Showing posts with label Pat Benatar. Show all posts
Showing posts with label Pat Benatar. Show all posts

Retro Spins: Pat Benatar - Wide Awake In Dreamland



I was wide awake in dreamland and all fired up for a solid Retro Spin today, so I decided to take the needle to the platter of Pat Benatar's last entry in the 80's - 1988's Wide Awake In Dreamland.

The album builds the excitement up pretty quickly with the first track, All Fired Up, and from there, goes into a song I had long since forgotten. The slower paced, One Love. Amazing song! Track three, Let's Stay Together, not so much.

Don't Walk Away and Too Long A Soldier were decent, but felt very Madonna like. The rest of the album unfortunately fell to background noise as I moved on to other things - Mentally.

Overall, the album just wasn't popping for me. At this point in Benatar's career, I honestly expected a solid album from front to back. Instead, I got a handful of good tracks, and wide variety of what felt like filler.

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Retro Spins: Pat Benatar - In The Heat Of The Night

 

Pat Benatar exploded on the scene in 1979, competing with the predominantly male dominated hard rock scene, clawing her way to the forefront to become one of music's leading ladies of the 1980's. With an explosive list of hits, multiple platinum albums, and several Grammy Awards, she is anything but just your average singer.

Inspired one even after taking in a Liza Minnelli concert, she decided to pursue a career in music. Quitting her bank job, she shifted her focus to the night club, The Roaring Twenties, where she worked as a singing waitress. It was here where she met Phil Coxon, and together they formed Coxon's Army.

Benatar had married her high school sweetheart, Dennis Benatar in 1973, and when he returned from the army in 1975, the couple moved to New York so that she could continue her pursuit of music. During this period, she would perform regularly at Catch A Rising Star. Between 1977 and 1978 she would continue to perform at various venues, even recording commercials for Pepsi-Cola. However, it would be her headline at New York City's Tramps club in 1978 that would prove to be the opportunity she needed. The show was heard by representatives of several record labels, but it would ultimately be Terry Ellis of Chrysalis Records who would sign her. Though she would divorce her husband shortly after, she would keep his last name.

Her debut album, In The Heat Of The Night (1979) would serve as her breakthrough album, reaching number three in Canada, and paving the way for future albums, which seemingly only got bigger and better. Throughout her career, she was able to achieve a unique sound, combining both hard rock and pop.

Pat and her guitarist, Neil Giraldo would soon start dating, and by 1982 were married. To date, they remain together, and continue to tour together. A true love story that is so rare these days.

Over her four decade career, Pat Benatar has released twelve studio albums (1979 - 2003), and over twenty compilations of various formats (cassette, CD, VHS, etc.). Though I think it's fair to say her main popularity were her albums released between 1979 and 1991. Yes, sadly, she became another victim of the grunge era, losing popularity in the early 90's as the new sounds of music quickly dominated airways. Despite this, she continues to remain active, touring frequently.

Today, I'm going back to 1979 to revisit that first album which paved the way to her rock-stardom, In The Heat Of The Night.

The album punches you in the face with one of her biggest hits of all time, Heartbreaker, and from there transitions into a subpar rendering of John Mellencamp's I Need A Lover. From there, while it delivers decent tracks, nothing really stands out as amazing by any means.

It wasn't until the tail end of it all, songs seven and eight, X-Rated and Don't Let It Show, that I got interested again. Even then, these are far from "hits". Overall, it was a bit disappointing that for how popular Pat Benatar is that this album was just...Well, adequate. I expected more.

This by no means taints my opinion on her as a singer. She has a ton of hits, and I like a lot of them, if not all of them. I was just hoping to find more to add to my shuffle list than what was already there, which I suppose I did with the two aforementioned tracks.

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Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.

Retro Spins: Pat Benatar - Crimes Of Passion



It wasn't her first studio album, but Pat Benatar's first entry into the 80's, Crimes Of Passion, solidified her as a female rocker force to be reckoned with. Her compilation album, Best Shots, was a regular for me, dating all the way back to its original cassette release in 1987. However, I never really took the time to broaden my horizons with her beyond that.

Fast forward to September 2017. I'm big time into buying CD's at this point, building what would become my massive 80's collection. The mood suddenly hits me. I need Pat Benatar. It must have been the perfect time for this decision because I stumbled across a listing on ebay which had all but two of her studio albums (1997's Innamorata and 2003's Go). This didn't really matter much to me because all the ones I did want were present and accounted for. Best of all, it was really cheap for what I was getting. A quick buy it now, and my Pat Benatar collection was complete.

So now we step even further into the future - January 2019. This is when I finally get around to spinning my first album for her - The one I'm writing about today.

Crimes Of Passion is packed full of her hits, such as, Treat Me Right, Hit Me With Your Best Shot, Hell Is For Children and (to an extent) Wuthering Heights. But how does the rest of the album stand up? Does it pack as big a punch as the hits? Are the hits the hits for a reason? What's on the disc?

Little Paradise, I'm Gonna Follow You stood out as solid tracks, but not as refined, so to speak, as the above mentioned hits. I wonder if this was because I've heard the hits so much that's its hard not to hold anything else to such a high level of expectation.

Overall, enjoying six out of ten tracks for a fairly good album in my book. I definitely heard some great tracks which made it to my 80's mixes on the ol' iTunes and iPod. I'm looking forward to hearing some more from Pat Benatar in the near future.

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