Showing posts with label Mosaic. Show all posts
Showing posts with label Mosaic. Show all posts

Retro Spins: Simply Red - A New Flame

 

With their first two albums peaking at number two in the UK, where was Simply Red to go from there? Well, number one of course, and that's exactly what happened with their 1989 released A New Flame.

Led by the number one single, If You Don't Know Me By Now, a remake of the 1972 Philadelphia soul classic by Kenny Gamble and Leon Huff, and the minor hit, It's Only Love, which peaked at number fifty-seven, the world was opening wide for the band. This was highly contributed to by the band purposefully aiming for a more mainstream versus critical successful sound, a gamble which paid off.

Once again, it takes a bit for the album to gain momentum for me. I will also say, if this is considered mainstream, especially in 1989, I'd like to know where. There was no music like this over the airwaves in my neighborhood that year. Rather, the radio was blaring the likes of Roxette, Janet Jackson, Phil Collins, Madonna, Bonnie Ratt, Aerosmith, and Mötley Crüe.

Despite the addition of saxophone player, Ian Kirkham, it still manages to reduce the jazz and soul sound, again, probably from the conscious decision to become mainstream. Basically, his inclusion, and use, feels a bit wasted. They lose something in what created their charm in the process.

Still, there were some decent tracks to be found, which for me, included A New Flame, the song, More, She'll Have To Go, and Turn It Up. The latter, I don't know why, but I feel like I've heard before. Yet, I can't place where or when. I appreciate the cover tune, If You Don't Know Me By Now for what it is, but I can't say it's among my favorites.

By this time, lead singer Mick Hucknall was a major international superstar, often resulting in him being photographed with other celebrities and super models. Whether it was from an inflated ego, or truly how things were going, he would declare in a 1991 interview that Simply Red was basically a solo project for him. Whether it was coincidental timing, or the declaration itself, Chris Joyce and Tony Bowers quit the band around this time.

This would be the start of a heavy rotation of members coming and going to the point that Hucknall would eventually become the only remaining original member when Tim Kellett, and Fritz McIntyre left in 1993 and 1996, respectively.

1991 would also be the biggest year for Simply Red with the release of their album, Stars. Surprisingly for an 80's band entering the grunge era, it would become their biggest selling record of their career, certifying at a whopping 12X platinum in the UK, along with peaking at number one. Further, it would reach the top ten in seven additional countries. However, with it would also come their final Billboard Hot 100 hits, Something Got Me Started (peaking at twenty-three), and Stars, the song, peaking at forty-four.

Despite that being the last for the USA, the band remained a massive success around the world. As I've noted a couple times at this point across previous posts, all thirteen of their studio albums have peaked in the top ten in the UK, spanning a career of 1985 to 2023. Even then, while the band isn't releasing studio albums these days, they, or I suppose more correctly stated, Hucknall as Simply Red, remains very much so active.

Overall, this was a pretty good series of listening sessions. I definitely didn't expect to like Simply Red as much as I ultimately did. Ultimately, what started as a band I added to my collection for appreciation of their contributions to the decade, turned into an appreciation for the music directly. Though I wouldn't call myself a mega fan by any means, I'm definitely down with them at this point.

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Retro Spins: Simply Red - Men And Women

 

Did you know that Holding Back The Years wasn't initially performed by Simply Red? Rather, while written by lead singer, Mick Hucknall, it was added to the catalog of his first band, The Frantic Elevators. However, it would be the success of that song which would lead to them breaking up in 1984, and Hucknall forming Simply Red, though first as World Service, Red and then Dancing Dead before settling on the band's name.

The initial lineup consisted of Hucknall on vocals, David Fryman on guitar, Tony Bowers on bass, Fritz McIntyre on keyboards and additional vocals, drummer Chris Joyce, and multi-instrumentalist Tim Kellett on brass and live backing vocals. They quickly garnered the attention of Elektra Records, but after recording just one track for them, Fryman quit, replaced by Sylvan Richardson. With their core in place, their debut, Picture Book was released in 1985.

It would be a massive success, charting in multiple countries, receiving multiple sales certifications, ranging from gold to 5X platinum, becoming their first of non-stop consecutive top ten album in the UK. It would also spawn two Billboard Hot 100 hits, the number one chart topper, Holding Back The Years, and Moneys Too Tight (To Mention), which would peak at twenty-eight. Simply Red is probably the only band I've come across to date that has had every single album they released chart in the top ten in that country. That's thirteen albums between 1985 and 2023.

The follow-up, 1987's Men And Women, their second number two album in the UK, and with it came the Billboard single, The Right Thing, which peaked at number twenty-seven. A fun fact of the album would be that a handful of tracks were co-written by Hucknall, and legendary Motown veteran, Lamont Dozier. When putting the credits in the album jacket, it was noted as Hucknall/Dozier/Hucknall, a nod to the Motown writing team of Holland–Dozier–Holland.

Admittedly, it took me a bit longer to get into their sophomore album. It starts off with the aforementioned hit, which didn't really resonate with me. I got a little worried, as this continued through the first 1/3 of the album.

However, once I Won't Feel Bad came around, I started to get some material I was digging. While this didn't stay consistent for the remainder of the album, there were other standouts, which included Love Fire, Move On Out, and Shine.

Men And Women definitely wasn't better than its predecessor, but it did (eventually) offer some good stuff up. It also continues that mixture of pop and soul, with a hint of jazz. This makes it a very unique offering from the 80's, and I am happy to see that there was indeed something I was missing out on back in the day, not that I would have appreciated it back then. Not with all the hair and metal bands I was into at the time.

Upon its release new guitarist Richardson would leave, citing disillusionment with the industry. He'd be replaced by Heitor TP. Additionally, Ian Kirkham, who provided saxophone to Men And Women, would be officially added to the fold.

The band would venture into the studio between 1988 and 1989 to release their final album of the decade, A New Flame. However, following its release, the foundation of Simply Red would be shaken, eventually leading to a non-stop rotation of members, and Hucknall being the only remaining original member. That unfolds and wraps up tomorrow.

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Retro Spins: Simply Red - Picture Book


If you were to have told me prior to starting my latest Retro Spin series that Simply Red was a band who have charted in the top ten in the UK with every single album they've released from their 1985 debut through their latest 2023 release, I'd have told you that's not possible. The Holding Back The years guy? That's not even that good of a song. But it's true. Thirteen albums in a row have all gone top ten, with the lowest being number eight, and the highest, and multiple, being number one.

As I kind of hinted at, one of the band's most noteworthy hits is a song I didn't even think was all that good. In fact, when I started putting together my 80's collection, they really only got included as an honorable mention of sorts. An, "I'll buy it because they had hits" scenario. So, the question I hope to answer starting today is, "What have I been missing?"

Though I knew they had a unique pop sound from the hits I knew, what I didn't expect was the smooth soul sound that they implemented into a lot of their work. For example, Sad Old Red could easily be played in a local jazz club, I dare say even to this day. It has a slick bass line, and is filled in with a selection of horns, and a slick swing feel in the drums. The vocals of Mick Hucknall really shine through. So much so that when the upbeat pop tune, Look At You Now follows, the latter feels out of place. I found myself actually wanting more jazz versus pop.

Yeah, sure you'll get their big hits from the record, the aforementioned Holding Back The Years, and Money's Too Tight (Too Mention), but in between that you get a solid record that really caught me personally off guard. I wasn't expecting to enjoy this one. I think I've grown a new appreciation for the two mentioned hits, but also came away with Sad Old Red, Heaven, Jericho, and No Direction.

All and all, it was a pretty solid start, and I'm down with hearing some more from Simply Red. Who knows, I may indeed find out what I was missing.

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Retro Spins: Wang Chung - Mosaic

 

Today, I'm continuing on with the 80's studio discography of Wang Chung. However, the key word in that sentence was "studio". As such, while the guys would record the soundtrack, To Live And Die In L.A. (as well as contribute to other soundtracks) between 1984's Points Of The Curve, and 1986's Mosaic, I'll be skipping that one, for now.

By the end of 1984, the band had been reduced to the two core and founding members, Jack Hues, and Nick Feldman. The two would opt to continue on, not replacing the most recently departed, Darren Costin. It's honestly not surprising, considering that when Dave Burnand left prior to him that he too wasn't replaced. Instead, they just moved on with reduced numbers. They would, however, select producer Peter Wolf to work on their new record, and he would fill in on various instruments, among other studio musicians.

Mosaic would go on to be Wang Chung's biggest selling album, being certified gold in the USA. Ironically, though it remains their biggest seller in their career, it actually charted lower than their previous two releases. With it would come three top forty singles, two of which would crack the top ten, only leading to more confusion as to how the overall album failed to chart better.

Among the singles was their most notable, Everybody Have Fun Tonight. It would peak at number two and carve out the band's name as its own verb, urging everybody to Wang Chung. This was followed by Let's Go, which peaked at number nine. The last, Hypnotize Me, would later be contributed to the Steven Spielberg film, Innerspace, and chart at number thirty-nine.

For me, I bought the album for Everybody Have Fun and was pleasantly surprised when it dawned on me I not only knew Let's Go, but that it was a forgotten favorite from my childhood. As for the final single, it really wasn't my thing, and this kind of mirrored the remainder of the album.

It didn't help that I consistently got pulled away from it, and as a result was listening to tracks in batches of two or three. This perhaps contributed to me not really getting into it all because I couldn't listen to it consecutively, making it feel a bit disjointed. With that said, I doubt I'll go back and play through it again. It didn't have that much potential.

Wang Chung would head out on the road in support of the album, partly as the opening act for Tina Turner's Break Every Rule world tour for their US portion. From there, it would be three years before they returned to the studio for what would become not only their final album of the 80's, but their last for quite some time.

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