Retro Spins: Depeche Mode - Black Celebration


It's interesting how bands, or artists in general, can be perceived very differently from country to country. For example, Depeche Mode reached a US audience predominantly fed up with soft rock dominating the airwaves, favoring the bands darker and deeper sounds. Whereas they were simply seen as teen idols amongst the synth pop crowd of Germany, France, and other European countries.

Black Celebration, released in 1986, the band's fifth overall studio album, saw another slight shift in the band's sound. Gone were the industrial elements which shaped Construction Time Again (1983), and Some Great Reward (1984). In its place was an ominous, highly atmospheric and textured sound. Writer, Martin Gore's lyrics also took a darker and more pessimistic tone.

Upon its release, the album was met with somewhat harsh reviews, essentially stating the band were trying to hard to be dark and edgy from an adolescent perspective. Retrospectively, its become a favorite among Depeche Mode fans, and touted as the inspiration behind Trent Reznor's writing of the Nine Inch Nails debut, Pretty Hate Machine.

Listening to it, I can definitely hear the immediate shift in musical styles. This initially wasn't working for me, and poised me early on to not particularly like what I was about to subject myself to. However, there were fortunately hidden moments of...well, not necessarily joy, or diamonds on the rough, but perhaps what we'll call, better than others.

In typing out that last sentence, I think it's finally struck me as to what word I'm looking for, mediocre. Black Celebration is nothing more (or less) mediocre. There's nothing here that I would call a, "must hear hit".

With that said, there were a handful of tracks I selected for my shuffle list, but, in doing so, I dare say I won't remember them by the time I finish this post. Those songs are, A Question Of Lust, Sometimes, A Question Of Time, Stripped, Here Is The House, and New Dress.

If bonus tracks are your thing, then you might be happy to hear that the CD release of Black Celebration contains three additional tracks not found on the cassette or LP versions. These include Breathing In Fumes, But Not Tonight (Extended Mix), and Black Day. I can only conclude these were added to the disc to accommodate the available space on the disc, and as I've said many times before, artists filling discs with the sole intentions of utilizing space led to the very bloated feeling of most albums in the CD age. These additional tracks add nothing to the overall listening experience beyond length.

Depeche Mode had one final album in them for the era, 1987's Music For The Masses, which I'll jump into tomorrow. So far, it's been an up and down journey for me. I've discovered some new tunes, enjoyed some old favorites, but in general, I wouldn't call myself a fan. It's just kind of been okay up to this point. Hopefully, they can finish out strong.

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THIS WEEK ON THE CHARTS
September 9, 1982

 

Comics Corner: Peter Parker, The Spectacular Spider-Man 71

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 71
Release Date: October 1982

Highlights

  • First appearance of the Gun Smugglers
  • First appearance and death of Officer O'Rourke
Low Points
  • Robbie's stance on gun ownership
  • The moral of the story - guns are bad, and people shouldn't own them
  • I don't read Spider-Man for political views
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Depeche Mode - Construction Time Again

 

With new member Alan Wilder onboard, work commenced on Depeche Mode's third studio album, 1983's Construction Time Again. The album saw yet another shift in musical direction from the band, which was mainly driven by Wilder and Martin Gore sampling real world sounds, which were then manipulated with the synclavier and E-mu Emulator.

Gore also took an interest in introducing an industrial sound to the group after attending an Einstürzende Neubauten concert. It's this latter, which is the most present in the direction of the album. Additionally, the lyrics took on a darker, and more politically charged tone. The overall end result is a very different Depeche Mode album from what one would have expected based on prior material.

The single, Everything Counts, would reach number six on the UK charts, as well as become a top thirty hit in Switzerland, Ireland, Sweden, South Africa, and West Germany. However, once again, the band would fail to chart in the USA.

Playing through Construction Time Again, it definitely sounds...different. Sadly, not in an enjoyable way. It's as if the entire thing is literally just a bunch of sound effects thrown together to create songs. For me, it really doesn't work, and the song Pipeline, is a standout track for just how bad it can be. It's long, bloated in length, and depressing.

Even the single, Everything Counts, while okay, was nothing to really write home about. It wasn't even close to being among my favorites from Depeche Mode....but of course, I'll add it to my shuffle list because I don't know any better.

I'll also give a slight nod of approval to Told You So. However, overall, this album wasn't really my cup of tea. It more so fell into background noise as I lost interest in it.

As for Depeche Mode, things were only about to get bigger and better for them with their 1984 follow up, Some Great Reward. It would not only continue to boost their popularity across the globe, but garner their first US Billboard Hot 100 hit. I listened to that one quite a while ago, and when I did, wasn't sure what I thought. I stated in my initial review that I wanted to give it another playthrough, and well, now seems like the best time for that.

It continues the themes, and overall style from Construction Time Again, and having seen the evolution of their music up to this point, I can certainly appreciate it more than I did the first time around. Tracks Something To Do, Lie To Me, Stories Of Old, Somebody, and of course, People Are People stand out, and ultimately became the ones I added to my shuffle. Hearing this one again also helps to segue myself into their 1986 follow-up, Black Celebration, which I'll dive into tomorrow.

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THIS WEEK ON THE CHARTS
September 10, 1983
 
THIS WEEK ON THE CHARTS
September 10, 1988


Comics Corner: The Amazing Spider-Man 236

   

Title: The Amazing Spider-Man
Issue Number: 236
Release Date: January 1983

Highlights

  • Death of Tarantula
  • First appearance of Ernie, Geraldo Jiminez, and Board of Directors, John T. Gamelin, and August D'Angelo
  • Spider-Man convinces Will-O'-The-Wisp to not kill James Melvin, the head of Brand Corporation, but instead to turn him in
  • Tarantula realizes what he's become and chooses suicide by jumping off a building while begging the cops to shoot him, which they do
  • In response to Melvin's confession, Roxxon issues a statement that they will shut down all Brand locations and run a full investigation, but they're in on it too
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Depeche Mode - A Broken Flame

 

With the departure of predominant songwriter Vince Clarke, Depeche Mode turned to Melody Maker to find a replacement. Their ad was short, simple, and to the point, "Synth / Vocals needed for electronic pop group with UK & International commitments – must be under 21". Alan Wilder, despite being 22, was given the gig, and joined the band on stage for live and television performances. However, when it was time to begin work on their sophomore album, he was not invited. The main reason, the remaining three original members wanted to prove they didn't need Clarke to survive.

Martin Gore would step up to take on writing duties, working with David Gahan on crafting the songs which would ultimately become A Broken Flame. Prior to the album's release, See You would be selected as the first single, peaking at number six on the UK charts, and becoming their biggest to date. Prior to Flames release, two additional singles, The Meaning Of Love, and Leave In Silence, were released. During this time, Depeche Mode played their first USA shows, while in general, touring to support their new release.

As I played through it, the first thing I noticed was the very different shift in sound. Gone was the lighter bubblegum pop sound of their debut. In its place was the darker toned aspects which would become the band's own sound. Overall, it feels very experimental, and the end result is fantastic.

While I think the album is relatively good from start to finish, there are tracks which stand out as better than others. For me, those were Leave In Silence, My Secret Garden, See You, and The Meaning Of Love.

On a side note, I'll also say that watching the music videos from these early years of Depeche Mode are quite comical. David Gahan has a "unique" style to his dancing. Very....white boy...Hey may give R.E.M.'s Michael Stipe a run for his money as worst dancer. Yeesh!

Anyway...

Shortly after its release, Wilder would join Depeche Mode as a full fledge member. His first official release with the band was the 1983 non-album single, Get The Balance Right. It would later be included in their first greatest hits compilation, 1984's People Are People.

However, we're now getting too far ahead of the game. We first need to stop at their 1983 released, Construction Time Again, which I'll dive into tomorrow.

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THIS WEEK ON THE CHARTS
September 9, 1989

 

Comics Corner: The Amazing Spider-Man 235

   

Title: The Amazing Spider-Man
Issue Number: 235
Release Date: December 1982

Highlights

  • First appearance of the security guard, Harv Carson, and U.S. Department Of Justice employee, Raymond Royton
  • Reference is made to Marvel Team-Up 124, and The Amazing Spider-Man 233
  • Will-O'-The-Wisp's origin is told
Low Points
  • None
Oddities
  • Spider-Man is still carrying Will-O'-The-Wisp by his hair (as seen in the last issue), and then roughly throws him aside when the fight starts with Tarantula
Rating (based on a 1 through 5 Stans grading system)



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Just Doodling - The Fantastic Four


I think at this point I'm working on my own trading card set.

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Retro Spins: Depeche Mode - Speak & Spell


While my buying of Depeche Mode albums initially started out with albums which I knew songs from, a rabbit hole soon formed, and down I went. I found myself exploring other tunes from them, mainly from the playlist of 10,000 80's songs I had discovered some time ago. This lead me to liking more and more from them, until there was only one album left from the 80's which I didn't own. Well, there was no point in that gap in my collection, so it too joined the fold.

Now with all these albums in my collection, you'd think it was time to start listening to them. Well, no. Truthfully, I've only made my way through their 1984 released, Some Great Reward. However, in retrospect of that review, I wasn't able to make a determination of the album at that time, and really didn't have much to say about it as a result. As such, I may need to revisit it during this process.

The origins of Depeche Mode go back to 1977, when Vince Clarke and Andy Fletcher formed a band called No Romance In China. The two would go on to form the group, Composition Of Sound, in 1980. They would be joined by Martin Gore relatively early upon its inception, and Dave Gahan would be asked to join after being heard singing a rendition of David Bowie's Heroes by Clarke.

As Composition Of Sound, they would make their first appearance in June of 1980. However, the guys would soon start to rethink their band name, considering many others, but ultimately landing on French fashion magazine title, Dépêche Mode, after Gore mistranslated the title to mean "hurried fashion" or "fashion dispatch". However, the more accurate translation of the magazine's name turned out to be "Fashion News" or "Fashion Update".

Accidents aside, they would make their recording debut as Depeche Mode on the 1981 compilation album, Some Bizzare Album with the song Photographic. The track would later be re-recorded for use on their debut studio album, Speak & Spell.

Though the group was approached relatively early on for potential recording deals, they were more so interested in an offer from Mute Records founder, Daniel Miller, who wanted the boys to record a single for his label. The selected single, Dreaming Of Me, would be released in February 1981, and reach number 57 in the UK charts. Encouraged by this, they recorded and release the follow up single, New Life, which went even higher, reaching number 11. This success would also garner them an appearance on Top Of The Pops.

Their third single, Just Can't Get Enough, would break the top ten, and be followed by the release of their debut album, which peaked at number 10 on the UK album charts. Unfortunately, Clarke started to voice concerns with their sudden popularity, stating that because of all the photoshoots and interviews, he never had time to do anything else. He would leave the group in November of 1981. He would go on to join up with Alison Moyet, and form Yazoo, and then in 1985 form Erasure with Andy Bell.

Well, before we go any further, let's take a pause to dig into Speak & Spell.

It starts up with the hit, New Life, and from there continues to deliver delicious 80's synth pop. In addition to the first track, Boys Say Go, Nodisco, Photographic, and Tora! Tora! Tora all stood out. However, it was final track, I Just Can't Get Enough, which is what ultimately led me to buying the album, and my favorite from the bunch.

Speak & Spell is just a nice synth pop journey. It's experimental for its time, yet musically, simplistic in nature. There are a lot of layers hidden within each song, and this is perhaps its strongest point. Each tune is always delivering something for your ears to pick up on, keeping you invested as you try to take in every little bit.

It was also one of those occasions that I frequently long for when doing these play sessions. Wherein it leaves me excited to dive into the next release, and really broaden my horizons with an artist / band. I'm looking forward to 1982's A Broken Flame, and trying to resist firing it up even as I type this sentence. While I'm eager to hear it, I don't want to experience fatigue with Depeche Mode, another common mistake I make when doing these back to back discography reviews. I want each album to have an opportunity to breath. Leave its impact, so to speak, regardless of whether that's good or bad.

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THIS WEEK ON THE CHARTS
September 8, 1984

 

Comics Corner: The Amazing Spider-Man 234

   

Title: The Amazing Spider-Man
Issue Number: 234
Release Date: November 1982

Highlights

  • First appearance of Brand Corporation employees, Jenkins, Dr. Fenton, and Dodds
  • First appearance of the Brand Corporation Research Center location
  • Amy Powell continues her mysteries plan, and tries to make a meet and greet move on Peter, who blows her off
  • Reference is made to Peter Parker, The Spectacular Spider-Man 57
  • Brand promise to give Tarantula the same powers as Spider-Man, and convince him to partake in their special powers program
  • Tarantula is turned into a humanoid tarantula
Low Points
  • None
Oddities
  • Spider-Man pulls Will-O'-The-Wisp to safety by his hair

Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Kim Wilde - Close


We're at the finish line on our journey through Kim Wilde. It started out rough, got a little better, then tapered off a little bit. However, things could definitely end on a high note.

Why?

Because today we're diving into her 1988 released, Close. It's Wilde's most successful album to date. It not only returned the singer to the UK top ten with multiple singles, but the album itself would spend eight months in the UK album charts.

Lead single, Hey Mister Heartache, saw Kim and Junior collaborating again, and while the track did become a hit, it was overshadowed by her second single, You Came. The latter would reach the top ten in multiple countries, as well as the top forty in the USA.  Her third and fourth singles, Never Trust A Stranger, and Four Letter Words, also reached top ten status in the UK. Attention for the album would further be bolstered by Wilde appearing as a special guest, and opening act for the European leg of Michael Jackson's Bad tour.

Okay, that sets the bar pretty high. Let's see where this goes.

Very adult contemporary, is what I would label the majority of Close. It has a much more mature sound than her prior pop efforts, which while not necessarily a bad thing, also attributes to part of its lack of charm. A comparative example would be Duran Duran's Notorious (1986). Wherein you get a more mature sound, a series of good tracks, but also leaves you with a yearning for some more of that bubblegum pop that drew you to them in the first place. That's what Close is ultimately lacking. A good bit of cheesy pop, which serves no other purpose than to get your toes tapping.

Overall, the album didn't resonate with me, and in hindsight, perhaps that's my fault. See, when you listen to an entire discography back to back you lose something. That loss is the length of time that those albums came about. See, if I were to have heard Wilde's albums each year, I would have gotten the opportunity to grow up with them, in essence maturing with Kim, and better adapting to the changing themes and tones. However, because I went from bubblegum pop to maturity, literally overnight, this sudden shift feels out of place from what my ears were accustomed to hearing.

Close is not a bad album. Not by a long shot. However, it also didn't have songs that screamed to me, "You must add these to your shuffle list." At the end of it, I passed on all of them.

I suppose, if nothing else, I'm glad that Kim ended her 80's era of music on a high note, for her, the highest it ever peaked. She's also continued to release music since, with her most recent being just this year, January 2025's Closer. At the age of 64, she seems to have no desire to stop anytime soon.

As for me, I'm off to find my next discography to complain about.

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THIS WEEK ON THE CHARTS
September 7, 1985


Comics Corner: The Amazing Spider-Man 233

   

Title: The Amazing Spider-Man
Issue Number: 233
Release Date: October 1982

Highlights

  • First appearance of Brand Corporation employee, Smith, and NYPD officer, Frank
  • First appearance of the Staten Island location Murray's Bar, and Biscayne Bay in Florida
  • Reference is made to Amazing Spider-Man 231, and Peter Parker, The Spectacular Spider-Man 1
  • Amy Powell takes a diabolical interest in Peter Parker, hatching some sort of plan that somehow involves Peter's Daily Bugle rival, Lance Bannon
  • A mystery is brewing, and at the center of it is the snitch "Nose" Norton
  • A couple of private investigators shoot Norton, but whether they know it or not, they don't kill him
Low Points
  • None
Oddities
  • Spider-Man is seen swinging across the city so high that one has to wonder what the heck he's even attaching his webbing to


Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Kim Wilde - Another Step


Two more albums to go in my Kim Wilde journey, and it all continues today with 1986's Another Step.

While Kim continued to make minor waves in Germany and the UK, she had yet to really pop in the USA. Things would only seem to get worse when her first single, Schoolgirl flopped upon release. However, fortune would smile with the release of her second, a cover of The Supremes Keep Me Hanging On. Her version would reach number two in the UK, and become her first and only number one in the USA.

With its success, Wilde became the fifth female UK artist to have a number one hit in the USA. The single would also revitalize her career in the UK, and this was further aided by the third single, and duet with Junior, Another Step (Closer To You).

As I listened to the album, I found myself rather enjoying it all. The first five tracks, You Keep Me Hanging On, Hit Him, Another Step (Closer To You), The Thrill Of It, and I've Got So Much Love were all pretty solid. It all featured great guitar licks, and Kim, herself, was also at the top of her game vocally. Finally, she was getting the material she deserved.

The energy dropped significantly with the CD and cassette "bonus track", Victim, and didn't boost at all with the failed single, Schoolgirl.

Then the entire album seemed to shift in style, from funk driven Say You Really Want Me, to the Motown style She Hasn't Got Time For You. It was certainly unique, sometimes in a good way, but overall, unmemorable. Truthfully, while I dug the Kim Wilde meets Michael Jackson thriller funk of Say You Really Want Me, I lost interest in the album from that point on.

Perhaps it was just too drastic a shift, but Another Step really didn't finish out as strongly as it started for me. In fact, it was kind of boring by the end of it. I actually skipped the last two ballad heavy tracks after giving them a brief opportunity to impress. I was just done at that point.

As for Kim, she teamed up with Mel Smith in 1987 to record and release the Christmas single, Rockin' Around The Christmas Tree. The song would produce another top ten hit for her, but not be her final chart topper. In 1988, her final for the era, Kim would release Close. It would go on to become her biggest selling album of all time.

Well, that's big expectations being set, and one I'll be checking out tomorrow to see if the juice is worth the squeeze.

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THIS WEEK ON THE CHARTS
September 6, 1980
 
THIS WEEK ON THE CHARTS
September 6, 1986


Comics Corner: Marvel Team-Up 124

   

Title: The Amazing Spider-Man
Issue Number: 124
Release Date: December 1982

Highlights

  • Reference is made to Marvel Team-Up 117, and 118
  • Professor Powers transfers his mind into the body of his son
  • Beasts parents come to visit him, and his mother is none to happy to see him, calling him a freak
  • Aunt May and Nathan Lubensky officially move back into May's old home with some of the folks from the Restwell Nursing Home
  • We get to see a photo of Peter when he was a baby
  • Breasts mom saves the day by standing in front of her son as Powers tries to kill him, pleading from one parent to another
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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