Comics Corner: Peter Parker, The Spectacular Spider-Man 115

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 115
Release Date: June 1986

Highlights

  • First appearance of Brenda Burman, Ralph Mackie, and Spencer
  • Brenda walks home from a late movie when she's grabbed by a bunch of thugs with super hero masks on
    • Their intentions are anything but good
  • The fencer who bought Peter's golden notebook brings it to Foreigner to sell it to him
  • Peter is sent to Fritz Woolcot's house to be part of the interview with Joy Mercado regarding the accusations of child abuse
  • Joe Robertson introduces his wife Amanda to his father
  • Alex Woolcot is showing signs of his new powers, doing his best to control them
  • Katheryn Cushing gives Peter an ear full for getting no pictures of Mr. Woolcot
  • Black Cat breaks into Foreigner's place, intent on robbing him, and giving the riches to local orphanages
  • Spider-Man seeks out Doctor Strange to help him with his recent string of bad luck
    • Doctor Strange determines there is definitely a bad luck aura that has affected him
  • It's concluded that the hex came from Black Cat, and Doctor Strange says that removing it from Spider-Man may have an affect on "the source"
    • Spider-Man decides he doesn't owe Black Cat anything, and tells Doctor Strange to proceed
  • Doctor Strange succeeds in removing the aura, and unbeknownst to him and Spider-Man, across the city Black Cat is getting beaten down by Foreigner's men since she no longer has her powers of bad luck
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



Click "HERE" to go back to the home page. For more posts related to this one, please click the labels below.

Retro Spins: Irene Cara - Carasmatic


After releasing 1983's What A Feelin', Irene Cara was one of the hottest female acts in town. However, in 1985, legal battles soon ensured between her and her label over unpaid royalties for her smash hits, Fame, and Flashdance...What A Feelin'. While she would ultimately win these claims in 1993, throughout all of this she was labeled difficult to work with and blacklisted in the industry.

While this served to stall her music career, Cara would pick up roles in films City Heat (1984), Certain Fury (1985), and Busted Up (1986). It wouldn't be until 1987 that she'd secure a deal with Elektra, and record her final solo studio album, Carasmatic. Unfortunately, a lot had changed in the music scene, mainly with the emergence of hair metal bands, shifting focus away from your traditional pop album. Her record was considered a failure, not charting anywhere, and not producing any successful singles.

But is that fair? Is the album really that bad? Or was it just an unfortunate outcome from an industry which relishes in destroying the careers of those who don't accept being taken advantage of?

From the opening notes of track one, Get A Grip, I can tell you my first impression was, "This feels dated." Meaning, it sounds like an immediate successor to her 1983 album, out of touch with the evolved music sounds of 1987.

To put that in perspective, by 1987, I was listening to the heavier Guns 'N Roses Appetite For Destruction, Def Leppard's Hysteria, and Aerosmith's Permanent Vacation. When I did turn my attention to pop music, it was albums like Michael Jackson's Bad, Prince's Sign 'O' The Times, Whitney Houston's Whiteny, and George Michael's Faith. The point I'm making is that Carasmatic sounds like none of these. Instead, the best comparison I can make is track three, We're Gonna Get Up, which sounds like Pointer Sister's Neutron Dance from 1983. It just doesn't jive with the year it's from, and in retrospect, I can understand why this wouldn't resonate with critics at the time.

Even if I take the year it was released out of the equation, and look at it strictly as an 80's album, it fails in comparison to many of the other bigger and better releases. It's mediocre at best, and that, I think, is giving it more credit than it deserves. Yes, Cara's voice is as good as it's ever been, but there's no catchy hits here that make the album worth listening to, let alone buying.

It's honestly disappointing. I really wanted to find a hidden gem here. To point at the rest of the world, and say, "You missed out!" Unfortunately, that's just not the case.

Irene returned to the screen, acting in various television series in one-off roles, while also providing vocal work in films for various animated films between 1989 and 1996. She formed the band, Hot Caramel in 1999, and released in 2011 their only album, Irene Cara Presents Hot Caramel. She also saw a return to form, and brief resurgence in popularity when in 2005 she won first place on NBC's Hit Me, Baby, One More Time, performing Flashdance...What A Feelin', which she performed with her new band. She would also perform the song as the opener to the 2006 AFL Grand Finale. Sadly, Cara tragically passed away in November 2022.

On a side note, if you're a fan of "older" acts getting another fifteen minutes of fame, I definitely recommend checking out the 2005 show, Hit Me Baby One More Time. You'll catch acts from the likes of Gloria Gaynor, Howard Jones, Limahl, Tiffany, Belinda Carlisle, Doctor And The Medics, Junior, Sabrina, Shalamar, Loverboy, A Flock Of Seaguls, Tommy Tutone, The Motels, Wang Chung, Greg Khin, Club Nouveau, Glass Tiger, Animotion, Missing Persons, Shannon, and so many more! I mean, come on, what are you waiting for? Head to Youtube!

Click "HERE" to go back to the home page. For more posts related to this one, please click the labels below.

Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.


























Comics Corner: The Amazing Spider-Man 278

   

Title: The Amazing Spider-Man
Issue Number: 278
Release Date: July 1986

Highlights

  • First appearance of Scourge, and Sharon Banks, and NYPD officers Jack Brennan, and Bert
  • Death of Wraith, AKA Brian DeWolff
  • Reference is made to Captain America 319
  • Robbie asks Peter to conduct an interview with Flash Thompson, which he reluctantly agrees to do
  • Wraith comes to New York to extract revenge on the police for the death of his sister, Jean DeWolff
  • Scourge Of The Underworld infiltrates the jail, intent on killing Flash Thompson, who he thinks really was Hobgoblin
  • Spider-Man stops Scourge, but sets in motion a full on prison riot, and a fight with all the police
  • Scourge escapes the scene, and in doing so, comes across Wraith who is attempting to enter the building - Scourge blasts him at point blank in the stomach, killing him
  • At The Rose's building, a very much free Hobgoblin sits reading the paper
Low Points
  • None
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



Click "HERE" to go back to the home page. For more posts related to this one, please click the labels below.

Retro Spins: Irene Cara - Anyone Can See

   

After her successful work on the 1980 film, Fame, as well as recording the lead vocals for the main theme, Irene Cara was asked to reprise her role of Coco Hernandez for the forthcoming 1982 television series. However, she would decline, instead wanting to focus on a recording career.

She'd release her 1982 debut, Anyone Can See, that same year for Network Records, a new label created by industry legend Al Coury just a year prior. The title track would peak at number forty-two on the Billboard Hot 100, and overall, Cara was praised for her vocal versatility.

With all that stated, there is clarification needed here. While Anyone Can See is touted as her debut, it's technically not. She had already released the Spanish language album as Irene Escalera, her real last name. Specifically, 1967's Ã‰sta es Irene (This Is Irene), at the age of eight. Her stage name, Irene Cara comes from her dropping her last name and instead using her first and middle name.

Personally, I didn't know anything from the album. Instead, it was an impulse buy after finding her 1987 released Carasmatic (Do you get it? Cara - smatic, instead of charismatic) for just a couple dollars during a used CD excursion. Basically, I ended up tracking down her debut because it was the only one missing in my collection from the 80's.

I did recognize the cover versions of the Four Top's Reach Out I'll Be There, and Leo Sayer's Thunder In My Heart, and they're serviceable. However, as it normally goes, these are inferior to the originals.

With that said, I will admit that Cara has an amazing voice, an incredible range, and can deliver solid music. All of the above is what drew me to her 1983 What A Feelin' album, which I've already done a Retro Spin on, and what ultimately made me grab her other albums from the era.

Overall, I would not rank this one a success. In fact, if it were my first exposure to her, I probably wouldn't go any further.

Fortunately, my first exposure was the aforementioned What A Feelin', and well, I suppose as a result of that, I now have all three of her albums from the 80's, which actually encompasses her entire discography of studio albums. Since, as noted above, I've already listed to Feelin', my next stop is 1987's Carasmatic, which I'll hit tomorrow. I'm hoping there's some unknown gems to be found.

Click "HERE" to go back to the home page. For more posts related to this one, please click the labels below.

Disclaimer: They Toy Box does not endorse or contribute to piracy. Retro Spins posts are intended for educational and entertainment purposes only. None of the music discussed here is available for sale, downloading or distribution.