Retro Spins: Thompson Twins - Close to the Bone

 

Still neither Thompsons, nor twins, Tom Bailey and Allanah Currie would continue carrying the torch of the Thompson Twins as a duo after the departure of Joe Leeway in 1986. The now romantic couple renewed with Arista records for a single album, and set to work on the song, Nothing In Common. The single would only be released in the North America, where it would peak at fifty-four in the USA, and sixty-eight in Canada.

A series of personal tragedies would strike, as the two would lose their unborn child to a miscarriage in 1986. Currie would also lose her mother that same year. To focus on something more positive, the two would purchase and move into an old home in Ireland. It wouldn't be until Currie felt ready to start working on music again that the two would return to the studio.

The album, Close To The Bone was released in 1987 and climbed to number thirty-one in the USA. However, it would top out at sixty-six in the UK, where it spent only one week on the charts. The album was labeled a flop and failed to sell enough units for any type of certification and mark the end of their top five streak in the UK.

Perhaps its biggest misstep, if you could call it that, was being too personal for the artists. Rather than focus on mainstream pop songs, the two instead channeled into the departure of Leeway, the loss of their child, and the rekindling of relationships between Bailey and his parents who had previously disowned him.

Close To The Bone may be another generic album, but as artists, the two seem more mature. Lyrically, the songs seem more focused, unsurprising, based on the above, and the music more polished.

Rather than focus on synth pop, the duo continues to let other instrumentation join the fold, and in doing so deliver a more pop rock-oriented album. The end result are some enjoyable songs, but sadly, no hits.

Personal takes for me were Follow Your Heart, Twentieth Century, Long Goodbye, Savage Moon, Gold Fever, Dancing In Your Shoes, and Perfect Day. I was quite shocked to find so many amazing tracks, having initially thought there was no way the duo could pull of what the trio had continuously failed to do (for me at least). I am so glad to be wrong. This album reinvigorates me to hear more from Currie and Bailey.

The Twins would embark on a tour in support of the album prior to the end of the year. While successful, it would end up being their last album promotion tour. Perhaps for the better, as the two would welcome their first child in 1988, resulting in a two-year hiatus.

And we too take a hiatus, until tomorrow anyway. It's there that we'll wrap up the decade for the Thompson Twins.

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Comics Corner: The Amazing Spider-Man 267

   

Title: The Amazing Spider-Man
Issue Number: 267
Release Date: August 1985

Highlights

  • First appearance of Ron, AKA the Commuter, Scarsdale Police officers, Walter, and Steve, with other first appearances by Mona, Shana, Irving, Frieda, and Ralph
  • First appearance of Mister Fred's Fashion Design
  • Reference is made to Peter Parker, The Spectacular Spider-Man 103, and The Amazing Spider-Man 265
  • Human Torch sees Spider-Man in his black suit, and is concerned that the symbiote has once again possessed him
  • Spider-Man informs him that the black costume is from Black Cat, and while Johnny gushes over her, he's informed the two broke up
Low Points
  • Why is Spider-Man wasting a spidey tracer on a petty crook?
  • This is nothing more than a villain of the week story, and I use the term villain very lightly (see above low point)
  • Spider-Man webs a barking dog's mouth and nose shut - How is it supposed to breath? Mind you, it was a dog barking at him for trespassing in its master's yard
  • So much unnecessary attempts at comedy
    • Spider-Man attempts to shoot his web line upwards, but being in the suburbs, it connects to nothing - He's asked by a passing child if he wants to borrow her Big Wheel
    • Spider-Man jumps upwards at a tree, gets his costume snagged, and somehow brings the tree crashing down
    • Spider-Man is grabbed by a neighborhood watch homeowner, who puts him up against a car and frisks him
    • Spider-Man attempts to hitch a ride on a passing bus, only for it to pull over, and the driver to demand money - When Spider-Man can't produce any, the next panel is of a bus speeding off with Spider-Man standing on the curb
    • Spider-Man attempts to stop the fleeing crook, but in webbing his car only ends up in pulling the bumper off
    • Spider-Man gives chase of the crook in a taxi, driven by a driver who only speaks Spanish
  • Has Spider-Man become a joke to Marvel?
  • These recent "comedic" issues are killing my desire to read Spider-Man
Oddities
  • I ask again - Has Spider-Man become a joke to Marvel?
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Thompson Twins - Here's to Future Days


Towards the end of 1984, Thompson Twins released the single, Lay Your Hands On Me would peak at number thirteen on the UK charts. However, before returning to the studio to record the album which it would be featured on, they'd part ways with previous producer, Alex Sadkin.

The Twins next stop was Live Aid, where they would be impacted by technical difficulties of the rotating stage, having to start performing Hold Me Now behind a curtain because the stage wasn't ready. They'd then be joined by Steve Stevens, Nile Rodgers, and Madonna to perform a cover of the Beatles Revolution.

Heading back to the studio, they initially began work with Tom Bailey taking in the role of producer for their new album. Though, things became too much, and he would be diagnosed with nervous exhaustion. Postponement would occur, which would give the band time to rethink more on their decision, opting to instead bring in producer Nile Rodgers.

Upon its release, Here's To Future Days became another successful album for the band, peaking at number five on the UK charts, as well as breaking the top twenty in the USA. However, overall, it failed by a long shot to move as many units as the previously released Into The Gap.

Thompson Twins released the single Don't Mess With Doctor Dream, which would peak at number fifteen in the UK, but fail to chart in the US. It was followed by King For A Day which peaked at twenty-two in the UK, and eight on the Billboard Hot 100 in the USA. A new mix of Lay Your Hands On Me was also released in the USA and peaked at number six. Their final single, the aforementioned Beatles cover would be a minor hit in the UK but fail to chart elsewhere.

Here's To Future Days marks a return for the band to guitars. Quote, Bailey, "I knew before we went into the studio for this album that we'd avoided guitars for long enough, and that now was the time to use them. It was almost as if I wanted to make something that was more of a rock album and less of an electronic pop one."

It's a nice return to a more fleshed out sound from previous synth driven albums. Unfortunately, at this point, the band simply lacks the material to utilize the additional instrumentation.

Mind you, it's not a total bust. Tracks like Don't Mess With Doctor Dream, King For A Day, and my favorite from the band, Lay Your Hands On Me are all exceptional, and make the purchase of the album absolutely worthy. Initially, I felt there was going to be no sleeper hits, or hidden gems. However, the last two tracks, Tokyo, and Breakaway, finally delivered some mild charm.

By 1986, Joe Leeway had reached a point where he'd had enough. Problems with Bailey, Alannah Currie, and management, led him to leave the band. If I could say something positive about his decision, he did at least wait for the world tour to finish, and while negotiations for renewal with Arista were occurring. It's not like he left folks hanging with obligations to fulfill on his behalf.

Now a duo, Currie and Bailey would resign with Arista for one more album. However, already in a steady decline, things wouldn't seem to get any better, and though they continued forward, major success was quickly waving at them in the rearview mirror.

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