The Amazing Spider-Man Annual
Issue Number: 22
Release Date: September 1988

Highlights

  • Mark Bagley's first work on Spider-Man
  • First appearance of Speedball, AKA Robbie Baldwin
  • Also first appearance of Spitface Flanagan, Madeline Naylor, and Marty O'Donnell
  • First appearance and death of Dylan Thomas
  • First appearance of Earl's Bar
  • Spider-Man breaks up a drug shipment delivery at pier7
    • After he alters the police, Splitface Flanagan shows up to claim the contraband without resistance
  • Peter returns home to a concerned Mary Jane, and a news report stating that Spider-Man is wanted in connection with the murders at pier 7
  • Young Robbie Baldwin is visiting New York with his mother, but something is awry with him
  • Matt Murdock learns of the accusations against Spider-Man and decides that either he or Daredevil needs to help
  • Meanwhile, at the Bugle, J. Jonah Jameson congratulates Peter for finally proving Spider-Man the criminal he always knew he was, and gives him a private stash cigar as a bonus
  • Reference is made to The Punisher Annual 1
  • Kingpin meets with his men, and discusses the recent events of mysterious armored warriors destroying drug shipments in South America
  • Spider-Man returns to the scene of the crime, where he's greeted by Daredevil
    • Daredevil uses his powers to hear Spidey's heartbeat, and knows he isn't lying when he says he didn't do it
  • Kate Cushing tells J. Jonah Jameson that the city is backing Spider-Man because they're tired of crime, and are glad someone is doing something about it
    • Jameson says he can't have Spider-Man labeled a hero, and tells her to put every reporter on proving his innocence
  • As Robbie walks down the street alone, he's grabbed by some thugs who are intent on robbing him
    • Pushing him down activates his hidden powers, and he's transformed into Speedball
      • As Speedball bounces all over the walls, he manages to make his way to the roof, and grab hold of the wall to stop his uncontrolled powers
        • Meanwhile, back on the ground, the mysterious armored warriors see the thugs, and attack
          • Speedball can't tell if they've been killed, or knocked out
  • One of the armored men is captured by Kingpin's men, and taken to him for questioning
    • However, when he doesn't cooperate, Kingpin breaks his ribs, rendering him unconscious
  • Speedball follows the other to their hideout, and overhears the mission from the High Evolutionary
    • Everyone in the city will be rendered unconscious the next day, and the sterilization process will begin with all people with unfit DNA patterns will be eradicated
      • Speedball decides he needs to get involved to stop them, but at that moment, his power leaves him, returning him to his high school youth state
        • He instead calls the cops, but when they don't believe his story, he heads to the Empire State building
  • Kingpin learns of the High Evolutionary from his prisoner, and informs the Arranger to get a message to Spider-Man and Daredevil
  • Spider-Man and Daredevil go from dive bar to dive bar seeking information, and finally get it from someone at Earl's
    • They bust through the top floor windows of the Empire State building, and the battle against the armored men immediately commences
  • Robbie climbs the building, and when he see's a satellite dish high above an observation deck, slams himself to the ground to activate his Speedball powers
  • Back inside, Daredevil and Spider-Man occupy themselves destroying every piece of equipment they can, but nothing is stopping the clock counting down
    • Outside, Speedball destroys the satellite by bouncing into it, but then realizes he's gone over the edge of the building
      • Spider-Man nabs him with a web line
        • Speedball introduces himself to the heroes
  • At the order of Kingpin, the Arranger takes some men, and aggressively make their way into Splitface Flanagan's hideout
    • Flanagan is given a choice - Go to the precinct and confess to the murders being pinned on Spider-Man, or stay there, and become the next victim
  • The Arranger returns to Kingpin and informs him they can continue their drug operations, but Kingpin tells him that for the first time, he's beginning to worry
    • This story continues in Fantastic Four Annual 21
    • There are some nice extras in this Annual, which include a layout of Peter and Mary Jane's new home, as well as a couple unpublished Spider-Man covers
Low Points
  • This is actually a major crossover event
    • The full story began four Annuals ago, and encompass an additional seven after this one
      • X-Factor Annual 3
      • The Punisher Annual (vol. 2) 1
      • Silver Surfer Annual 1
      • New Mutants Annual 4
      • The Amazing Spider-Man Annual 22
      • Fantastic Four Annual 21
      • The Uncanny X-Men Annual 12
      • Web Of Spider-Man Annual 4
      • West Coast Avengers Annual 3
      • The Spectacular Spider-Man Annual 8
      • The Avengers Annual 17
      • Alf Annual 1
  • There is a "B" story which encompasses a solo adventure of Speedball
  • There is also a "C" story with features a tale about the High Evolutionary
  • It remains to be seen if only reading the issues related to Spider-Man have any impact on the overall story arc, or if they can be read as a standalone story
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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